WEBVTT

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This transcript was created on 2026-05-02 at 15:32:48

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Hello, dear listener, and welcome back to the 2nd great and

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bountiful Human Empire, the only dogs who flash cast in possession

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of a good fortune, which must be in want of a bird.

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I'm Nathan.

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I'm Brendan.

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I'm James.

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I'm Simon.

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And I'm Todd.

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So, uh, we're here today to discuss season one episode probably

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six, uh, depending on whether you're Disney or the BBC.

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It is Rogue, written by Kate Heron and Bryney Redmond, and

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directed by Ben Chessel, who we saw earlier this season doing the

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devil's chord.

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I want to start with just a quick sort of round of general

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impressions.

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This might be a good place for your mark out of 10 or your

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feelings about the episode generally.

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I think I have to start with Todd after saying that.

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I have to say, any episode that surprises me with Kylie in such a

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delightful way is going to get lots of plus points and I enjoyed

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the whole thing thoroughly, at least an 8 out of 10 for me.

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Brilliant.

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What about you, Brendan?

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I'm with Todd.

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It's an 8 out of 10.

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The only place it loses points is I felt it repeated some ideas

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from Captain Jack and River, but not enough for it to sort of bore

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me or me to go, oh, we've seen this before.

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I get it.

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It's kind of a shorthand, but yeah, it's a solid 8 out of 10 from

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me.

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What about you, Simon?

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Well, goodness me.

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I might even say 8.5 out of 10.

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I think there is there is there is gas.

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There is much to love about this episode, including, and

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particularly the way it's made, you know, the structure of it with

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that wonderful cold open, it just drags you in.

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It's just fantastic.

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The costuming, it's so great that we have a doctor who enjoys

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dressing up when he goes into the past.

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There is much to like about it.

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It's not perfect, and we'll come to those little niggling

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annoyances later, but no, I was engaged throughout the entire

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thing and charmed.

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And James.

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Oh, look, I think this is my favourite episode of the season so

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far.

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Um, and that's not to say, structurally, it's the best or the, I

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it's just so much fun.

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I think fun is what sums it up for me.

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I was just smiling with glee the entire episode.

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Even, even the, the, sort of, more serious bits.

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I was like, 0 my god, they're going there.

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Or just like, yeah, oh, fantastic, fantastic. really enjoyed it.

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Nathan, what about you?

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Well, I actually really, really enjoyed it as well.

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And I find I found myself falling for all of the episodes

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intrigues as well.

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I'm kind of going, what?

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So, no, Ruby's not dead.

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Is Ruby dead?

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Are we getting another face, the raven moment?

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What's happening here?

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And all of that sort of stuff?

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Like, I just completely fell for it in every way.

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And I love romance.

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We'll talk about that a little bit later because I think it's

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super central, but it's a genre that I really enjoy and obviously

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it works in this sort of historical setting.

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And the other thing that I thought was really great was just the

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artificiality of it, that we have people fighting, like our

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monsters want to have the best guest role in the show, and that's

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kind of what they're fighting over.

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And the whole thing is designed to create a TV show for our

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amusement.

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It's the thing that the children do.

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So I thought it was really fun and funny and clever.

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And I thought the romance landed just spectacularly.

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Let's talk about Bridgerton.

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Has anyone here watched Bridgerton?

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Yes.

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I confess.

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Because I confess I've never actually watched it.

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Yeah, not me.

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That being said, the current, the current season's trailers have

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me very intrigued.

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So it's just possible despite what she says that Ruby doesn't

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watch Bridgerton, otherwise she would have recognised Jocelyn from

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Space Babies. as Queen Charlotte from Regent.

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Um, But I have watched Bridgerton and Bridgerton is very much

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about that, you know, one of the things, one of the things that we

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said last week, I think, was that we were doing the race thing in

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episode 5 in space and that it meant we would be unlikely to do it

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in the Bridgerton episode.

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And one of the things that Bridgerton is famous for is, of course

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the colourblind casting.

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And so we do kind of just do that.

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We don't go for a 2nd episode in a row with an all white guest

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cast and we just let that happen and do other things.

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And in fact, it's much more about queerness.

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I think that it is about race.

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Um, so I think all of that stuff, you know, I've got a lot to say

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when it comes time to talk about this on flight through entirety

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um, because just of the artificiality of the past and the way that

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it really leans into that and has the characters willingly

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participating, in creating a dramatic artificial setting, which I

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think is really fun.

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How did we feel about the Chuldor?

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Uh, I think they've very effectively realised with the exception

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of the blue one, which was really distracting me.

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No, the blue one.

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There was something about it, which made it look like velvet, like

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that blue head was... was just terribly off-putting for me.

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But no, I really liked the idea of them.

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Yeah, just wanting to have fun, almost like the eternals, like

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they're just kind of, um, um, passing the time by by taking over

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other people's bodies and okay, that person gets killed, but um

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they don't really care.

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I don't think it was necessary that suddenly everything was

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heightened towards the end when what they were going to destroy

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the effectively destroy the entire world.

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Yeah.

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By the time they finished.

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I actually thought that was, not just unnecessary, but I think

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that actually detracted from the kind of the, what I wanted them

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to be, which was kind of just much more carefree.

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I mean they were going to have fun doing it, weren't they?

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They were going to sort of start wars with Portugal and stuff. for

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fun and maybe be the king.

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I think the stakes needed to be high so that Ruby sacrificing

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herself worked or the doctor refusing to, you know, had to refute

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had to stop them, you know.

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Yeah, I don't know because that's I think, I mean, the most

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obvious comparison for me is girl in the fireplace. this episode.

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And I think one of the reasons, one of the many reasons I

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absolutely love that episode is because there isn't actually

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anything at stake apart from the life of one woman.

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And I think if they'd have kept it to that, I think if Ruby had

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been wanting to sacrifice itself because of the doctor, so the

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doctor and Rogue can do their thing.

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I think that would have been a much more nicer thing rather than

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because, you know, we're going to go to war with Portugal or the

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whole world's going to be consumed by this, you know, it's kind of

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like, yeah, yeah, I just don't care about that.

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Yeah, yeah, yeah, yeah.

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Yeah.

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What do you think, Brendan?

