Hello, dear listener, and welcome back to the 2nd great and
bountiful Human Empire, the only dogs who flash cast in possession
of a good fortune, which must be in want of a bird.
I'm Nathan.
I'm Brendan.
I'm James.
I'm Simon.
And I'm Todd.
So, uh, we're here today to discuss season one episode probably
six, uh, depending on whether you're Disney or the BBC.
It is Rogue, written by Kate Heron and Bryney Redmond, and
directed by Ben Chessel, who we saw earlier this season doing the
devil's chord.
I want to start with just a quick sort of round of general
impressions.
This might be a good place for your mark out of 10 or your
feelings about the episode generally.
I think I have to start with Todd after saying that.
I have to say, any episode that surprises me with Kylie in such a
delightful way is going to get lots of plus points and I enjoyed
the whole thing thoroughly, at least an 8 out of 10 for me.
Brilliant.
What about you, Brendan?
I'm with Todd.
It's an 8 out of 10.
The only place it loses points is I felt it repeated some ideas
from Captain Jack and River, but not enough for it to sort of bore
me or me to go, oh, we've seen this before.
I get it.
It's kind of a shorthand, but yeah, it's a solid 8 out of 10 from
me.
What about you, Simon?
Well, goodness me.
I might even say 8.5 out of 10.
I think there is there is there is gas.
There is much to love about this episode, including, and
particularly the way it's made, you know, the structure of it with
that wonderful cold open, it just drags you in.
It's just fantastic.
The costuming, it's so great that we have a doctor who enjoys
dressing up when he goes into the past.
There is much to like about it.
It's not perfect, and we'll come to those little niggling
annoyances later, but no, I was engaged throughout the entire
thing and charmed.
And James.
Oh, look, I think this is my favourite episode of the season so
far.
Um, and that's not to say, structurally, it's the best or the, I
it's just so much fun.
I think fun is what sums it up for me.
I was just smiling with glee the entire episode.
Even, even the, the, sort of, more serious bits.
I was like, 0 my god, they're going there.
Or just like, yeah, oh, fantastic, fantastic. really enjoyed it.
Nathan, what about you?
Well, I actually really, really enjoyed it as well.
And I find I found myself falling for all of the episodes
intrigues as well.
I'm kind of going, what?
So, no, Ruby's not dead.
Is Ruby dead?
Are we getting another face, the raven moment?
What's happening here?
And all of that sort of stuff?
Like, I just completely fell for it in every way.
And I love romance.
We'll talk about that a little bit later because I think it's
super central, but it's a genre that I really enjoy and obviously
it works in this sort of historical setting.
And the other thing that I thought was really great was just the
artificiality of it, that we have people fighting, like our
monsters want to have the best guest role in the show, and that's
kind of what they're fighting over.
And the whole thing is designed to create a TV show for our
amusement.
It's the thing that the children do.
So I thought it was really fun and funny and clever.
And I thought the romance landed just spectacularly.
Let's talk about Bridgerton.
Has anyone here watched Bridgerton?
Yes.
I confess.
Because I confess I've never actually watched it.
Yeah, not me.
That being said, the current, the current season's trailers have
me very intrigued.
So it's just possible despite what she says that Ruby doesn't
watch Bridgerton, otherwise she would have recognised Jocelyn from
Space Babies. as Queen Charlotte from Regent.
Um, But I have watched Bridgerton and Bridgerton is very much
about that, you know, one of the things, one of the things that we
said last week, I think, was that we were doing the race thing in
episode 5 in space and that it meant we would be unlikely to do it
in the Bridgerton episode.
And one of the things that Bridgerton is famous for is, of course
the colourblind casting.
And so we do kind of just do that.
We don't go for a 2nd episode in a row with an all white guest
cast and we just let that happen and do other things.
And in fact, it's much more about queerness.
I think that it is about race.
Um, so I think all of that stuff, you know, I've got a lot to say
when it comes time to talk about this on flight through entirety
um, because just of the artificiality of the past and the way that
it really leans into that and has the characters willingly
participating, in creating a dramatic artificial setting, which I
think is really fun.
How did we feel about the Chuldor?
Uh, I think they've very effectively realised with the exception
of the blue one, which was really distracting me.
No, the blue one.
There was something about it, which made it look like velvet, like
that blue head was... was just terribly off-putting for me.
But no, I really liked the idea of them.
