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This transcript was created on 2026-06-07 at 11:58:56

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Hello, dear listener, and welcome back to the 2nd great and bountiful Human Empire, the only dogs who flash cast in possession of a good fortune, which must be in want of a bird.

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I'm Nathan.

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I'm Brendan.

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I'm James.

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I'm Simon.

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And I'm Todd.

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So, uh, we're here today to discuss season one episode probably six, uh, depending on whether you're Disney or the BBC.

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It is Rogue, written by Kate Heron and Bryney Redmond, and directed by Ben Chessel, who we saw earlier this season doing the devil's chord.

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I want to start with just a quick sort of round of general impressions.

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This might be a good place for your mark out of 10 or your feelings about the episode generally.

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I think I have to start with Todd after saying that.

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I have to say, any episode that surprises me with Kylie in such a delightful way is going to get lots of plus points and I enjoyed the whole thing thoroughly, at least an 8 out of 10 for me.

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Brilliant.

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What about you, Brendan?

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I'm with Todd.

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It's an 8 out of 10.

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The only place it loses points is I felt it repeated some ideas from Captain Jack and River, but not enough for it to sort of bore me or me to go, oh, we've seen this before.

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I get it.

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It's kind of a shorthand, but yeah, it's a solid 8 out of 10 from me.

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What about you, Simon?

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Well, goodness me.

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I might even say 8.5 out of 10.

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I think there is there is there is gas.

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There is much to love about this episode, including, and particularly the way it's made, you know, the structure of it with that wonderful cold open, it just drags you in.

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It's just fantastic.

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The costuming, it's so great that we have a doctor who enjoys dressing up when he goes into the past.

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There is much to like about it.

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It's not perfect, and we'll come to those little niggling annoyances later, but no, I was engaged throughout the entire thing and charmed.

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And James.

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Oh, look, I think this is my favourite episode of the season so far.

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Um, and that's not to say, structurally, it's the best or the, I, it's just so much fun.

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I think fun is what sums it up for me.

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I was just smiling with glee the entire episode.

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Even, even the, the, sort of, more serious bits.

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I was like, 0 my god, they're going there.

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Or just like, yeah, oh, fantastic, fantastic. really enjoyed it.

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Nathan, what about you?

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Well, I actually really, really enjoyed it as well.

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And I find I found myself falling for all of the episodes intrigues as well.

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I'm kind of going, what?

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So, no, Ruby's not dead.

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Is Ruby dead?

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Are we getting another face, the raven moment?

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What's happening here?

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And all of that sort of stuff?

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Like, I just completely fell for it in every way.

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And I love romance.

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We'll talk about that a little bit later because I think it's super central, but it's a genre that I really enjoy and obviously it works in this sort of historical setting.

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And the other thing that I thought was really great was just the artificiality of it, that we have people fighting, like our monsters want to have the best guest role in the show, and that's kind of what they're fighting over.

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And the whole thing is designed to create a TV show for our amusement.

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It's the thing that the children do.

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So I thought it was really fun and funny and clever.

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And I thought the romance landed just spectacularly.

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Let's talk about Bridgerton.

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Has anyone here watched Bridgerton?

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Yes.

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I confess.

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Because I confess I've never actually watched it.

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Yeah, not me.

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That being said, the current, the current season's trailers have me very intrigued.

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So it's just possible despite what she says that Ruby doesn't watch Bridgerton, otherwise she would have recognised Jocelyn from Space Babies. as Queen Charlotte from Regent.

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Um, But I have watched Bridgerton and Bridgerton is very much about that, you know, one of the things, one of the things that we said last week, I think, was that we were doing the race thing in episode 5 in space and that it meant we would be unlikely to do it in the Bridgerton episode.

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And one of the things that Bridgerton is famous for is, of course, the colourblind casting.

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And so we do kind of just do that.

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We don't go for a 2nd episode in a row with an all white guest cast and we just let that happen and do other things.

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And in fact, it's much more about queerness.

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I think that it is about race.

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Um, so I think all of that stuff, you know, I've got a lot to say when it comes time to talk about this on flight through entirety, um, because just of the artificiality of the past and the way that it really leans into that and has the characters willingly participating, in creating a dramatic artificial setting, which I think is really fun.

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How did we feel about the Chuldor?

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Uh, I think they've very effectively realised with the exception of the blue one, which was really distracting me.

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No, the blue one.

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There was something about it, which made it look like velvet, like that blue head was... was just terribly off-putting for me.

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But no, I really liked the idea of them.

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Yeah, just wanting to have fun, almost like the eternals, like they're just kind of, um, um, passing the time by by taking over other people's bodies and okay, that person gets killed, but um, they don't really care.

