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This transcript was created on 2026-06-07 at 11:58:48

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Hello, dear listener, and welcome back to the 2nd great and bountiful Human Empire, the only Doctor Who flashcast, which will be right with you as soon as our Apple Vision Pro has finished booting up.

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I'm Nathan.

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I'm Peter September.

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I'm Simon October.

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And I'm Todd.

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Just Todd.

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Just Todd.

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Those things are gonna start eating you all in alphabetical order. can just see it happening.

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We deserve it. get me 1st because of my last name.

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But if you change your last name, Todd, to like Zod or something, you last Gothic Todd.

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All right.

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So how are our general opinions of this one?

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There seems to have been sort of a bit divisive in fandom, like, basically all of them so far.

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I have to say that I had fun, although I also have to admit that it took me much longer than I think it probably ought to have to work out what on earth was going on.

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But we will get to that a little bit later.

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What did you think of it, Simon?

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I quite liked it.

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I loved the visual style.

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I loved the way the whole thing or most of it was told through basically a series of screens in front of Lindy in total social media world.

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So I was really on board with just doing something differently.

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And I know there are other comments which are made in the episode, but I think the commentary about social media and our social media bubble is, I think, a very, very powerful and relevant one.

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What do you think, Peter?

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Hmm, Dot and bubble.

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Sadly, it wasn't the EastEnders abfab crossover that I've been waiting for.

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I did enjoy it.

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The episode was entertaining for the most part.

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It had some nice ideas in it.

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I like when Doctor Who goes a bit out there without being open quote bonkers, close quote.

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I like the macrterra, I like gridlock.

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Um, I love the Sunmakers.

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I adore the happiness patrol.

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This is very much in their cast, and so I'm genetically predisposed to like this.

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And I did, in some ways, not in all ways.

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And Todd.

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I didn't think I was going to like it, but as it went along, I liked it more and more.

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And as Simon said, the visual, I love the visuals, like all the colours, the bright colours, the bright colours, the light blue and the yellow and that.

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Yeah, I like that palette.

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I, um, yeah, it's all it's all pastels, isn't it?

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It's really very well done because it is kind of funny seeing, like those sort of weird Doctor Who's are kind of associated with the 60s and maybe gridlock, maybe the end of the world sort of, but it's kind of the 1st time that we've seen anything quite as weird as the happiness patrol.

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Or I was also thinking Paradise Towers as well.

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You know, where characters have their own kind of dialect, their way of speaking, they have a weird way of being named.

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And now seeing that done now with sort of modern production sensibilities, even just that opening scene in Lindy's flat, where her flat looks amazing, and then you look out the window and you see, you know, all of these, like the bubble keeps recurring as part of a design element, the whole place is in a bubble.

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But there's, you know, round portholes round things out the window, all of the windows around.

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Like, everything is kind of of a piece, I think.

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And it looks really good.

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Apparently, a lot of the location stuff was at the University of Swansea, which is kind of hilarious.

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Um, but I just think it looked... just apt.

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But I just think it looked amazing.

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I mean, it really did look quite extraordinary.

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What I what I feared was that it was just going to be a Aunt Gen Z dumb with their phones and stuff.

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And I thought, that would be so boring.

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That would be so boring.

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And it looks like it's going to be that and then it takes a kind of sharp turn, which I thought was pretty interesting.

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So how do we feel that satire landed?

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I thought it was kind of obvious.

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It's like a lot of this season.

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It's been fairly obvious.

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It was low hanging fruits.

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I did enjoy it.

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It didn't feel that the story was developed.

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It was developed one step away from our earth here and what we live and live in society, which is what talk to has always done.

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I felt it could have been taken another step further so that this satire wasn't quite so on the nose, but I did enjoy it.

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Simon?

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Yeah, I mean, I'd agree with that sentiment.

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I mean, it's subtlety is not generally one of RTD strong points, but then, you know, often it is in the program more broadly anyway, I'll admit to that.

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But I suppose because I go in with those expectations, I was able to enjoy it.