Yeah, just wanting to have fun, almost like the eternals, like
they're just kind of, um, um, passing the time by by taking over
other people's bodies and okay, that person gets killed, but um
they don't really care.
I don't think it was necessary that suddenly everything was
heightened towards the end when what they were going to destroy
the effectively destroy the entire world.
Yeah.
By the time they finished.
I actually thought that was, not just unnecessary, but I think
that actually detracted from the kind of the, what I wanted them
to be, which was kind of just much more carefree.
I mean they were going to have fun doing it, weren't they?
They were going to sort of start wars with Portugal and stuff. for
fun and maybe be the king.
I think the stakes needed to be high so that Ruby sacrificing
herself worked or the doctor refusing to, you know, had to refute
had to stop them, you know.
Yeah, I don't know because that's I think, I mean, the most
obvious comparison for me is girl in the fireplace. this episode.
And I think one of the reasons, one of the many reasons I
absolutely love that episode is because there isn't actually
anything at stake apart from the life of one woman.
And I think if they'd have kept it to that, I think if Ruby had
been wanting to sacrifice itself because of the doctor, so the
doctor and Rogue can do their thing.
I think that would have been a much more nicer thing rather than
because, you know, we're going to go to war with Portugal or the
whole world's going to be consumed by this, you know, it's kind of
like, yeah, yeah, I just don't care about that.
Yeah, yeah, yeah, yeah.
Yeah.
What do you think, Brendan?
Yeah, I'm I'm a little I'm a little bit with Simon on this one. you
know, I loved I love the design and I think, um, children of 1990
Zelda games and James is going to know what I'm talking about.
We have an aversion to owls who talk too much.
But, uh, I think, I think for me, is it's a bit like in Ghostlight
where Josiah is suddenly, and I'm going to kill Queen Victoria.
Yeah, you don't care.
It's like we're escalating the stakes.
Why?
Shut up.
That's why.
You know, I'm swept along with it.
It doesn't affect my enjoyment.
But yeah, it also, it almost would have been nice if their whole
thing was just, no, we're just going to go around and kill people
at garden parties.
And maybe maybe, yeah, and maybe you can get rogue going.
Actually, France have got a similar idea right now.
I'm just saying.
Tips the wrong country.
What do you think, Todd?
As a Bridgerton afficionado?
What do you call myself an aficiado?
It was just so much fun and it looked so it was shot so well.
It just, it was just, Glamorous is not the word I want to use.
It was, it just had this feel about it, whether you were inside or
outside majestic, and I just was drawn into it, and the
performance is not only of the characters in terms of the real
characters, like the cold open with that very nasty but hot lord.
And then the lady her, um, what's her name?
Indira, um...
And like, she wasn't a nice person either.
Like, they were actually not, like, it was all this intrigue and
you know, the season and all that sort of stuff, and then they
were replaced with people who were determined to even go one step
further.
I just, the funness and all of that.
I'm still smiling.
Like, it probably is my, could possibly be my, like I said, eight
but I, you know, You're talking yourself up.
I threw myself up, but I just enjoyed the whole thing.
The last 3 weeks, I've enjoyed all of those episodes, but they've
all been either Dr. Light for a reason or, or, um, in the doctor
in a particular, in one position.
So we had constraints, whereas this didn't have those
constraints.
So I just enjoyed the whole spectacle.
It was a spectacle.
And I have to say that shooty just looked absolutely stunning.
Yeah.
Yeah, I think India Obama deserves all of the props because she is
unbelievably horrible as Lady Pemberton or whatever she is, Duchess
Pemberton.
Um, and then when she's taken over by the bird and she suddenly
starts acquiring these sort of birdlike movements, like the way
she moves her head.
She's got an alarmingly long neck as well, which she absolutely
uses to her advantage.
I just think she's fantastic.
And I think it solves the problem in series one of Torture.
They clearly keep killing Susie because she has foul pest.
They do keep killing Susie, not even in Doctor Who.
Like she, she killed so often.
She killed in everything.
Yeah, no, that was that was so much fun.
Um, And I agree with you, Todd.
It, it, it looks luxe.
And beautiful and I think, you know, that sort of majesticness, um
is bec- probably because they they employed again for the 2nd time
this season.
The choreographer from Bridgeton.
Right.
Oh.
Yes, he he choreographed the dancing.
In Devil's Court.
Yeah.
As well.
Yeah, because it's the same director, isn't it?
I did wonder about that actually.