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I don't think it was necessary that suddenly everything was heightened towards the end when what they were going to destroy the effectively destroy the entire world.

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Yeah.

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By the time they finished.

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I actually thought that was, not just unnecessary, but I think that actually detracted from the kind of the, what I wanted them to be, which was kind of just much more carefree.

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I mean they were going to have fun doing it, weren't they?

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They were going to sort of start wars with Portugal and stuff. for fun and maybe be the king.

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I think the stakes needed to be high so that Ruby sacrificing herself worked or the doctor refusing to, you know, had to refute, had to stop them, you know.

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Yeah, I don't know because that's I think, I mean, the most obvious comparison for me is girl in the fireplace. this episode.

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And I think one of the reasons, one of the many reasons I absolutely love that episode is because there isn't actually anything at stake apart from the life of one woman.

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And I think if they'd have kept it to that, I think if Ruby had been wanting to sacrifice itself because of the doctor, so the doctor and Rogue can do their thing.

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I think that would have been a much more nicer thing rather than because, you know, we're going to go to war with Portugal or the whole world's going to be consumed by this, you know, it's kind of like, yeah, yeah, I just don't care about that.

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Yeah, yeah, yeah, yeah.

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Yeah.

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What do you think, Brendan?

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Yeah, I'm I'm a little I'm a little bit with Simon on this one. you know, I loved I love the design and I think, um, children of 1990 Zelda games and James is going to know what I'm talking about.

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We have an aversion to owls who talk too much.

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But, uh, I think, I think for me, is it's a bit like in Ghostlight, where Josiah is suddenly, and I'm going to kill Queen Victoria.

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Yeah, you don't care.

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It's like we're escalating the stakes.

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Why?

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Shut up.

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That's why.

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You know, I'm swept along with it.

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It doesn't affect my enjoyment.

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But yeah, it also, it almost would have been nice if their whole thing was just, no, we're just going to go around and kill people at garden parties.

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And maybe maybe, yeah, and maybe you can get rogue going.

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Actually, France have got a similar idea right now.

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I'm just saying.

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Tips the wrong country.

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What do you think, Todd?

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As a Bridgerton afficionado?

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What do you call myself an aficiado?

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It was just so much fun and it looked so it was shot so well.

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It just, it was just, Glamorous is not the word I want to use.

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It was, it just had this feel about it, whether you were inside or outside majestic, and I just was drawn into it, and the performance is not only of the characters in terms of the real characters, like the cold open with that very nasty but hot lord.

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And then the lady her, um, what's her name?

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Indira, um...

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And like, she wasn't a nice person either.

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Like, they were actually not, like, it was all this intrigue and, you know, the season and all that sort of stuff, and then they were replaced with people who were determined to even go one step further.

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I just, the funness and all of that.

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I'm still smiling.

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Like, it probably is my, could possibly be my, like I said, eight, but I, you know, You're talking yourself up.

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I threw myself up, but I just enjoyed the whole thing.

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The last 3 weeks, I've enjoyed all of those episodes, but they've all been either Dr. Light for a reason or, or, um, in the doctor in a particular, in one position.

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So we had constraints, whereas this didn't have those constraints.

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So I just enjoyed the whole spectacle.

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It was a spectacle.

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And I have to say that shooty just looked absolutely stunning.

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Yeah.

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Yeah.

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Yeah, I think India Obama deserves all of the props because she is unbelievably horrible as Lady Pemberton or whatever she is, Duchess Pemberton.

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Um, and then when she's taken over by the bird and she suddenly starts acquiring these sort of birdlike movements, like the way she moves her head.

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She's got an alarmingly long neck as well, which she absolutely uses to her advantage.

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I just think she's fantastic.

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And I think it solves the problem in series one of Torture.

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They clearly keep killing Susie because she has foul pest.

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They do keep killing Susie, not even in Doctor Who.

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Like she, she killed so often.

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She killed in everything.

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Yeah, no, that was that was so much fun.

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Um, And I agree with you, Todd.

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It, it, it looks luxe.

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And beautiful and I think, you know, that sort of majesticness, um, is bec- probably because they they employed again for the 2nd time this season.

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The choreographer from Bridgeton.

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Right.

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Oh.

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Yes, he he choreographed the dancing.

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In Devil's Court.

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Yeah.

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As well.

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Yeah, because it's the same director, isn't it?

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I did wonder about that actually.

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Yeah. interesting.

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Can I just say a little slight Bridgerton annoyance that I have?

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I mean, I've never I've never watched it, but it is on the list.

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We'll get to it eventually.

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And I know that it's very much part of the current site, guys.