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Yeah, I'm I'm a little I'm a little bit with Simon on this one. you

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know, I loved I love the design and I think, um, children of 1990

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Zelda games and James is going to know what I'm talking about.

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We have an aversion to owls who talk too much.

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But, uh, I think, I think for me, is it's a bit like in Ghostlight

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where Josiah is suddenly, and I'm going to kill Queen Victoria.

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Yeah, you don't care.

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It's like we're escalating the stakes.

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Why?

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Shut up.

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That's why.

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You know, I'm swept along with it.

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It doesn't affect my enjoyment.

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But yeah, it also, it almost would have been nice if their whole

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thing was just, no, we're just going to go around and kill people

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at garden parties.

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And maybe maybe, yeah, and maybe you can get rogue going.

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Actually, France have got a similar idea right now.

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I'm just saying.

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Tips the wrong country.

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What do you think, Todd?

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As a Bridgerton afficionado?

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What do you call myself an aficiado?

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It was just so much fun and it looked so it was shot so well.

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It just, it was just, Glamorous is not the word I want to use.

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It was, it just had this feel about it, whether you were inside or

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outside majestic, and I just was drawn into it, and the

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performance is not only of the characters in terms of the real

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characters, like the cold open with that very nasty but hot lord.

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And then the lady her, um, what's her name?

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Indira, um...

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And like, she wasn't a nice person either.

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Like, they were actually not, like, it was all this intrigue and

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you know, the season and all that sort of stuff, and then they

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were replaced with people who were determined to even go one step

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further.

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I just, the funness and all of that.

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I'm still smiling.

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Like, it probably is my, could possibly be my, like I said, eight

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but I, you know, You're talking yourself up.

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I threw myself up, but I just enjoyed the whole thing.

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The last 3 weeks, I've enjoyed all of those episodes, but they've

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all been either Dr. Light for a reason or, or, um, in the doctor

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in a particular, in one position.

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So we had constraints, whereas this didn't have those

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constraints.

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So I just enjoyed the whole spectacle.

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It was a spectacle.

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And I have to say that shooty just looked absolutely stunning.

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Yeah.

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Yeah.

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Yeah, I think India Obama deserves all of the props because she is

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unbelievably horrible as Lady Pemberton or whatever she is, Duchess

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Pemberton.

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Um, and then when she's taken over by the bird and she suddenly

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starts acquiring these sort of birdlike movements, like the way

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she moves her head.

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She's got an alarmingly long neck as well, which she absolutely

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uses to her advantage.

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I just think she's fantastic.

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And I think it solves the problem in series one of Torture.

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They clearly keep killing Susie because she has foul pest.

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They do keep killing Susie, not even in Doctor Who.

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Like she, she killed so often.

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She killed in everything.

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Yeah, no, that was that was so much fun.

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Um, And I agree with you, Todd.

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It, it, it looks luxe.

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And beautiful and I think, you know, that sort of majesticness, um

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is bec- probably because they they employed again for the 2nd time

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this season.

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The choreographer from Bridgeton.

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Right.

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Oh.

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Yes, he he choreographed the dancing.

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In Devil's Court.

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Yeah.

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As well.

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Yeah, because it's the same director, isn't it?

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I did wonder about that actually.

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Yeah. interesting.

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Can I just say a little slight Bridgerton annoyance that I have?

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I mean, I've never I've never watched it, but it is on the list.

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We'll get to it eventually.

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And I know that it's very much part of the current site, guys.

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But I was kind of annoyed that sort of in one line.

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We sort of erase 50 or 60 years of quality BBC period drama

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because it's all about Bridgerton.

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Yeah, yeah, yeah, yeah.

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And the other thing is, I'm very glad that we didn't have a real

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historical figure in it.

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I was hoping that like Jane Austen wasn't actually going to turn

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up because that would have been really tiresome.

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You just thought bath, here she is, bath 1813, where she...

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I did I did love the...

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I mean, I haven't watched Bridgerton, but Jason does.

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And so I do catch bits of it in the background and I did love the

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uh, the use of, popular music.

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Hmm.

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Uh, in it.

249
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Like, you know, like, um, The, like, bad guy by Billie Eilish

250
00:12:05.940 --> 00:12:11.220
playing when, when, um, with during the meat cube, or, um, was it

251
00:12:11.220 --> 00:12:11.940
poker face?

252
00:12:11.940 --> 00:12:17.639
Yeah, it was. during the fight scene between Ruby and the blue the

253
00:12:17.639 --> 00:12:18.419
blue dressed bird.

254
00:12:18.480 --> 00:12:19.259
Emily, thank you.

255
00:12:19.379 --> 00:12:21.419
Blue dressed bit.

256
00:12:21.480 --> 00:12:24.360
So yeah, that because that music is being played by notionally

257
00:12:24.360 --> 00:12:27.299
being played by the string quartet in the room, not as incidental

258
00:12:27.299 --> 00:12:27.600
music.

259
00:12:27.659 --> 00:12:29.940
Yeah, it was kind of...

260
00:12:29.940 --> 00:12:31.200
That is a feature of Bridgerton.

261
00:12:31.259 --> 00:12:32.940
Like that is a thing that Bridget does.

262
00:12:33.000 --> 00:12:34.139
So, I see.

263
00:12:34.200 --> 00:12:35.039
Yeah, yeah, yeah.

264
00:12:35.100 --> 00:12:38.100
So, you know, there is there's a sense in which this isn't said in

265
00:12:38.100 --> 00:12:42.720
any kind of actual, you know, 1813 that ever took place.

266
00:12:42.779 --> 00:12:47.340
It is taking place in a Bridgerton version of that, Brendan.

267
00:12:47.399 --> 00:12:51.960
And it gives us a subtle reprise of the, I didn't realise that was

268
00:12:51.960 --> 00:12:55.139
diagetic joke from the devil's chord.

269
00:12:55.200 --> 00:12:56.220
Yeah, yeah.

270
00:12:56.279 --> 00:12:58.379
Just further on the music, though, it is actually interesting

271
00:12:58.379 --> 00:13:03.600
because those anachronistic selections of music are right, only

272
00:13:03.600 --> 00:13:06.419
arrive later because we start with a hide and string quartet in

273
00:13:06.419 --> 00:13:08.220
the in the pre-credit sequence.