Yeah. interesting.
Can I just say a little slight Bridgerton annoyance that I have?
I mean, I've never I've never watched it, but it is on the list.
We'll get to it eventually.
And I know that it's very much part of the current site, guys.
But I was kind of annoyed that sort of in one line.
We sort of erase 50 or 60 years of quality BBC period drama
because it's all about Bridgerton.
Yeah, yeah, yeah, yeah.
And the other thing is, I'm very glad that we didn't have a real
historical figure in it.
I was hoping that like Jane Austen wasn't actually going to turn
up because that would have been really tiresome.
You just thought bath, here she is, bath 1813, where she...
I did I did love the...
I mean, I haven't watched Bridgerton, but Jason does.
And so I do catch bits of it in the background and I did love the
uh, the use of, popular music.
Hmm.
Uh, in it.
Like, you know, like, um, The, like, bad guy by Billie Eilish
playing when, when, um, with during the meat cube, or, um, was it
poker face?
Yeah, it was. during the fight scene between Ruby and the blue the
blue dressed bird.
Emily, thank you.
Blue dressed bit.
So yeah, that because that music is being played by notionally
being played by the string quartet in the room, not as incidental
music.
Yeah, it was kind of...
That is a feature of Bridgerton.
Like that is a thing that Bridget does.
So, I see.
Yeah, yeah, yeah.
So, you know, there is there's a sense in which this isn't said in
any kind of actual, you know, 1813 that ever took place.
It is taking place in a Bridgerton version of that, Brendan.
And it gives us a subtle reprise of the, I didn't realise that was
diagetic joke from the devil's chord.
Yeah, yeah.
Just further on the music, though, it is actually interesting
because those anachronistic selections of music are right, only
arrive later because we start with a hide and string quartet in
the in the pre-credit sequence.
And then we have another contemporary work from the Pirul from
1801, 1802, something like that.
When the doctor and Ruby are dancing just straight after the
credits.
So it's kind of like you sort of lulled into it that way.
So that's actually very, very interesting choice.
I do have to, just on the music, if I may, absolutely.
I mean, great to have poker face and all that sort of stuff.
But I think when Rogue and the doctor are dancing.
I think, having Piazola's libertango, which is about from 973, I
think, is a fantastic choice.
And, you know, the music is just perfect for it.
And I don't know whether, I think a lot of the audience would be
probably familiar with the music, like they'll go, oh, that rings
a bell without actually knowing what it is.
And so I think that's just a super super choice.
I thought the musical school was fabulous, isn't it?
It drew me in.
It was just another layer to everything.
That was going on.
It added to the elegance, the overall flavour.
Yeah.
Just do, and just to sort of hark on, hark on about the, the sort
of the majesty of it, for whatever better word.
It's so great.
We are in a large house.
It's not a set.
We've got lots of extras.
It's populated.
There's proper, proper choreographed dance sequences.
The library that's, that, that, that they go to, um, is, is also
large and and, it's wonderful to be dimly lit and and, and
glorious like that.
And yet, the external sequences are also, at no point am I
thinking, oh, this is all just kind of been pasted together from
stuff, or this is a bit of half wall, and we grabbed this from
this other program, even if they did.
I don't know.
Yeah, yeah.
All right, well, let's move on very quickly and talk about Millie
subplot, which is kind of disposable, really.
So it's basically her and Emily and her interactions with the
children.
How do we think Millie was served by this episode?
I liked it because I think that often the Doctor 2 companions do
go into a subplot and and it's good to see that rather than just
being together all the time.
I do think there was a cheat with it because when Emily grabs her
and changes, then we cut to outside and there's a lot of flashing
but then in the flashback, there's very little flashing.
I just felt that was a bit naughty. send us up, send us up the
garden parts.
And then I was a bit confused because Emily and the Lord were then
having their conversation.
And, and were they just play acting that because they knew she was
there or was Emily, was Emily actually Emily at that and then got
like, why go through all of that stuff?
Like, I just, I just kind of, that just stuck.
Is that part of the cosplay?
Yes, that's what I think it is.
I think they're having their great scene together and the fun
thing is that they have an audience, you know, she's there
watching while they do this incredibly important scene from the
romance plot that's being cosplayed in this episode.
So I think it does play with that.
Okay, because I loved her, all her clumsy stuff there.
She might be very much of Joe Grant quite frankly, and I just
thought she did a wonderful job.