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But I was kind of annoyed that sort of in one line.

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We sort of erase 50 or 60 years of quality BBC period drama because it's all about Bridgerton.

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Yeah, yeah, yeah, yeah.

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And the other thing is, I'm very glad that we didn't have a real historical figure in it.

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I was hoping that like Jane Austen wasn't actually going to turn up because that would have been really tiresome.

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You just thought bath, here she is, bath 1813, where she...

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I did I did love the...

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I mean, I haven't watched Bridgerton, but Jason does.

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And so I do catch bits of it in the background and I did love the, uh, the use of, popular music.

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Hmm.

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Uh, in it.

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Like, you know, like, um, The, like, bad guy by Billie Eilish playing when, when, um, with during the meat cube, or, um, was it poker face?

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Yeah, it was. during the fight scene between Ruby and the blue the blue dressed bird.

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Emily, thank you.

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Blue dressed bit.

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So yeah, that because that music is being played by notionally being played by the string quartet in the room, not as incidental music.

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Yeah, it was kind of...

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That is a feature of Bridgerton.

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Like that is a thing that Bridget does.

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So, I see.

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Yeah, yeah, yeah.

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So, you know, there is there's a sense in which this isn't said in any kind of actual, you know, 1813 that ever took place.

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It is taking place in a Bridgerton version of that, Brendan.

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And it gives us a subtle reprise of the, I didn't realise that was diagetic joke from the devil's chord.

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Yeah, yeah.

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Just further on the music, though, it is actually interesting because those anachronistic selections of music are right, only arrive later because we start with a hide and string quartet in the in the pre-credit sequence.

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And then we have another contemporary work from the Pirul from 1801, 1802, something like that.

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When the doctor and Ruby are dancing just straight after the credits.

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So it's kind of like you sort of lulled into it that way.

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So that's actually very, very interesting choice.

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I do have to, just on the music, if I may, absolutely.

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I mean, great to have poker face and all that sort of stuff.

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But I think when Rogue and the doctor are dancing.

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I think, having Piazola's libertango, which is about from 973, I think, is a fantastic choice.

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And, you know, the music is just perfect for it.

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And I don't know whether, I think a lot of the audience would be probably familiar with the music, like they'll go, oh, that rings a bell without actually knowing what it is.

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And so I think that's just a super super choice.

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I thought the musical school was fabulous, isn't it?

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It drew me in.

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It was just another layer to everything.

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That was going on.

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It added to the elegance, the overall flavour.

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Yeah.

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Just do, and just to sort of hark on, hark on about the, the sort of the majesty of it, for whatever better word.

196
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It's so great.

197
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We are in a large house.

198
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It's not a set.

199
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We've got lots of extras.

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It's populated.

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There's proper, proper choreographed dance sequences.

202
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The library that's, that, that, that they go to, um, is, is also large and and, it's wonderful to be dimly lit and and, and glorious like that.

203
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And yet, the external sequences are also, at no point am I thinking, oh, this is all just kind of been pasted together from stuff, or this is a bit of half wall, and we grabbed this from this other program, even if they did.

204
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I don't know.

205
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Yeah, yeah.

206
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All right, well, let's move on very quickly and talk about Millie subplot, which is kind of disposable, really.

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So it's basically her and Emily and her interactions with the children.

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How do we think Millie was served by this episode?

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I liked it because I think that often the Doctor 2 companions do go into a subplot and and it's good to see that rather than just being together all the time.

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I do think there was a cheat with it because when Emily grabs her and changes, then we cut to outside and there's a lot of flashing, but then in the flashback, there's very little flashing.

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I just felt that was a bit naughty. send us up, send us up the garden parts.

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And then I was a bit confused because Emily and the Lord were then having their conversation.

213
00:15:21.600 --> 00:15:31.259
And, and were they just play acting that because they knew she was there or was Emily, was Emily actually Emily at that and then got, like, why go through all of that stuff?

214
00:15:31.320 --> 00:15:33.899
Like, I just, I just kind of, that just stuck.

215
00:15:33.960 --> 00:15:34.799
Is that part of the cosplay?

216
00:15:34.919 --> 00:15:36.240
Yes, that's what I think it is.

217
00:15:36.299 --> 00:15:49.620
I think they're having their great scene together and the fun thing is that they have an audience, you know, she's there watching while they do this incredibly important scene from the romance plot that's being cosplayed in this episode.

218
00:15:49.679 --> 00:15:51.720
So I think it does play with that.

219
00:15:51.779 --> 00:15:55.559
Okay, because I loved her, all her clumsy stuff there.