274
00:13:08.220 --> 00:13:12.059
And then we have another contemporary work from the Pirul from

275
00:13:12.059 --> 00:13:13.620
1801, 1802, something like that.

276
00:13:13.679 --> 00:13:16.860
When the doctor and Ruby are dancing just straight after the

277
00:13:16.860 --> 00:13:17.340
credits.

278
00:13:17.399 --> 00:13:20.580
So it's kind of like you sort of lulled into it that way.

279
00:13:20.639 --> 00:13:22.500
So that's actually very, very interesting choice.

280
00:13:22.620 --> 00:13:25.259
I do have to, just on the music, if I may, absolutely.

281
00:13:25.320 --> 00:13:27.360
I mean, great to have poker face and all that sort of stuff.

282
00:13:27.419 --> 00:13:30.840
But I think when Rogue and the doctor are dancing.

283
00:13:30.899 --> 00:13:35.340
I think, having Piazola's libertango, which is about from 973, I

284
00:13:35.340 --> 00:13:37.259
think, is a fantastic choice.

285
00:13:37.259 --> 00:13:40.440
And, you know, the music is just perfect for it.

286
00:13:40.500 --> 00:13:43.740
And I don't know whether, I think a lot of the audience would be

287
00:13:43.740 --> 00:13:46.620
probably familiar with the music, like they'll go, oh, that rings

288
00:13:46.620 --> 00:13:48.000
a bell without actually knowing what it is.

289
00:13:48.059 --> 00:13:49.860
And so I think that's just a super super choice.

290
00:13:49.919 --> 00:13:52.980
I thought the musical school was fabulous, isn't it?

291
00:13:52.980 --> 00:13:53.820
It drew me in.

292
00:13:53.879 --> 00:13:55.620
It was just another layer to everything.

293
00:13:55.679 --> 00:13:57.360
That was going on.

294
00:13:57.419 --> 00:14:00.600
It added to the elegance, the overall flavour.

295
00:14:00.659 --> 00:14:00.899
Yeah.

296
00:14:00.960 --> 00:14:04.980
Just do, and just to sort of hark on, hark on about the, the sort

297
00:14:04.980 --> 00:14:07.139
of the majesty of it, for whatever better word.

298
00:14:07.200 --> 00:14:07.740
It's so great.

299
00:14:07.799 --> 00:14:08.820
We are in a large house.

300
00:14:08.879 --> 00:14:09.600
It's not a set.

301
00:14:09.659 --> 00:14:10.679
We've got lots of extras.

302
00:14:10.799 --> 00:14:11.759
It's populated.

303
00:14:11.820 --> 00:14:14.340
There's proper, proper choreographed dance sequences.

304
00:14:14.399 --> 00:14:19.139
The library that's, that, that, that they go to, um, is, is also

305
00:14:19.139 --> 00:14:22.980
large and and, it's wonderful to be dimly lit and and, and

306
00:14:22.980 --> 00:14:24.059
glorious like that.

307
00:14:24.120 --> 00:14:29.159
And yet, the external sequences are also, at no point am I

308
00:14:29.159 --> 00:14:31.799
thinking, oh, this is all just kind of been pasted together from

309
00:14:31.799 --> 00:14:34.620
stuff, or this is a bit of half wall, and we grabbed this from

310
00:14:34.620 --> 00:14:36.179
this other program, even if they did.

311
00:14:36.240 --> 00:14:36.720
I don't know.

312
00:14:36.779 --> 00:14:38.519
Yeah, yeah.

313
00:14:38.580 --> 00:14:42.000
All right, well, let's move on very quickly and talk about Millie

314
00:14:42.000 --> 00:14:44.700
subplot, which is kind of disposable, really.

315
00:14:44.759 --> 00:14:48.659
So it's basically her and Emily and her interactions with the

316
00:14:48.659 --> 00:14:49.139
children.

317
00:14:49.200 --> 00:14:51.720
How do we think Millie was served by this episode?

318
00:14:52.740 --> 00:14:57.000
I liked it because I think that often the Doctor 2 companions do

319
00:14:57.000 --> 00:15:00.299
go into a subplot and and it's good to see that rather than just

320
00:15:00.299 --> 00:15:01.379
being together all the time.

321
00:15:01.440 --> 00:15:05.700
I do think there was a cheat with it because when Emily grabs her

322
00:15:05.700 --> 00:15:09.360
and changes, then we cut to outside and there's a lot of flashing

323
00:15:09.360 --> 00:15:11.879
but then in the flashback, there's very little flashing.

324
00:15:11.940 --> 00:15:15.179
I just felt that was a bit naughty. send us up, send us up the

325
00:15:15.179 --> 00:15:16.139
garden parts.

326
00:15:16.200 --> 00:15:19.679
And then I was a bit confused because Emily and the Lord were then

327
00:15:19.679 --> 00:15:20.639
having their conversation.

328
00:15:21.600 --> 00:15:25.200
And, and were they just play acting that because they knew she was

329
00:15:25.200 --> 00:15:29.460
there or was Emily, was Emily actually Emily at that and then got

330
00:15:29.460 --> 00:15:31.259
like, why go through all of that stuff?

331
00:15:31.320 --> 00:15:33.899
Like, I just, I just kind of, that just stuck.

332
00:15:33.960 --> 00:15:34.799
Is that part of the cosplay?

333
00:15:34.919 --> 00:15:36.240
Yes, that's what I think it is.

334
00:15:36.299 --> 00:15:39.480
I think they're having their great scene together and the fun

335
00:15:39.480 --> 00:15:42.240
thing is that they have an audience, you know, she's there

336
00:15:42.240 --> 00:15:46.019
watching while they do this incredibly important scene from the

337
00:15:46.019 --> 00:15:49.620
romance plot that's being cosplayed in this episode.

338
00:15:49.679 --> 00:15:51.720
So I think it does play with that.

339
00:15:51.779 --> 00:15:55.559
Okay, because I loved her, all her clumsy stuff there.

340
00:15:55.620 --> 00:15:57.779
She might be very much of Joe Grant quite frankly, and I just

341
00:15:57.779 --> 00:15:58.740
thought she did a wonderful job.