Yes, yes.
Good comparison.
I also liked the sort of hiding in plain sight, the solution.
You know, don't set them into battle mode, which is a throwaway
line at the beginning of the episode.
And then it's the way you solve the, oh, how the hell did you get
out of that?
They do a good job there too, of setting up the rules of the
triform in the other plot.
So we get to see that in operation before we get to see it play a
major part in the episode.
And, you know, nothing just sort of comes out of nowhere.
It is all very carefully structured, I think.
Yes, and that that old law of conservation of information.
Yes, the fact that, you know, why do I know how to dance?
Oh, it's because of the earrings, which is actually at the time
when I'm watching that.
I was like, oh, we don't care.
I don't care how she knows I did that.
She just does.
You know, I'm sick of the explanation, but yeah, the payoff is the
earrings.
Although do we really need that anyway?
Whatever.
Yeah.
Something I really loved about Millie this week is she's really
showing her comedy chops because there's several, there's several
times when things are happening around her and she's just kind of
doing sort of pointing and faces like, do I go over, this is so
awkward.
Oh, wait, I'm not watching this as a TV show.
I need to go over there.
And just, there are actors and comedians who have, you know
trained years to do that, and it's so easy to forget that Millie
is 18.
You know?
And yes, she's been acting for years, but just her level of at
times subtlety and at times broadness, she pitches it perfectly.
And I was so impressed and especially like the battle mode scene
where she's surprised by what she's doing.
Yeah, yeah.
Yeah.
All right.
Well, let's talk about the romance.
For me, this is really something where you have one night where
the doctor meets a handsome stranger, they fight monsters
together.
They exchange, you know, they talk to one another about how much
they've lost, and then he disappears from his life forever.
And I thought that that just was a great structure.
And it's something that Doctor Who hasn't done.
I mean, we've had River, we've had Jack, sort of.
But this, I think, is something quite different from that.
How do we feel about Jonathan Groff, Simon?
At the risk of flexing that I just saw him on Broadway in Merrily
we Roll along.
This is what we are.
This is...
You dropped this.
The performance was actually remarkably similar to the one I just
saw on stake in that he was very, you just know, and just in terms
of the fact that he was very still, and also he was very
underplayed compared with everything else going on around him.
And I really like him as an actor.
I think he's great.
I am questioning whether there is a fine line between being
understated and being flat and I'm not 100% sure that he's not
just sometimes flat because he's trying to be still, he's trying
to be obviously suave and cool and everything, but not in an
annoying way.
And I think contrasted with shooting and contrasted with all the
other heightened performances which are going on around him.
It is a little bit out of place.
Having said that, you know, he's great and he certainly does know
what he's doing.
I wouldn't dare to question the choices.
See, I think he's a shy nerd.
You know, who secretly loves Kylie and plays Dungeons and Dragons
and named himself after the rogue class.
And so we expected him to be Jack and we're kind of fooled into
that because we get the scene from the empty child only instead of
someone taking the companion to their spaceship.
He takes the doctor to the spaceship.
And it is exactly that scene, isn't it?
But he's lonely and he's on his own and he's he's charmed by the
doctor, but he's also very quiet and nerdy.
He's not the loud suave guy that Jack is at all.
So he's Henry Cavell is what you're saying.
He wishes.
No, he can act.
Sorry, Brendan.
Yeah, I was going to say it's bad.
Don't be rude to Jonathan Groff.
Yeah, I found, I found their chemistry rather wonderful and um
something I said to um, uh, friend of the podcast this week and it
was either Bob or Alex, so if you're listening, Lads High, um, was
I think the doctor sees his pain, his past pain in rogue.
And in the doctor, Rogue sees someone he'd like to be more like
because he's a bounty hunter.
But It's not like a blood sport.
And you know, I think this interpretation of the word bounty
hunter is very informed by the Mandalorian, another Disney Plus
property. in that this is an honourable figure who is interested
in protecting the lives of innocence, and that's why he does what
he does, but is also deeply lonely.
And I think the doctor recognises that.
I agree with you, Brendan, on this.
I kind of think there is this connection between them which slowly
builds because the doctor sees certain things in rogue and then
rogue sees certain things in the doctor.
So as it goes along through all that Kylie stuff, that's slowly
building.
And I actually think it goes at a pretty, well, I think it goes at
a good pace, you know, and I actually see, you know, all the stuff
in the TARDIS and the little flirting there and the almost kissing
and all that.