220
00:15:55.620 --> 00:15:58.740
She might be very much of Joe Grant quite frankly, and I just thought she did a wonderful job.

221
00:15:58.799 --> 00:16:00.059
Yes, yes.

222
00:16:00.120 --> 00:16:00.779
Good comparison.

223
00:16:00.840 --> 00:16:06.120
I also liked the sort of hiding in plain sight, the solution.

224
00:16:06.179 --> 00:16:11.580
You know, don't set them into battle mode, which is a throwaway line at the beginning of the episode.

225
00:16:11.639 --> 00:16:15.960
And then it's the way you solve the, oh, how the hell did you get out of that?

226
00:16:16.019 --> 00:16:21.179
They do a good job there too, of setting up the rules of the triform in the other plot.

227
00:16:21.240 --> 00:16:27.179
So we get to see that in operation before we get to see it play a major part in the episode.

228
00:16:27.240 --> 00:16:31.139
And, you know, nothing just sort of comes out of nowhere.

229
00:16:31.200 --> 00:16:33.419
It is all very carefully structured, I think.

230
00:16:33.480 --> 00:16:36.659
Yes, and that that old law of conservation of information.

231
00:16:36.720 --> 00:16:38.940
Yes, the fact that, you know, why do I know how to dance?

232
00:16:39.000 --> 00:16:41.100
Oh, it's because of the earrings, which is actually at the time when I'm watching that.

233
00:16:41.159 --> 00:16:42.179
I was like, oh, we don't care.

234
00:16:42.240 --> 00:16:43.500
I don't care how she knows I did that.

235
00:16:43.559 --> 00:16:44.460
She just does.

236
00:16:44.519 --> 00:16:48.179
You know, I'm sick of the explanation, but yeah, the payoff is the earrings.

237
00:16:48.240 --> 00:16:50.039
Although do we really need that anyway?

238
00:16:50.100 --> 00:16:50.399
Whatever.

239
00:16:50.460 --> 00:16:51.179
Yeah.

240
00:16:51.179 --> 00:17:09.359
Something I really loved about Millie this week is she's really showing her comedy chops because there's several, there's several times when things are happening around her and she's just kind of doing sort of pointing and faces like, do I go over, this is so awkward.

241
00:17:09.420 --> 00:17:11.940
Oh, wait, I'm not watching this as a TV show.

242
00:17:12.000 --> 00:17:12.720
I need to go over there.

243
00:17:12.900 --> 00:17:23.160
And just, there are actors and comedians who have, you know, trained years to do that, and it's so easy to forget that Millie is 18.

244
00:17:23.339 --> 00:17:24.720
You know?

245
00:17:24.779 --> 00:17:35.460
And yes, she's been acting for years, but just her level of at times subtlety and at times broadness, she pitches it perfectly.

246
00:17:35.460 --> 00:17:41.700
And I was so impressed and especially like the battle mode scene where she's surprised by what she's doing.

247
00:17:41.819 --> 00:17:43.319
Yeah, yeah.

248
00:17:43.319 --> 00:17:44.220
Yeah.

249
00:17:44.279 --> 00:17:44.880
All right.

250
00:17:44.940 --> 00:17:46.200
Well, let's talk about the romance.

251
00:17:46.319 --> 00:17:56.220
For me, this is really something where you have one night where the doctor meets a handsome stranger, they fight monsters together.

252
00:17:56.279 --> 00:18:05.759
They exchange, you know, they talk to one another about how much they've lost, and then he disappears from his life forever.

253
00:18:05.819 --> 00:18:10.859
And I thought that that just was a great structure.

254
00:18:10.920 --> 00:18:12.960
And it's something that Doctor Who hasn't done.

255
00:18:13.019 --> 00:18:16.440
I mean, we've had River, we've had Jack, sort of.

256
00:18:16.500 --> 00:18:20.579
But this, I think, is something quite different from that.

257
00:18:21.900 --> 00:18:26.099
How do we feel about Jonathan Groff, Simon?

258
00:18:26.640 --> 00:18:31.500
At the risk of flexing that I just saw him on Broadway in Merrily we Roll along.

259
00:18:31.559 --> 00:18:32.519
This is what we are.

260
00:18:32.579 --> 00:18:34.920
This is...

261
00:18:34.920 --> 00:18:36.000
You dropped this.

262
00:18:38.279 --> 00:18:49.740
The performance was actually remarkably similar to the one I just saw on stake in that he was very, you just know, and just in terms of the fact that he was very still, and also he was very underplayed compared with everything else going on around him.

263
00:18:49.799 --> 00:18:53.519
And I really like him as an actor.

264
00:18:53.579 --> 00:18:55.559
I think he's great.