342
00:15:58.799 --> 00:16:00.059
Yes, yes.

343
00:16:00.120 --> 00:16:00.779
Good comparison.

344
00:16:00.840 --> 00:16:06.120
I also liked the sort of hiding in plain sight, the solution.

345
00:16:06.179 --> 00:16:09.659
You know, don't set them into battle mode, which is a throwaway

346
00:16:09.659 --> 00:16:11.580
line at the beginning of the episode.

347
00:16:11.639 --> 00:16:15.659
And then it's the way you solve the, oh, how the hell did you get

348
00:16:15.659 --> 00:16:15.960
out of that?

349
00:16:16.019 --> 00:16:19.440
They do a good job there too, of setting up the rules of the

350
00:16:19.440 --> 00:16:21.179
triform in the other plot.

351
00:16:21.240 --> 00:16:25.740
So we get to see that in operation before we get to see it play a

352
00:16:25.740 --> 00:16:27.179
major part in the episode.

353
00:16:27.240 --> 00:16:31.139
And, you know, nothing just sort of comes out of nowhere.

354
00:16:31.200 --> 00:16:33.419
It is all very carefully structured, I think.

355
00:16:33.480 --> 00:16:36.659
Yes, and that that old law of conservation of information.

356
00:16:36.720 --> 00:16:38.940
Yes, the fact that, you know, why do I know how to dance?

357
00:16:39.000 --> 00:16:40.500
Oh, it's because of the earrings, which is actually at the time

358
00:16:40.500 --> 00:16:41.100
when I'm watching that.

359
00:16:41.159 --> 00:16:42.179
I was like, oh, we don't care.

360
00:16:42.240 --> 00:16:43.500
I don't care how she knows I did that.

361
00:16:43.559 --> 00:16:44.460
She just does.

362
00:16:44.519 --> 00:16:47.639
You know, I'm sick of the explanation, but yeah, the payoff is the

363
00:16:47.639 --> 00:16:48.179
earrings.

364
00:16:48.240 --> 00:16:50.039
Although do we really need that anyway?

365
00:16:50.100 --> 00:16:50.399
Whatever.

366
00:16:50.460 --> 00:16:51.179
Yeah.

367
00:16:51.179 --> 00:16:56.879
Something I really loved about Millie this week is she's really

368
00:16:56.879 --> 00:17:01.080
showing her comedy chops because there's several, there's several

369
00:17:01.080 --> 00:17:03.539
times when things are happening around her and she's just kind of

370
00:17:03.539 --> 00:17:08.400
doing sort of pointing and faces like, do I go over, this is so

371
00:17:08.400 --> 00:17:09.359
awkward.

372
00:17:09.420 --> 00:17:11.940
Oh, wait, I'm not watching this as a TV show.

373
00:17:12.000 --> 00:17:12.720
I need to go over there.

374
00:17:12.900 --> 00:17:19.079
And just, there are actors and comedians who have, you know

375
00:17:19.079 --> 00:17:22.680
trained years to do that, and it's so easy to forget that Millie

376
00:17:22.680 --> 00:17:23.160
is 18.

377
00:17:23.339 --> 00:17:24.720
You know?

378
00:17:24.779 --> 00:17:30.599
And yes, she's been acting for years, but just her level of at

379
00:17:30.599 --> 00:17:35.460
times subtlety and at times broadness, she pitches it perfectly.

380
00:17:35.460 --> 00:17:39.299
And I was so impressed and especially like the battle mode scene

381
00:17:39.299 --> 00:17:41.700
where she's surprised by what she's doing.

382
00:17:41.819 --> 00:17:43.319
Yeah, yeah.

383
00:17:43.319 --> 00:17:44.220
Yeah.

384
00:17:44.279 --> 00:17:44.880
All right.

385
00:17:44.940 --> 00:17:46.200
Well, let's talk about the romance.

386
00:17:46.319 --> 00:17:52.319
For me, this is really something where you have one night where

387
00:17:52.319 --> 00:17:55.680
the doctor meets a handsome stranger, they fight monsters

388
00:17:55.680 --> 00:17:56.220
together.

389
00:17:56.279 --> 00:18:00.900
They exchange, you know, they talk to one another about how much

390
00:18:00.900 --> 00:18:05.759
they've lost, and then he disappears from his life forever.

391
00:18:05.819 --> 00:18:10.859
And I thought that that just was a great structure.

392
00:18:10.920 --> 00:18:12.960
And it's something that Doctor Who hasn't done.

393
00:18:13.019 --> 00:18:16.440
I mean, we've had River, we've had Jack, sort of.

394
00:18:16.500 --> 00:18:20.579
But this, I think, is something quite different from that.

395
00:18:21.900 --> 00:18:26.099
How do we feel about Jonathan Groff, Simon?

396
00:18:26.640 --> 00:18:30.900
At the risk of flexing that I just saw him on Broadway in Merrily

397
00:18:30.900 --> 00:18:31.500
we Roll along.

398
00:18:31.559 --> 00:18:32.519
This is what we are.

399
00:18:32.579 --> 00:18:34.920
This is...

400
00:18:34.920 --> 00:18:36.000
You dropped this.

401
00:18:38.279 --> 00:18:41.460
The performance was actually remarkably similar to the one I just

402
00:18:41.460 --> 00:18:44.160
saw on stake in that he was very, you just know, and just in terms

403
00:18:44.160 --> 00:18:46.500
of the fact that he was very still, and also he was very

404
00:18:46.500 --> 00:18:49.740
underplayed compared with everything else going on around him.

405
00:18:49.799 --> 00:18:53.519
And I really like him as an actor.

406
00:18:53.579 --> 00:18:55.559
I think he's great.

407
00:18:55.619 --> 00:19:00.779
I am questioning whether there is a fine line between being

408
00:19:00.779 --> 00:19:06.480
understated and being flat and I'm not 100% sure that he's not

409
00:19:06.480 --> 00:19:08.880
just sometimes flat because he's trying to be still, he's trying

410
00:19:08.880 --> 00:19:12.059
to be obviously suave and cool and everything, but not in an

411
00:19:12.059 --> 00:19:12.539
annoying way.

412
00:19:12.660 --> 00:19:16.920
And I think contrasted with shooting and contrasted with all the

413
00:19:16.920 --> 00:19:19.079
other heightened performances which are going on around him.