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And I think that I think it's able to satire multiple things at once and comment on multiple things at once.

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And I think I think there is a little bit of the gen Z, uh, you know, don't like to turn up to work because they don't feel like, you know, that kind of whole kind of cliche that, that, that we have.

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I think that's a thing too and why not?

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I think it's as much that the satire is as much about having having people, you know, living in your bubble and not necessarily even a social media bubble, but like the bubble that we all are kind of living in.

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And I know there are other reasons for the rejection of the doctor and Millie, but nevertheless, I think it's also about the fact that you're not part of our tribe, so you don't belong with us.

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So I think, I think there are actually, surprisingly, there are actually a lot more things going on in this than you think there are when you've, you know, 5 or 10 minutes in.

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What I appreciated about it was the commentary on a generational bubble as well, because more and more, you know, we saw it in things like the Brexit vote in the UK, we see it in politics all the time now.

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There's an incredible generational gap between how young people think that they're being served by society and politics and how older people were and how they think about that together.

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And it's creating a lot of friction between generations which never existed maybe 30 years ago.

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So I appreciated that commentary.

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Although it's interesting there, Peter, because the political thing.

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I mean, they're not, these guys are not resentful of their parents.

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Their parents have paid for them to be in this place.

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It is showing the generational bubble in one regard, but not in a kind of a divisive way.

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We's not actually saying, well, you know, we're on this side, and the old people don't know what they're talking about, and they're over that side, which I think probably would have more gone in that direction. if that's what they were wanting to do.

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Well, I was one of the elements of the satire that I actually thought worked.

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I didn't want that addressed on the nosed, but the fact that they'd kind of segregated the old and the young people and then the young people lived in their social media bubble while not being able to afford their own round windowed flats because their parents had to provide it for them because they had the money.

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And then having the older generation actually eaten by slugs just leaving the younger generation defender for themselves.

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That was satire that I was on board with.

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Yeah, so I think old people have plagued our fragile earth for far too long.

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Todd.

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My husband likes to watch reality television shows, and some of them are quite good, and others, I've sat through like Paris in love with Paris Hilton.

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And I have to say, like, I mean, did she get eaten by a slug?

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Well, no. wishing she would be.

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Well, yes, I sat there at times going, this woman is so vacuous.

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And then she would show glimpses, actually, of humanity, and you actually think there's more there.

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And then in a 2nd she suddenly would do something which I go, well, no, it's not there at all.

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And she's got all these followers for unknown reasons.

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So the 1st 10 minutes for me was like, I'm watching some sort of parody of that happening.

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I'm going, I don't want to know these people.

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I don't want to know this.

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Please just let it end.

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So, and rewatching it today.

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It was actually quite interesting watching it from that perspective, really, but I just want to say Paris Hilton is not racist in case anybody's thinking that she actually isn't, but that we know of.

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It's just, I just thought it was a satire of that he was obviously watched her show.

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Todd, I'm interested.

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Did Ash watch it with you and what did he think?

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Um, he didn't really like it that much.

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No.

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Like, um, yeah, it wasn't for him.

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He said it wasn't, he didn't like her in particular, but we did both laugh when she walked into that poll.

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Let's just...

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Talk about things that are done unsubtly, yeah.

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Yeah, yeah, yeah, yeah.

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Well that's another lift from Moffat, I think.

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RTD's doing a lot of that.

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I certainly think the discovery that people are being eaten alphabetically is pure Moffat.

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And apparently this will...

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Certainly moth at if it's Moth at and Davies in the same program.

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Well, I think that's it.

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And they are in the same room because I think this is pitched.

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This was originally pitched by Davey's tomb Moffat during the Moffat era and the Moffat was involved in the, you know, talking conversations, developing it now that it's actually kind of, you know, just technically possible to actually achieve it in a satisfactory way.

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I was thinking, Todd.

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In fact, Ruby notices exactly that thing.

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Doesn't she say this is like Planet Love Island or something?