265
00:18:55.619 --> 00:19:12.539
I am questioning whether there is a fine line between being understated and being flat and I'm not 100% sure that he's not just sometimes flat because he's trying to be still, he's trying to be obviously suave and cool and everything, but not in an annoying way.

266
00:19:12.660 --> 00:19:19.079
And I think contrasted with shooting and contrasted with all the other heightened performances which are going on around him.

267
00:19:19.140 --> 00:19:21.240
It is a little bit out of place.

268
00:19:21.299 --> 00:19:24.779
Having said that, you know, he's great and he certainly does know what he's doing.

269
00:19:24.839 --> 00:19:27.420
I wouldn't dare to question the choices.

270
00:19:27.480 --> 00:19:30.539
See, I think he's a shy nerd.

271
00:19:30.599 --> 00:19:37.740
You know, who secretly loves Kylie and plays Dungeons and Dragons and named himself after the rogue class.

272
00:19:37.799 --> 00:19:51.839
And so we expected him to be Jack and we're kind of fooled into that because we get the scene from the empty child only instead of someone taking the companion to their spaceship.

273
00:19:51.900 --> 00:19:54.000
He takes the doctor to the spaceship.

274
00:19:54.059 --> 00:19:56.039
And it is exactly that scene, isn't it?

275
00:19:56.700 --> 00:20:08.579
But he's lonely and he's on his own and he's he's charmed by the doctor, but he's also very quiet and nerdy.

276
00:20:08.640 --> 00:20:13.500
He's not the loud suave guy that Jack is at all.

277
00:20:13.980 --> 00:20:16.680
So he's Henry Cavell is what you're saying.

278
00:20:16.980 --> 00:20:18.599
He wishes.

279
00:20:18.660 --> 00:20:19.859
No, he can act.

280
00:20:19.920 --> 00:20:20.640
Sorry, Brendan.

281
00:20:20.700 --> 00:20:22.079
Yeah, I was going to say it's bad.

282
00:20:22.140 --> 00:20:24.359
Don't be rude to Jonathan Groff.

283
00:20:27.599 --> 00:20:51.960
Yeah, I found, I found their chemistry rather wonderful and um, something I said to um, uh, friend of the podcast this week and it was either Bob or Alex, so if you're listening, Lads High, um, was, I think the doctor sees his pain, his past pain in rogue.

284
00:20:52.019 --> 00:20:57.839
And in the doctor, Rogue sees someone he'd like to be more like because he's a bounty hunter.

285
00:20:57.900 --> 00:21:02.099
But It's not like a blood sport.

286
00:21:02.160 --> 00:21:19.140
And you know, I think this interpretation of the word bounty hunter is very informed by the Mandalorian, another Disney Plus property. in that this is an honourable figure who is interested in protecting the lives of innocence, and that's why he does what he does, but is also deeply lonely.

287
00:21:19.380 --> 00:21:22.380
And I think the doctor recognises that.

288
00:21:22.799 --> 00:21:25.619
I agree with you, Brendan, on this.

289
00:21:25.680 --> 00:21:34.680
I kind of think there is this connection between them which slowly builds because the doctor sees certain things in rogue and then rogue sees certain things in the doctor.

290
00:21:34.740 --> 00:21:38.640
So as it goes along through all that Kylie stuff, that's slowly building.

291
00:21:38.700 --> 00:21:48.839
And I actually think it goes at a pretty, well, I think it goes at a good pace, you know, and I actually see, you know, all the stuff in the TARDIS and the little flirting there and the almost kissing and all that.

292
00:21:48.900 --> 00:21:53.339
I just, I just love the way in which you'd sort of built and I actually thought they had a good chemistry.

293
00:21:53.400 --> 00:21:56.099
And I think, um, Simon Wright, you're right.

294
00:21:56.160 --> 00:22:00.180
Like he certainly underplayed it more, but there were certain times where you could see he wanted to.

295
00:22:01.079 --> 00:22:08.940
You know, he wanted to give more, you know, and he's obviously gone through a lot of pain and and I just bought, you know, when he went down on his knee with the ring in that scene.

296
00:22:09.000 --> 00:22:15.480
I almost lost it, like, you know, and then, and then at the end, you know, with the kiss and his sacrifice.

297
00:22:15.539 --> 00:22:17.220
I mean, I bought the whole thing.

298
00:22:17.279 --> 00:22:19.799
I was just swept away in the romance of it all.

299
00:22:19.859 --> 00:22:22.200
I mean, I don't want to...

300
00:22:22.200 --> 00:22:25.259
This is Dizzy's performance because I think he's very good.