414
00:19:19.140 --> 00:19:21.240
It is a little bit out of place.

415
00:19:21.299 --> 00:19:24.240
Having said that, you know, he's great and he certainly does know

416
00:19:24.240 --> 00:19:24.779
what he's doing.

417
00:19:24.839 --> 00:19:27.420
I wouldn't dare to question the choices.

418
00:19:27.480 --> 00:19:30.539
See, I think he's a shy nerd.

419
00:19:30.599 --> 00:19:35.099
You know, who secretly loves Kylie and plays Dungeons and Dragons

420
00:19:35.099 --> 00:19:37.740
and named himself after the rogue class.

421
00:19:37.799 --> 00:19:43.680
And so we expected him to be Jack and we're kind of fooled into

422
00:19:43.680 --> 00:19:47.579
that because we get the scene from the empty child only instead of

423
00:19:47.579 --> 00:19:51.839
someone taking the companion to their spaceship.

424
00:19:51.900 --> 00:19:54.000
He takes the doctor to the spaceship.

425
00:19:54.059 --> 00:19:56.039
And it is exactly that scene, isn't it?

426
00:19:56.700 --> 00:20:04.500
But he's lonely and he's on his own and he's he's charmed by the

427
00:20:04.500 --> 00:20:08.579
doctor, but he's also very quiet and nerdy.

428
00:20:08.640 --> 00:20:13.500
He's not the loud suave guy that Jack is at all.

429
00:20:13.980 --> 00:20:16.680
So he's Henry Cavell is what you're saying.

430
00:20:16.980 --> 00:20:18.599
He wishes.

431
00:20:18.660 --> 00:20:19.859
No, he can act.

432
00:20:19.920 --> 00:20:20.640
Sorry, Brendan.

433
00:20:20.700 --> 00:20:22.079
Yeah, I was going to say it's bad.

434
00:20:22.140 --> 00:20:24.359
Don't be rude to Jonathan Groff.

435
00:20:27.599 --> 00:20:34.920
Yeah, I found, I found their chemistry rather wonderful and um

436
00:20:34.920 --> 00:20:39.119
something I said to um, uh, friend of the podcast this week and it

437
00:20:39.119 --> 00:20:44.339
was either Bob or Alex, so if you're listening, Lads High, um, was

438
00:20:44.339 --> 00:20:51.960
I think the doctor sees his pain, his past pain in rogue.

439
00:20:52.019 --> 00:20:56.220
And in the doctor, Rogue sees someone he'd like to be more like

440
00:20:56.220 --> 00:20:57.839
because he's a bounty hunter.

441
00:20:57.900 --> 00:21:02.099
But It's not like a blood sport.

442
00:21:02.160 --> 00:21:06.000
And you know, I think this interpretation of the word bounty

443
00:21:06.000 --> 00:21:09.720
hunter is very informed by the Mandalorian, another Disney Plus

444
00:21:09.720 --> 00:21:14.039
property. in that this is an honourable figure who is interested

445
00:21:14.039 --> 00:21:16.920
in protecting the lives of innocence, and that's why he does what

446
00:21:16.920 --> 00:21:19.140
he does, but is also deeply lonely.

447
00:21:19.380 --> 00:21:22.380
And I think the doctor recognises that.

448
00:21:22.799 --> 00:21:25.619
I agree with you, Brendan, on this.

449
00:21:25.680 --> 00:21:30.420
I kind of think there is this connection between them which slowly

450
00:21:30.420 --> 00:21:33.059
builds because the doctor sees certain things in rogue and then

451
00:21:33.059 --> 00:21:34.680
rogue sees certain things in the doctor.

452
00:21:34.740 --> 00:21:38.220
So as it goes along through all that Kylie stuff, that's slowly

453
00:21:38.220 --> 00:21:38.640
building.

454
00:21:38.700 --> 00:21:42.299
And I actually think it goes at a pretty, well, I think it goes at

455
00:21:42.299 --> 00:21:45.240
a good pace, you know, and I actually see, you know, all the stuff

456
00:21:45.240 --> 00:21:48.240
in the TARDIS and the little flirting there and the almost kissing

457
00:21:48.240 --> 00:21:48.839
and all that.

458
00:21:48.900 --> 00:21:51.779
I just, I just love the way in which you'd sort of built and I

459
00:21:51.779 --> 00:21:53.339
actually thought they had a good chemistry.

460
00:21:53.400 --> 00:21:56.099
And I think, um, Simon Wright, you're right.

461
00:21:56.160 --> 00:21:58.740
Like he certainly underplayed it more, but there were certain

462
00:21:58.740 --> 00:22:00.180
times where you could see he wanted to.

463
00:22:01.079 --> 00:22:04.019
You know, he wanted to give more, you know, and he's obviously

464
00:22:04.019 --> 00:22:07.019
gone through a lot of pain and and I just bought, you know, when

465
00:22:07.019 --> 00:22:08.940
he went down on his knee with the ring in that scene.

466
00:22:09.000 --> 00:22:12.960
I almost lost it, like, you know, and then, and then at the end

467
00:22:12.960 --> 00:22:15.480
you know, with the kiss and his sacrifice.

468
00:22:15.539 --> 00:22:17.220
I mean, I bought the whole thing.

469
00:22:17.279 --> 00:22:19.799
I was just swept away in the romance of it all.

470
00:22:19.859 --> 00:22:22.200
I mean, I don't want to...

471
00:22:22.200 --> 00:22:25.259
This is Dizzy's performance because I think he's very good.

472
00:22:25.319 --> 00:22:28.380
It's just that I couldn't help thinking, as you're saying, Nathan

473
00:22:28.380 --> 00:22:29.880
the kind of the shy nerd.

474
00:22:29.940 --> 00:22:32.640
I kind of, I just wanted to see that that being a little bit more

475
00:22:32.640 --> 00:22:34.140
visible in his performance than it was.

476
00:22:34.200 --> 00:22:34.619
That's all.

477
00:22:34.740 --> 00:22:38.039
I just, and it's just partly because of the, the, the kind of

478
00:22:38.039 --> 00:22:41.400
level of performance of everything else around him. need to be the

479
00:22:41.400 --> 00:22:43.319
population. more, don't you, in Doctor Who?