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Like she thinks that this is exactly like one of those reality TV shows where everyone has their followers and everyone's sort of being lovely and being influencers and talking about their clothes and all of that sort of thing.

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Um, so, so the thing, the thing that I didn't spot straight away is that everyone's white.

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And that is something that obviously other people noticed immediately.

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And I have to, in my defence, say at least on this week's episode of Untitled Star Trek project, I bitch about how white everyone is in the car.

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So sometimes that's something I notice.

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I didn't notice it this time.

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I was a little bit distracted, possibly by just how queer everyone looked.

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But nevertheless, you know, there's a way in which the episode critiques you, because the 2nd watch through.

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Obviously, you see that Lindy is mean to both Ruby and the doctor, but she is mean to them in a different way.

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When the doctrine and Ruby appear in the group chat.

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All of these sort of people who are just, you know, they're just kind of featured actors.

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They're talking, they only get a few lines each episode.

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Do you know what I mean?

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They'd have been in for a couple of hours just shooting against a wall sort of thing.

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But they're all desperately doing their disgusted acting when the doctor speaks and, you know, being discussed at being in the same group, chatters him and all of that's sort of quite clear.

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And then, of course, we get Lindy meeting a white version of the doctor, who she is much nicer to up until the point where she obviously gets him killed.

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But she reacts much better to white Doctor Who than she does to uh, than she does to our doctor.

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No, no, but the reason she possibly, but the reason she reacts so positively to Ricky September is because of the fact that she is following him, she is a fan of his.

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So he is already someone who her group has decided is fabulous and acceptable.

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And just going back on the race thing.

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It's funny because I, I, well, sometimes when I'm watching shows like, well, any show, really, and I noticed something like that, and about halfway through, I realised that, oh, everyone's actually white in this, and my brain 1st, the 1st thing my brain goes to is that was a strange mistake that they've made.

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Do you know what I mean?

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I just immediately think it's a production mistake and they've suddenly gotten to the editing and going, oh my gosh, we haven't actually gotten any people of colour in this.

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But, and then it's only kind of at the end that I realised, oh, actually, no, it's actually, they're actually making a point.

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But as I said before, I don't think it's just about race.

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It's also about who part of the disgust that she has with at the doctor and because it is also with Millie as well, is because they are not, they haven't been pre-approved effectively to be part of their group.

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I think it works on a racial level and also works on that other level too.

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Sure.

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And you're not allowed to be one of us.

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You're not allowed to be one of us. yeah Yeah, yeah, yeah.

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And she is dismissive of Ruby, but when the doctor appears 1st on her screen, he's surrounded by like warnings and stuff in a way that Ruby Sunday isn't.

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She blocks him immediately.

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When the next black guy turns up.

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She just thinks it's another black guy because they all look the same.

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I mean, she says all of this sort of stuff.

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It is all very clearly there.

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And I do think that the, um, the Ricky September stuff is played exactly like the doctor meeting a companion for the 1st time with that handholding, the, I'm going to save you.

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I'll get you out of this.

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All of that stuff.

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He's a doctor.

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And she reacts well to this doctor.

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And, you know, like, I think, yes, she knows him and fancies him and stuff like that, but also, I think, you know, within the story.

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There's a very clear reason why he's portrayed like that, I think.

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I also thought there was an interesting commentary there on social media followers, relationship with the people that they follow, and that all that they, all that you get when you have the big fandom who follows a celebrity on TikTok or whatever, is they get what is given to them to be digested.

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And you get this feeling that if ever they met in real life and they didn't live up to this, um, hopelessly inflated view of what they were, um, that the fandom could turn on them in an instant.

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And I kind of, I got that from this episode that, you know, love and hate in social media is such a finely balanced thing that it's very easy to be cancelled for just not being what someone ideally expects you to be.

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Yes, and the judgement is summarial.

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It's so fast, it just happens.

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Yes, and it's gone from 100% love to 100% hate gone.