301
00:22:25.319 --> 00:22:29.880
It's just that I couldn't help thinking, as you're saying, Nathan, the kind of the shy nerd.

302
00:22:29.940 --> 00:22:34.140
I kind of, I just wanted to see that that being a little bit more visible in his performance than it was.

303
00:22:34.200 --> 00:22:34.619
That's all.

304
00:22:34.740 --> 00:22:43.319
I just, and it's just partly because of the, the, the kind of level of performance of everything else around him. need to be the population. more, don't you, in Doctor Who?

305
00:22:43.380 --> 00:22:43.619
Exactly.

306
00:22:43.680 --> 00:22:44.279
Yeah, yeah, yeah.

307
00:22:44.339 --> 00:22:44.819
Yeah, yeah, yeah.

308
00:22:44.880 --> 00:22:46.440
But, I mean, he's so charming.

309
00:22:46.500 --> 00:22:47.819
The 2 of them are so attractive.

310
00:22:47.880 --> 00:22:55.559
And, you know, like instantly even up on the balcony, they're kind of flirting and having fun with one another.

311
00:22:55.559 --> 00:23:04.859
And the doctor like dancing and like lip syncing to Kylie in the sort of incredibly kind of sexy way.

312
00:23:04.859 --> 00:23:07.200
And, you know, I don't know.

313
00:23:08.519 --> 00:23:45.660
We've had the doctor fall in love with someone in an episode before, we mentioned girl in the fireplace, and maybe this is something for flights through entirety, but I remember that Paul Cornell when he made John Smith fall in love with Joan Redford, one of the things that he said to us in the book was that, he made the doctor straight and that was a thing that meant that something had been lost because Doctor Who had a gay fandom and one of the reasons it had a gay fandom was that the doctor travelled with these beautiful women but wasn't really particularly interested in them.

314
00:23:45.720 --> 00:23:52.559
He wasn't a normal romantic hero and we could kind of insert ourselves in there.

315
00:23:52.619 --> 00:23:53.579
Do you know what I mean?

316
00:23:53.640 --> 00:23:55.559
We could identify with that in some way.

317
00:23:55.619 --> 00:24:04.619
And by making him heterosexual, I think we do open the character up, make him more interesting, give him the chance to be involved in romance and things.

318
00:24:04.740 --> 00:24:10.799
And so now this is us being represented as well in the character of the doctor.

319
00:24:10.859 --> 00:24:15.000
And I thought it was pretty, it was pretty amazing actually.

320
00:24:15.059 --> 00:24:22.680
And the fake, the faint with that, they're gonna kiss, but they don't, because the thing dings, and you sort of think, oh, well, they're not gonna kiss then.

321
00:24:22.740 --> 00:24:24.059
That's done.

322
00:24:24.059 --> 00:24:25.799
And of course, the highlight.

323
00:24:25.859 --> 00:24:29.819
Um, you know, that the big kiss at the end, which is so wonderful.

324
00:24:29.880 --> 00:24:32.400
Uh, you know, I just...

325
00:24:32.400 --> 00:24:33.180
Ruby's reaction.

326
00:24:33.240 --> 00:24:34.740
Yeah, yeah.

327
00:24:34.799 --> 00:24:39.420
Even though she's about to be sent to a barren dimension somewhere.

328
00:24:40.500 --> 00:24:46.980
The warmth and generosity there at the end, like in that moment and then making the doctor hug it out.

329
00:24:47.039 --> 00:24:47.819
Yeah.

330
00:24:47.880 --> 00:24:53.940
You know, it's her performance as that character, I really, really love those aspects.

331
00:24:54.480 --> 00:25:03.480
I think, though, there's a difference between the way this is done and the way say girl in the fireplace is done or any of the other, like the river and so on.

332
00:25:03.539 --> 00:25:08.160
The, the, the, the kind of the, the falling in love aspects.

333
00:25:08.220 --> 00:25:13.859
He really falls into an emotional love with Madame de Pompadour in that.

334
00:25:14.160 --> 00:25:19.380
This, I think, is different because it is, and certainly with River as well.

335
00:25:19.440 --> 00:25:22.559
It's an intellectual and emotional attachment and love.

336
00:25:23.400 --> 00:25:49.019
With this, I think this is the 1st time you get the concept of the doctor being a sexual being because there is a bit more of an animalistic desire that I think we're seeing there, in the passion of the kiss and and also the way the doctor is flirting with rogue, very, very actively, like, whereas with River and Madame de Pompadour, he's being, doctors being courted by them, really.

337
00:25:49.079 --> 00:25:57.299
Whereas in this case, the doctor is at least an equal partner, if not, he's the one almost making the moves on rogue.