480
00:22:43.380 --> 00:22:43.619
Exactly.

481
00:22:43.680 --> 00:22:44.279
Yeah, yeah, yeah.

482
00:22:44.339 --> 00:22:44.819
Yeah, yeah, yeah.

483
00:22:44.880 --> 00:22:46.440
But, I mean, he's so charming.

484
00:22:46.500 --> 00:22:47.819
The 2 of them are so attractive.

485
00:22:47.880 --> 00:22:52.680
And, you know, like instantly even up on the balcony, they're kind

486
00:22:52.680 --> 00:22:55.559
of flirting and having fun with one another.

487
00:22:55.559 --> 00:23:01.200
And the doctor like dancing and like lip syncing to Kylie in the

488
00:23:01.200 --> 00:23:04.859
sort of incredibly kind of sexy way.

489
00:23:04.859 --> 00:23:07.200
And, you know, I don't know.

490
00:23:08.519 --> 00:23:12.720
We've had the doctor fall in love with someone in an episode

491
00:23:12.720 --> 00:23:17.039
before, we mentioned girl in the fireplace, and maybe this is

492
00:23:17.039 --> 00:23:20.700
something for flights through entirety, but I remember that Paul

493
00:23:20.700 --> 00:23:25.500
Cornell when he made John Smith fall in love with Joan Redford, one

494
00:23:25.500 --> 00:23:30.240
of the things that he said to us in the book was that, he made the

495
00:23:30.240 --> 00:23:35.579
doctor straight and that was a thing that meant that something had

496
00:23:35.579 --> 00:23:39.480
been lost because Doctor Who had a gay fandom and one of the

497
00:23:39.480 --> 00:23:42.660
reasons it had a gay fandom was that the doctor travelled with

498
00:23:42.660 --> 00:23:45.420
these beautiful women but wasn't really particularly interested in

499
00:23:45.420 --> 00:23:45.660
them.

500
00:23:45.720 --> 00:23:50.460
He wasn't a normal romantic hero and we could kind of insert

501
00:23:50.460 --> 00:23:52.559
ourselves in there.

502
00:23:52.619 --> 00:23:53.579
Do you know what I mean?

503
00:23:53.640 --> 00:23:55.559
We could identify with that in some way.

504
00:23:55.619 --> 00:23:59.640
And by making him heterosexual, I think we do open the character

505
00:23:59.640 --> 00:24:03.000
up, make him more interesting, give him the chance to be involved

506
00:24:03.000 --> 00:24:04.619
in romance and things.

507
00:24:04.740 --> 00:24:09.900
And so now this is us being represented as well in the character

508
00:24:09.900 --> 00:24:10.799
of the doctor.

509
00:24:10.859 --> 00:24:15.000
And I thought it was pretty, it was pretty amazing actually.

510
00:24:15.059 --> 00:24:19.380
And the fake, the faint with that, they're gonna kiss, but they

511
00:24:19.380 --> 00:24:21.779
don't, because the thing dings, and you sort of think, oh, well

512
00:24:21.779 --> 00:24:22.680
they're not gonna kiss then.

513
00:24:22.740 --> 00:24:24.059
That's done.

514
00:24:24.059 --> 00:24:25.799
And of course, the highlight.

515
00:24:25.859 --> 00:24:29.339
Um, you know, that the big kiss at the end, which is so

516
00:24:29.339 --> 00:24:29.819
wonderful.

517
00:24:29.880 --> 00:24:32.400
Uh, you know, I just...

518
00:24:32.400 --> 00:24:33.180
Ruby's reaction.

519
00:24:33.240 --> 00:24:34.740
Yeah, yeah.

520
00:24:34.799 --> 00:24:39.059
Even though she's about to be sent to a barren dimension

521
00:24:39.059 --> 00:24:39.420
somewhere.

522
00:24:40.500 --> 00:24:44.759
The warmth and generosity there at the end, like in that moment

523
00:24:44.759 --> 00:24:46.980
and then making the doctor hug it out.

524
00:24:47.039 --> 00:24:47.819
Yeah.

525
00:24:47.880 --> 00:24:52.920
You know, it's her performance as that character, I really, really

526
00:24:52.920 --> 00:24:53.940
love those aspects.

527
00:24:54.480 --> 00:24:58.440
I think, though, there's a difference between the way this is done

528
00:24:58.440 --> 00:25:01.980
and the way say girl in the fireplace is done or any of the other

529
00:25:01.980 --> 00:25:03.480
like the river and so on.

530
00:25:03.539 --> 00:25:08.160
The, the, the, the kind of the, the falling in love aspects.

531
00:25:08.220 --> 00:25:13.200
He really falls into an emotional love with Madame de Pompadour in

532
00:25:13.200 --> 00:25:13.859
that.

533
00:25:14.160 --> 00:25:18.839
This, I think, is different because it is, and certainly with

534
00:25:18.839 --> 00:25:19.380
River as well.

535
00:25:19.440 --> 00:25:22.559
It's an intellectual and emotional attachment and love.

536
00:25:23.400 --> 00:25:27.839
With this, I think this is the 1st time you get the concept of the

537
00:25:27.839 --> 00:25:31.500
doctor being a sexual being because there is a bit more of an

538
00:25:31.500 --> 00:25:36.180
animalistic desire that I think we're seeing there, in the passion

539
00:25:36.180 --> 00:25:41.279
of the kiss and and also the way the doctor is flirting with rogue

540
00:25:41.279 --> 00:25:45.059
very, very actively, like, whereas with River and Madame de

541
00:25:45.059 --> 00:25:49.019
Pompadour, he's being, doctors being courted by them, really.

542
00:25:49.079 --> 00:25:53.220
Whereas in this case, the doctor is at least an equal partner, if

543
00:25:53.220 --> 00:25:57.299
not, he's the one almost making the moves on rogue.

544
00:25:57.299 --> 00:26:00.660
And I think that is a different way of doing it.

545
00:26:00.720 --> 00:26:04.019
Now, I do subscribe to that kind of whilst I love girl in the

546
00:26:04.019 --> 00:26:04.380
fireplace.