171
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But when he turns out to be quite different from what she expected with all of his, you know, like I can walk and I read books and, you know, I know about history and stuff.

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That's not the thing.

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I can do all that.

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Yeah, I can sometimes do it.

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Um, but, but, um, it's, it's when her life is threatened.

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You know, the 2nd her life is threatened, she is such a piece of work, she is such an absolutely appalling person that she just throws him to the walls immediately.

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And so I don't think he's cancelled in any kind of sense.

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It's just that she is so awful.

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She's so fabulously horrible as a person.

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Did you find, though, that when I was waiting for the moment, like, I don't know, 15, 20 minutes in, you're waiting for her to actually get a grip and start to do what Millie's saying and start to take the doctor away and not just completely be fulfall to pieces.

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And then it took me a while to realise, oh, actually, no, she's actually never going to get a grip.

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That's the whole point is she's just she's just totally hopeless at everything and even, you know, can't even walk and that kind of crap, which is probably a bit over the top, but, you know, I get the point that's trying to be made.

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Having watched Paris in love.

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That's not too far from reality.

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I mean, she can do I'm out of touch.

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Obviously walk, but you know, there's other things which I kind of think, 0 my goodness, didn't your mother ever teach you how to do that?

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Even her husband says that.

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I thought she was, I sucked in because I actually thought every, oh, I'll give her the benefit of the doubt every, every time she did something hopeless and then, oh no, she's having a rethink, she'll get there in the end, she'll get there in the end.

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I've written off Ricky as one of those foolish people on the in the bubble.

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And so it was very refreshing when he came into it and thought, oh, wonderful.

191
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And now she'll get a grip, but she was just a truly awful person. unbelievable.

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That moment where she just says, oh, his last name's Coombs or something is just so brutal.

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She's really, really awful in every way, and she is horrible to Ruby, but she's really, really quite horrible to the doctor.

194
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Just awful.

195
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Um, and it is that sort of thing where you're kind of one of the things that the episode does, I think, is that her poor behaviour is the sort of thing that we could just sort of dismiss.

196
00:16:31.080 --> 00:16:35.639
But I think there were people watching this and I've, you know, gone online and stuff.

197
00:16:35.700 --> 00:16:39.600
People watching this kind of going, oh yeah, she's super racist.

198
00:16:39.659 --> 00:16:51.419
Like almost immediately, because it's that kind of that just the sort of things that she says are the sort of things that people kind of encounter on a regular basis.

199
00:16:51.480 --> 00:16:55.440
And so what we regarded as sort of, you know, this is a horrible person.

200
00:16:55.500 --> 00:17:03.899
And, you know, like I don't think anyone, anyone watching it wasn't enjoying the spectacle of all of these white people being eaten by slugs. you know what I mean?

201
00:17:04.140 --> 00:17:07.200
even if we weren't thinking of it in those terms.

202
00:17:07.259 --> 00:17:15.539
But I think that some people had a head start in recognising kind of what what sort of behaviour was being depicted from Lindy, I think.

203
00:17:15.960 --> 00:17:18.480
White people being eaten by slugs.

204
00:17:18.539 --> 00:17:21.359
It's like the sequel to Frontios, we know that...

205
00:17:21.359 --> 00:17:24.599
Or potentially Arc in Spain.

206
00:17:24.660 --> 00:17:30.539
I was so hoping they were going to be tractators or whatever the hell, what's...

207
00:17:30.599 --> 00:17:31.319
What's messed up?

208
00:17:31.319 --> 00:17:33.059
Gastropol, yes.

209
00:17:33.119 --> 00:17:35.220
I thought I bet they're going to be gastropods.

210
00:17:35.279 --> 00:17:36.660
They're really funny too.

211
00:17:36.720 --> 00:17:37.559
Aren't they wonderful?

212
00:17:37.619 --> 00:17:47.819
Like, the thing where she leaps across. at the guy next to her in the office and he's got the tartan trousers that are kind of sticking out of this thing.

213
00:17:47.880 --> 00:17:50.339
The production team called the man traps.