I just, I just love the way in which you'd sort of built and I
actually thought they had a good chemistry.
And I think, um, Simon Wright, you're right.
Like he certainly underplayed it more, but there were certain
times where you could see he wanted to.
You know, he wanted to give more, you know, and he's obviously
gone through a lot of pain and and I just bought, you know, when
he went down on his knee with the ring in that scene.
I almost lost it, like, you know, and then, and then at the end
you know, with the kiss and his sacrifice.
I mean, I bought the whole thing.
I was just swept away in the romance of it all.
I mean, I don't want to...
This is Dizzy's performance because I think he's very good.
It's just that I couldn't help thinking, as you're saying, Nathan
the kind of the shy nerd.
I kind of, I just wanted to see that that being a little bit more
visible in his performance than it was.
That's all.
I just, and it's just partly because of the, the, the kind of
level of performance of everything else around him. need to be the
population. more, don't you, in Doctor Who?
Exactly.
Yeah, yeah, yeah.
But, I mean, he's so charming.
The 2 of them are so attractive.
And, you know, like instantly even up on the balcony, they're kind
of flirting and having fun with one another.
And the doctor like dancing and like lip syncing to Kylie in the
sort of incredibly kind of sexy way.
And, you know, I don't know.
We've had the doctor fall in love with someone in an episode
before, we mentioned girl in the fireplace, and maybe this is
something for flights through entirety, but I remember that Paul
Cornell when he made John Smith fall in love with Joan Redford, one
of the things that he said to us in the book was that, he made the
doctor straight and that was a thing that meant that something had
been lost because Doctor Who had a gay fandom and one of the
reasons it had a gay fandom was that the doctor travelled with
these beautiful women but wasn't really particularly interested in
them.
He wasn't a normal romantic hero and we could kind of insert
ourselves in there.
Do you know what I mean?
We could identify with that in some way.
And by making him heterosexual, I think we do open the character
up, make him more interesting, give him the chance to be involved
in romance and things.
And so now this is us being represented as well in the character
of the doctor.
And I thought it was pretty, it was pretty amazing actually.
And the fake, the faint with that, they're gonna kiss, but they
don't, because the thing dings, and you sort of think, oh, well
they're not gonna kiss then.
That's done.
And of course, the highlight.
Um, you know, that the big kiss at the end, which is so
wonderful.
Uh, you know, I just...
Ruby's reaction.
Yeah, yeah.
Even though she's about to be sent to a barren dimension
somewhere.
The warmth and generosity there at the end, like in that moment
and then making the doctor hug it out.
Yeah.
You know, it's her performance as that character, I really, really
love those aspects.
I think, though, there's a difference between the way this is done
and the way say girl in the fireplace is done or any of the other
like the river and so on.
The, the, the, the kind of the, the falling in love aspects.
He really falls into an emotional love with Madame de Pompadour in
that.
This, I think, is different because it is, and certainly with
River as well.
It's an intellectual and emotional attachment and love.
With this, I think this is the 1st time you get the concept of the
doctor being a sexual being because there is a bit more of an
animalistic desire that I think we're seeing there, in the passion
of the kiss and and also the way the doctor is flirting with rogue
very, very actively, like, whereas with River and Madame de
Pompadour, he's being, doctors being courted by them, really.
Whereas in this case, the doctor is at least an equal partner, if
not, he's the one almost making the moves on rogue.
And I think that is a different way of doing it.
Now, I do subscribe to that kind of whilst I love girl in the
fireplace.
I love human nature, et cetera, et cetera.
And I love the relationship with the river.
I still always default to the fact that, you know, I still like
that doctor.
Not so much being an asexual being, but it's just something that
we just don't really deal with.
And I think it's okay for it to be done like very sparingly, and I
get that it's part of what you need to do in the modern era, but I
query where there's some of the discomfort that some people have
had with that has not been around that I've read online, has not
been around the gayness of it per se, but about the doctor being a
more sexual being.
And I don't think the doctor's necessarily straight for human
nature.
He's neither straight nor gain nor b nor anything.
He's kind of, because he's an alien, it's, it's, it, it may be
maybe he has different sexualities depending on the regeneration
or maybe he's always got all sexualities.
Who knows?
It's just that ability to be able to read your own, your own
vision, your own interpretation into different aspects of the
program.
And I think we should always, the program should always aspire to
be able to be open to all those interpretations simultaneously.