338
00:25:57.299 --> 00:26:00.660
And I think that is a different way of doing it.

339
00:26:00.720 --> 00:26:04.380
Now, I do subscribe to that kind of whilst I love girl in the fireplace.

340
00:26:04.440 --> 00:26:05.819
I love human nature, et cetera, et cetera.

341
00:26:05.940 --> 00:26:07.259
And I love the relationship with the river.

342
00:26:07.319 --> 00:26:10.859
I still always default to the fact that, you know, I still like that doctor.

343
00:26:10.920 --> 00:26:13.799
Not so much being an asexual being, but it's just something that we just don't really deal with.

344
00:26:13.859 --> 00:26:31.920
And I think it's okay for it to be done like very sparingly, and I get that it's part of what you need to do in the modern era, but I query where there's some of the discomfort that some people have had with that has not been around that I've read online, has not been around the gayness of it per se, but about the doctor being a more sexual being.

345
00:26:31.980 --> 00:26:36.599
And I don't think the doctor's necessarily straight for human nature.

346
00:26:36.660 --> 00:26:39.119
He's neither straight nor gain nor b nor anything.

347
00:26:39.180 --> 00:26:49.140
He's kind of, because he's an alien, it's, it's, it, it may be, maybe he has different sexualities depending on the regeneration or maybe he's always got all sexualities.

348
00:26:49.200 --> 00:26:49.619
Who knows?

349
00:26:49.680 --> 00:26:57.900
It's just that ability to be able to read your own, your own vision, your own interpretation into different aspects of the program.

350
00:26:57.960 --> 00:27:03.539
And I think we should always, the program should always aspire to be able to be open to all those interpretations simultaneously.

351
00:27:03.660 --> 00:27:28.740
I think, though, that the, while they are both sexy men and while they are flirting with one another, it's, um, the kneeling down, which is so romantic, where he kneels and gives him like that, it's incredibly romantic, the moment where they open up and they see the loss that each of them is experienced, you know, like there is an emotional level.

352
00:27:28.799 --> 00:27:30.299
It isn't just about sex.

353
00:27:30.359 --> 00:27:42.779
And I do think, yeah, I think that, you know, there's a reason, you know, certainly there are people who prefer the show where the doctor isn't, um, uh, you know, isn't involved in romances.

354
00:27:42.839 --> 00:27:44.700
The doctor doesn't dance.

355
00:27:44.759 --> 00:27:58.559
Yeah, my feeling, though, is that there are people leaping online to complain about girl in the fireplace. and I think that their complaints are fairly, clearly motivated for one thing.

356
00:27:58.619 --> 00:27:59.819
Yeah.

357
00:27:59.819 --> 00:28:00.000
Yeah.

358
00:28:00.059 --> 00:28:03.960
Because I do think, like, I do think this is adorably romantic.

359
00:28:03.960 --> 00:28:18.240
And I think you're right, Simon. he's never said to be straight, we've never had him, you know, given a label and even now we haven't, you know, but we did see him in a lot of mixed sex relationships.

360
00:28:18.299 --> 00:28:29.160
We've seen him in lots of heterosexual relationships and I think Moffatt constructs him as a straight man because Moffatt has things to say about, um, about men and women and the relationships between them.

361
00:28:29.160 --> 00:28:32.519
And all of that is really good and I enjoyed all of that stuff at the time.

362
00:28:32.759 --> 00:28:37.619
But actually seeing him kiss a man in a way that we haven't seen before.

363
00:28:37.619 --> 00:28:41.339
And, you know, he doesn't kiss Jack, Jack kisses him.

364
00:28:41.400 --> 00:28:43.440
I think it's it matters.

365
00:28:43.559 --> 00:28:46.140
And it's not a it's not a romantic kiss with Jack.

366
00:28:46.200 --> 00:28:47.400
No.

367
00:28:47.460 --> 00:28:53.519
Also, the idea of doing a queer romance came from the writers, not from Russell.

368
00:28:53.579 --> 00:28:54.180
Yeah.

369
00:28:54.240 --> 00:28:55.980
They actually suggested it to him.

370
00:28:56.039 --> 00:29:11.279
The funny thing is that Kate Heron directed an executive produced the 1st season of Loki, and Russell said that saying that Loki was bisexual was just absolute cheap representation because they never showed anything.

371
00:29:11.339 --> 00:29:16.559
You can put the word bisexual, you can type it into your script and it costs you absolutely nothing at all.

372
00:29:16.619 --> 00:29:22.740
And so when he hires her, she says, all right, you know, I'm doing it and he's going to be kissing a man.

373
00:29:22.799 --> 00:29:23.880
I think that's pretty great.