214
00:17:50.400 --> 00:17:51.599
Apparently.

215
00:17:51.660 --> 00:17:52.559
Right.

216
00:17:52.619 --> 00:18:00.660
I will say that it is a nod to the classic ear of the program that you do have these very slow moving things, which people kind of seem incapable of getting away from.

217
00:18:00.779 --> 00:18:12.420
And in fact, and in fact, when they've been, when they've been slightly touched by them, they can't even kind of back away, they kind of, you know, it's like dealing with a monotra or something like the way they, they kind of...

218
00:18:12.660 --> 00:18:15.059
They kind of allow themselves.

219
00:18:15.119 --> 00:18:20.400
It's that kind of acting where you've got to pretend that you're actually being overwhelmed by this piece of CGI.

220
00:18:20.460 --> 00:18:23.759
Yes, that telephone cord is wrapping around you, not the other way around.

221
00:18:23.880 --> 00:18:25.500
Yes, exactly.

222
00:18:26.519 --> 00:18:28.799
By the modern standards.

223
00:18:28.859 --> 00:18:31.200
I don't feel that they're overly successful, I confess.

224
00:18:31.259 --> 00:18:33.059
I thought they were wonderful.

225
00:18:33.119 --> 00:18:34.019
Yeah, yeah.

226
00:18:34.019 --> 00:18:36.180
People can't walk away from them because they can't walk.

227
00:18:36.240 --> 00:18:37.140
Do you know what I mean?

228
00:18:37.200 --> 00:18:40.380
Like they're absolutely paddle to the slaughter when it comes to this.

229
00:18:40.440 --> 00:18:43.140
I think, you know, they're very perfunctory.

230
00:18:43.200 --> 00:18:50.339
It is that thing, you know, your dot has been watching you all for so long that it just hates you and it designs to conjure up a whole bunch of slugs.

231
00:18:50.460 --> 00:18:54.960
So I wonders why the dot doesn't just like pulverise your head like it goes to me.

232
00:18:55.019 --> 00:18:57.359
Yeah, given that it can fly right into your head.

233
00:18:57.420 --> 00:19:00.299
It's right in front of your head and it's just...

234
00:19:00.299 --> 00:19:03.119
It didn't think of that till later as my aggressive dot.

235
00:19:03.660 --> 00:19:06.240
Well, it's a bit of a red herring, really.

236
00:19:06.299 --> 00:19:07.859
Yeah, it's a red herring.

237
00:19:07.920 --> 00:19:13.799
Yeah, because like I thought, oh, they've invaded and it's the slow invasion of the slugs or whatever and they don't seem because they're in the dots.

238
00:19:13.859 --> 00:19:16.559
So it sends you off on a different path, depending on where you're looking.

239
00:19:16.619 --> 00:19:25.319
Yeah, you're already given the idea that somehow they've breached the thing and they're from the outside is kind of, I think, you know, what you're meant to think.

240
00:19:25.619 --> 00:19:32.400
You don't think it's a commentary on, you know, the fact that the dots, the dots been listening to you and decided that it doesn't like you.

241
00:19:32.460 --> 00:19:38.940
It's no commentary on Elon Musk or Mark Zuckerberg or something deciding that they don't like, everyone who uses their platforms.

242
00:19:39.000 --> 00:20:02.519
Well, do you know, one of the things is, one of the things that I think about social media is that there's a big kind of social media, moral panic at the moment about social media being bad for children and we have, you know, the federal government here wanting to ban social media for people under 16 instead of perhaps suggesting that people could do some parenting for a change.

243
00:20:02.579 --> 00:20:15.539
And I think that that is a moral panic, and I think that the danger posed by social media isn't that you're going to, you know, be contacted by a paedophile.

244
00:20:15.599 --> 00:20:21.359
It isn't that you're going to forget how to walk and you're going to bump into things because you're so wrapped up in your phone.