547
00:26:04.440 --> 00:26:05.819
I love human nature, et cetera, et cetera.

548
00:26:05.940 --> 00:26:07.259
And I love the relationship with the river.

549
00:26:07.319 --> 00:26:10.019
I still always default to the fact that, you know, I still like

550
00:26:10.019 --> 00:26:10.859
that doctor.

551
00:26:10.920 --> 00:26:12.960
Not so much being an asexual being, but it's just something that

552
00:26:12.960 --> 00:26:13.799
we just don't really deal with.

553
00:26:13.859 --> 00:26:18.599
And I think it's okay for it to be done like very sparingly, and I

554
00:26:18.599 --> 00:26:21.299
get that it's part of what you need to do in the modern era, but I

555
00:26:21.299 --> 00:26:23.940
query where there's some of the discomfort that some people have

556
00:26:23.940 --> 00:26:27.119
had with that has not been around that I've read online, has not

557
00:26:27.119 --> 00:26:30.900
been around the gayness of it per se, but about the doctor being a

558
00:26:30.900 --> 00:26:31.920
more sexual being.

559
00:26:31.980 --> 00:26:36.180
And I don't think the doctor's necessarily straight for human

560
00:26:36.180 --> 00:26:36.599
nature.

561
00:26:36.660 --> 00:26:39.119
He's neither straight nor gain nor b nor anything.

562
00:26:39.180 --> 00:26:44.279
He's kind of, because he's an alien, it's, it's, it, it may be

563
00:26:44.279 --> 00:26:46.680
maybe he has different sexualities depending on the regeneration

564
00:26:46.680 --> 00:26:49.140
or maybe he's always got all sexualities.

565
00:26:49.200 --> 00:26:49.619
Who knows?

566
00:26:49.680 --> 00:26:53.160
It's just that ability to be able to read your own, your own

567
00:26:53.160 --> 00:26:57.480
vision, your own interpretation into different aspects of the

568
00:26:57.480 --> 00:26:57.900
program.

569
00:26:57.960 --> 00:27:00.900
And I think we should always, the program should always aspire to

570
00:27:00.900 --> 00:27:03.539
be able to be open to all those interpretations simultaneously.

571
00:27:03.660 --> 00:27:09.779
I think, though, that the, while they are both sexy men and while

572
00:27:09.779 --> 00:27:15.480
they are flirting with one another, it's, um, the kneeling down

573
00:27:15.480 --> 00:27:18.359
which is so romantic, where he kneels and gives him like that, it's

574
00:27:18.359 --> 00:27:23.339
incredibly romantic, the moment where they open up and they see

575
00:27:23.339 --> 00:27:27.660
the loss that each of them is experienced, you know, like there is

576
00:27:27.660 --> 00:27:28.740
an emotional level.

577
00:27:28.799 --> 00:27:30.299
It isn't just about sex.

578
00:27:30.359 --> 00:27:34.680
And I do think, yeah, I think that, you know, there's a reason, you

579
00:27:34.680 --> 00:27:38.279
know, certainly there are people who prefer the show where the

580
00:27:38.279 --> 00:27:42.779
doctor isn't, um, uh, you know, isn't involved in romances.

581
00:27:42.839 --> 00:27:44.700
The doctor doesn't dance.

582
00:27:44.759 --> 00:27:48.900
Yeah, my feeling, though, is that there are people leaping online

583
00:27:48.900 --> 00:27:54.059
to complain about girl in the fireplace. and I think that their

584
00:27:54.059 --> 00:27:58.559
complaints are fairly, clearly motivated for one thing.

585
00:27:58.619 --> 00:27:59.819
Yeah.

586
00:27:59.819 --> 00:28:00.000
Yeah.

587
00:28:00.059 --> 00:28:03.960
Because I do think, like, I do think this is adorably romantic.

588
00:28:03.960 --> 00:28:07.980
And I think you're right, Simon. he's never said to be straight

589
00:28:07.980 --> 00:28:13.680
we've never had him, you know, given a label and even now we

590
00:28:13.680 --> 00:28:17.519
haven't, you know, but we did see him in a lot of mixed sex

591
00:28:17.519 --> 00:28:18.240
relationships.

592
00:28:18.299 --> 00:28:20.940
We've seen him in lots of heterosexual relationships and I think

593
00:28:20.940 --> 00:28:24.480
Moffatt constructs him as a straight man because Moffatt has

594
00:28:24.480 --> 00:28:28.559
things to say about, um, about men and women and the relationships

595
00:28:28.559 --> 00:28:29.160
between them.

596
00:28:29.160 --> 00:28:31.799
And all of that is really good and I enjoyed all of that stuff at

597
00:28:31.799 --> 00:28:32.519
the time.

598
00:28:32.759 --> 00:28:37.200
But actually seeing him kiss a man in a way that we haven't seen

599
00:28:37.200 --> 00:28:37.619
before.

600
00:28:37.619 --> 00:28:41.339
And, you know, he doesn't kiss Jack, Jack kisses him.

601
00:28:41.400 --> 00:28:43.440
I think it's it matters.

602
00:28:43.559 --> 00:28:46.140
And it's not a it's not a romantic kiss with Jack.

603
00:28:46.200 --> 00:28:47.400
No.

604
00:28:47.460 --> 00:28:52.980
Also, the idea of doing a queer romance came from the writers, not

605
00:28:52.980 --> 00:28:53.519
from Russell.

606
00:28:53.579 --> 00:28:54.180
Yeah.

607
00:28:54.240 --> 00:28:55.980
They actually suggested it to him.

608
00:28:56.039 --> 00:29:00.000
The funny thing is that Kate Heron directed an executive produced

609
00:29:00.000 --> 00:29:05.339
the 1st season of Loki, and Russell said that saying that Loki was

610
00:29:05.339 --> 00:29:10.200
bisexual was just absolute cheap representation because they never

611
00:29:10.200 --> 00:29:11.279
showed anything.

612
00:29:11.339 --> 00:29:14.099
You can put the word bisexual, you can type it into your script

613
00:29:14.099 --> 00:29:16.559
and it costs you absolutely nothing at all.

614
00:29:16.619 --> 00:29:21.299
And so when he hires her, she says, all right, you know, I'm doing

615
00:29:21.299 --> 00:29:22.740
it and he's going to be kissing a man.