374
00:29:24.660 --> 00:29:34.500
I also think, like, you know, with the bi-regeneration thing, is that a lot of the baggage of the doctor has gone, and we've seen him in shooting that is much more emotional.

375
00:29:34.559 --> 00:29:35.819
Like he's crying so much.

376
00:29:35.880 --> 00:29:45.420
Like again, at the end of the episode, there are tears, and I think that allows him to be more open to actually take the lead in being the romantic lead.

377
00:29:45.539 --> 00:29:52.019
And I mean, if you look at the, and going back to what Simon's saying, like, you know, in the original series run, the doctor was very asexual.

378
00:29:52.079 --> 00:29:58.019
In the next generation from 2004 to 2022, a lot of people instigated the romance on him.

379
00:29:58.079 --> 00:30:03.660
Here, he is, this is now a different series, series, season one or series one again.

380
00:30:03.720 --> 00:30:09.359
So it's it is a new way of interpreting the doctor and I'm all for it, you know?

381
00:30:09.420 --> 00:30:11.700
I'm all forward. all for it as a one-off, certainly.

382
00:30:11.759 --> 00:30:13.920
But, you know, are you going to do it every week?

383
00:30:13.980 --> 00:30:14.519
No, you're not.

384
00:30:14.579 --> 00:30:19.200
But it's nice to see a difference from what has happened before, you know?

385
00:30:19.259 --> 00:30:22.440
And representation certainly in the way it's been done.

386
00:30:22.500 --> 00:30:24.240
You better find him though.

387
00:30:24.299 --> 00:30:25.380
Yeah, absolutely.

388
00:30:25.440 --> 00:30:26.640
All right.

389
00:30:26.700 --> 00:30:28.619
I think we're going to wind it up there.

390
00:30:28.680 --> 00:30:39.660
We've got some things to plug, untitled Star Trek Project is on, obviously, every Friday, and I can't even remember what our next episode is, but I'm sure it's lovely.

391
00:30:39.720 --> 00:30:41.400
We're a few weeks ahead.

392
00:30:41.579 --> 00:30:45.660
Startling Barbara Bain, I think, is probably recording next week.

393
00:30:45.779 --> 00:30:55.680
If you don't know about it, it's our Space 1999 commentary podcast, which is pretty fun and is about to drop its 6th episode.

394
00:30:55.740 --> 00:30:57.839
Brendan, what do you want to plug?

395
00:30:58.019 --> 00:31:17.039
Before I plug, I just want to say, um, if you enjoyed uh, the doctor inadvertently getting a marriage proposal and a companion almost being married off against their will, not to mention the doctor's actions inadvertently almost leading to the death of a companion, you might enjoy Doctor Who, the Aztecs.

396
00:31:17.279 --> 00:31:21.059
Oh, this is your link to this is my link.

397
00:31:21.119 --> 00:31:22.440
This is my link.

398
00:31:22.500 --> 00:31:33.180
And as I as I wasn't on last week, I can say last week's link to the keys of Baroness is that we have a global computer controlling how people think and feel.

399
00:31:33.240 --> 00:31:37.200
And a set of monsters where you're like, maybe they've got a point.

400
00:31:37.920 --> 00:31:45.779
And at the end, our sort of vapid blonde hero goes up and says, yeah, I'll be fine as she walks towards an acid C.

401
00:31:45.839 --> 00:31:47.339
Brilliant.

402
00:31:47.400 --> 00:31:48.900
What's up to the Aztecs?

403
00:31:48.960 --> 00:31:50.759
The sensor rights.

404
00:31:50.819 --> 00:31:52.680
So I'll be interested to see how it helps.

405
00:31:53.339 --> 00:31:57.480
A legend of Ruby Sunday. measures up to the sensorize.

406
00:31:57.539 --> 00:32:20.220
But yes, in terms of what I have to plug, the BJBJ game show will be back next week with the tourist, and after that, we are playing the Talos principal, and also back next week is the three-handed game where we are going into the new Avengers to start off the cool war with to catch a rat.

407
00:32:20.339 --> 00:32:21.480
Brilliant.

408
00:32:21.839 --> 00:32:31.980
All right, in that case, until next time, I've been boarding up all the doors and windows here, so Susan Twist can't get in, so that might be something you might want to consider.

409
00:32:32.039 --> 00:32:34.799
Thank you very much for listening and good night.

410
00:32:34.859 --> 00:32:35.940
Good night.

411
00:32:36.059 --> 00:32:37.019
Ta-ta.

412
00:32:37.140 --> 00:32:37.980
Bye-bye.

413
00:32:38.039 --> 00:32:39.180
See you soon.