I think, though, that the, while they are both sexy men and while
they are flirting with one another, it's, um, the kneeling down
which is so romantic, where he kneels and gives him like that, it's
incredibly romantic, the moment where they open up and they see
the loss that each of them is experienced, you know, like there is
an emotional level.
It isn't just about sex.
And I do think, yeah, I think that, you know, there's a reason, you
know, certainly there are people who prefer the show where the
doctor isn't, um, uh, you know, isn't involved in romances.
The doctor doesn't dance.
Yeah, my feeling, though, is that there are people leaping online
to complain about girl in the fireplace. and I think that their
complaints are fairly, clearly motivated for one thing.
Yeah.
Because I do think, like, I do think this is adorably romantic.
And I think you're right, Simon. he's never said to be straight
we've never had him, you know, given a label and even now we
haven't, you know, but we did see him in a lot of mixed sex
relationships.
We've seen him in lots of heterosexual relationships and I think
Moffatt constructs him as a straight man because Moffatt has
things to say about, um, about men and women and the relationships
between them.
And all of that is really good and I enjoyed all of that stuff at
the time.
But actually seeing him kiss a man in a way that we haven't seen
before.
And, you know, he doesn't kiss Jack, Jack kisses him.
I think it's it matters.
And it's not a it's not a romantic kiss with Jack.
No.
Also, the idea of doing a queer romance came from the writers, not
from Russell.
Yeah.
They actually suggested it to him.
The funny thing is that Kate Heron directed an executive produced
the 1st season of Loki, and Russell said that saying that Loki was
bisexual was just absolute cheap representation because they never
showed anything.
You can put the word bisexual, you can type it into your script
and it costs you absolutely nothing at all.
And so when he hires her, she says, all right, you know, I'm doing
it and he's going to be kissing a man.
I think that's pretty great.
I also think, like, you know, with the bi-regeneration thing, is
that a lot of the baggage of the doctor has gone, and we've seen
him in shooting that is much more emotional.
Like he's crying so much.
Like again, at the end of the episode, there are tears, and I
think that allows him to be more open to actually take the lead in
being the romantic lead.
And I mean, if you look at the, and going back to what Simon's
saying, like, you know, in the original series run, the doctor was
very asexual.
In the next generation from 2004 to 2022, a lot of people
instigated the romance on him.
Here, he is, this is now a different series, series, season one or
series one again.
So it's it is a new way of interpreting the doctor and I'm all for
it, you know?
I'm all forward. all for it as a one-off, certainly.
But, you know, are you going to do it every week?
No, you're not.
But it's nice to see a difference from what has happened before
you know?
And representation certainly in the way it's been done.
You better find him though.
Yeah, absolutely.
All right.
I think we're going to wind it up there.
We've got some things to plug, untitled Star Trek Project is on
obviously, every Friday, and I can't even remember what our next
episode is, but I'm sure it's lovely.
We're a few weeks ahead.
Startling Barbara Bain, I think, is probably recording next week.
If you don't know about it, it's our Space 1999 commentary podcast
which is pretty fun and is about to drop its 6th episode.
Brendan, what do you want to plug?
Before I plug, I just want to say, um, if you enjoyed uh, the
doctor inadvertently getting a marriage proposal and a companion
almost being married off against their will, not to mention the
doctor's actions inadvertently almost leading to the death of a
companion, you might enjoy Doctor Who, the Aztecs.
Oh, this is your link to this is my link.
This is my link.
And as I as I wasn't on last week, I can say last week's link to
the keys of Baroness is that we have a global computer controlling
how people think and feel.
And a set of monsters where you're like, maybe they've got a
point.
And at the end, our sort of vapid blonde hero goes up and says
yeah, I'll be fine as she walks towards an acid C.
Brilliant.
What's up to the Aztecs?
The sensor rights.
So I'll be interested to see how it helps.
A legend of Ruby Sunday. measures up to the sensorize.
But yes, in terms of what I have to plug, the BJBJ game show will
be back next week with the tourist, and after that, we are playing
the Talos principal, and also back next week is the three-handed
game where we are going into the new Avengers to start off the
cool war with to catch a rat.
Brilliant.
All right, in that case, until next time, I've been boarding up
all the doors and windows here, so Susan Twist can't get in, so
that might be something you might want to consider.
Thank you very much for listening and good night.
Good night.
Ta-ta.
Bye-bye.
See you soon.