616
00:29:22.799 --> 00:29:23.880
I think that's pretty great.

617
00:29:24.660 --> 00:29:28.920
I also think, like, you know, with the bi-regeneration thing, is

618
00:29:28.920 --> 00:29:31.980
that a lot of the baggage of the doctor has gone, and we've seen

619
00:29:31.980 --> 00:29:34.500
him in shooting that is much more emotional.

620
00:29:34.559 --> 00:29:35.819
Like he's crying so much.

621
00:29:35.880 --> 00:29:38.759
Like again, at the end of the episode, there are tears, and I

622
00:29:38.759 --> 00:29:42.660
think that allows him to be more open to actually take the lead in

623
00:29:42.660 --> 00:29:45.420
being the romantic lead.

624
00:29:45.539 --> 00:29:48.960
And I mean, if you look at the, and going back to what Simon's

625
00:29:48.960 --> 00:29:51.240
saying, like, you know, in the original series run, the doctor was

626
00:29:51.240 --> 00:29:52.019
very asexual.

627
00:29:52.079 --> 00:29:56.460
In the next generation from 2004 to 2022, a lot of people

628
00:29:56.460 --> 00:29:58.019
instigated the romance on him.

629
00:29:58.079 --> 00:30:02.880
Here, he is, this is now a different series, series, season one or

630
00:30:02.880 --> 00:30:03.660
series one again.

631
00:30:03.720 --> 00:30:08.460
So it's it is a new way of interpreting the doctor and I'm all for

632
00:30:08.460 --> 00:30:09.359
it, you know?

633
00:30:09.420 --> 00:30:11.700
I'm all forward. all for it as a one-off, certainly.

634
00:30:11.759 --> 00:30:13.920
But, you know, are you going to do it every week?

635
00:30:13.980 --> 00:30:14.519
No, you're not.

636
00:30:14.579 --> 00:30:18.299
But it's nice to see a difference from what has happened before

637
00:30:18.299 --> 00:30:19.200
you know?

638
00:30:19.259 --> 00:30:22.440
And representation certainly in the way it's been done.

639
00:30:22.500 --> 00:30:24.240
You better find him though.

640
00:30:24.299 --> 00:30:25.380
Yeah, absolutely.

641
00:30:25.440 --> 00:30:26.640
All right.

642
00:30:26.700 --> 00:30:28.619
I think we're going to wind it up there.

643
00:30:28.680 --> 00:30:33.299
We've got some things to plug, untitled Star Trek Project is on

644
00:30:33.299 --> 00:30:37.799
obviously, every Friday, and I can't even remember what our next

645
00:30:37.799 --> 00:30:39.660
episode is, but I'm sure it's lovely.

646
00:30:39.720 --> 00:30:41.400
We're a few weeks ahead.

647
00:30:41.579 --> 00:30:45.660
Startling Barbara Bain, I think, is probably recording next week.

648
00:30:45.779 --> 00:30:49.619
If you don't know about it, it's our Space 1999 commentary podcast

649
00:30:49.619 --> 00:30:55.680
which is pretty fun and is about to drop its 6th episode.

650
00:30:55.740 --> 00:30:57.839
Brendan, what do you want to plug?

651
00:30:58.019 --> 00:31:03.420
Before I plug, I just want to say, um, if you enjoyed uh, the

652
00:31:03.420 --> 00:31:07.200
doctor inadvertently getting a marriage proposal and a companion

653
00:31:07.200 --> 00:31:10.859
almost being married off against their will, not to mention the

654
00:31:10.859 --> 00:31:13.980
doctor's actions inadvertently almost leading to the death of a

655
00:31:13.980 --> 00:31:17.039
companion, you might enjoy Doctor Who, the Aztecs.

656
00:31:17.279 --> 00:31:21.059
Oh, this is your link to this is my link.

657
00:31:21.119 --> 00:31:22.440
This is my link.

658
00:31:22.500 --> 00:31:27.660
And as I as I wasn't on last week, I can say last week's link to

659
00:31:27.660 --> 00:31:31.140
the keys of Baroness is that we have a global computer controlling

660
00:31:31.140 --> 00:31:33.180
how people think and feel.

661
00:31:33.240 --> 00:31:36.779
And a set of monsters where you're like, maybe they've got a

662
00:31:36.779 --> 00:31:37.200
point.

663
00:31:37.920 --> 00:31:43.200
And at the end, our sort of vapid blonde hero goes up and says

664
00:31:43.200 --> 00:31:45.779
yeah, I'll be fine as she walks towards an acid C.

665
00:31:45.839 --> 00:31:47.339
Brilliant.

666
00:31:47.400 --> 00:31:48.900
What's up to the Aztecs?

667
00:31:48.960 --> 00:31:50.759
The sensor rights.

668
00:31:50.819 --> 00:31:52.680
So I'll be interested to see how it helps.

669
00:31:53.339 --> 00:31:57.480
A legend of Ruby Sunday. measures up to the sensorize.

670
00:31:57.539 --> 00:32:01.140
But yes, in terms of what I have to plug, the BJBJ game show will

671
00:32:01.140 --> 00:32:05.759
be back next week with the tourist, and after that, we are playing

672
00:32:05.759 --> 00:32:13.440
the Talos principal, and also back next week is the three-handed

673
00:32:13.440 --> 00:32:18.059
game where we are going into the new Avengers to start off the

674
00:32:18.059 --> 00:32:20.220
cool war with to catch a rat.

675
00:32:20.339 --> 00:32:21.480
Brilliant.

676
00:32:21.839 --> 00:32:26.220
All right, in that case, until next time, I've been boarding up

677
00:32:26.220 --> 00:32:29.759
all the doors and windows here, so Susan Twist can't get in, so

678
00:32:29.759 --> 00:32:31.980
that might be something you might want to consider.

679
00:32:32.039 --> 00:32:34.799
Thank you very much for listening and good night.

680
00:32:34.859 --> 00:32:35.940
Good night.

681
00:32:36.059 --> 00:32:37.019
Ta-ta.

682
00:32:37.140 --> 00:32:37.980
Bye-bye.

683
00:32:38.039 --> 00:32:39.180
See you soon.