245
00:20:21.420 --> 00:20:37.079
The danger is the social media algorithms, that foreground, just alt right opinions, that you're watching a video about Doctor Who, and the next video that YouTube suggests is, and here's what a Nazi thing's about, Doctor Who.

246
00:20:37.140 --> 00:20:48.240
And I think that children being radicalised online by that sort of material is a much more present danger and kind of that's what we have.

247
00:20:48.299 --> 00:20:58.079
You've got a social bubble that Lindy belongs to, that consists entirely of white people who get annoyed if a black person turns up and starts talking to them.

248
00:20:58.140 --> 00:21:07.500
So I think that's there, I think, as an idea, you know, the particular bubble that's portrayed here is that sort of bubble.

249
00:21:07.980 --> 00:21:12.299
Yeah, I mean, it's not the, it's not the social media per se.

250
00:21:12.359 --> 00:21:37.079
It's the way the algorithms work now, which is, is, is, but also has made it from, I mean, we're getting off topic here, but from my point of view, with social media, how much, how less I interact with it, and partly because people are interacting with me less, because of course, you scroll through Facebook or Twitter, and it's just all these other stuff, rather than it being what it used to be, which is just basically a reverse timeline of what whoever's posted, whatever in, in, from present, back into the distant past, you know.

251
00:21:37.140 --> 00:21:39.960
And so it's been because the content's being curated for us.

252
00:21:40.019 --> 00:21:43.799
And I don't think it's necessarily because they want to turn us all into neo-Nazis.

253
00:21:43.859 --> 00:21:49.920
It's because they know that that video of the Nazi reaction, Doctor Who, whatever it is, is going to get a reaction out of us that's going to get more engagement.

254
00:21:50.039 --> 00:21:52.200
So it's not an actual ideological thing.

255
00:21:52.259 --> 00:21:55.440
It's actually purely driven by how many clicks, how many interactions will this get?

256
00:21:55.559 --> 00:21:58.019
Anyway, that's a very long topic for a different time.

257
00:21:58.079 --> 00:21:59.880
Well, for flight through entirety.

258
00:22:00.359 --> 00:22:10.380
It's like when you go onto YouTube and you watch like a travel video, you know, someone who does plane journeys and reports back on what the soft product is like and all that kind of thing.

259
00:22:10.440 --> 00:22:21.900
They will always head it up with my my really nasty review of this terrible product and you'll see that it gets 10 times the views of anything else.

260
00:22:21.960 --> 00:22:24.359
And so people do it all the time, even when it's not that.

261
00:22:24.420 --> 00:22:25.859
Yeah, yeah.

262
00:22:25.980 --> 00:22:33.059
All right, let's talk about the fact that we have our 2nd Dr. Light episode in a row.

263
00:22:33.119 --> 00:22:50.460
This is not quite as light as last week, and clearly they did what they did in blink, which is just have the doctor stand against a wall and then they could film him at one camera angle and get a lot of material in in a very short amount of time and then just give him more.

264
00:22:50.519 --> 00:22:51.599
And he's actually won a scene.

265
00:22:51.660 --> 00:22:52.500
Yeah, yeah.

266
00:22:52.559 --> 00:22:53.039
Yeah.

267
00:22:53.099 --> 00:22:59.460
I do think it was unfortunate that 25% of Shooty's 1st season is Dr. Light.

268
00:22:59.519 --> 00:23:01.680
I understand completely the reasons for this.

269
00:23:01.740 --> 00:23:04.319
It's just a shame that they couldn't scheduled their way out of it.

270
00:23:04.380 --> 00:23:05.519
Exactly.

271
00:23:05.579 --> 00:23:07.500
I think that's very unfortunate.

272
00:23:07.559 --> 00:23:09.119
But look, I think it works.

273
00:23:09.180 --> 00:23:10.859
Look, any of these episodes are perfectly fine.

274
00:23:10.920 --> 00:23:14.220
It's just a shame that you've got them consecutively.

275
00:23:14.279 --> 00:23:23.579
And I mean, even going back to Boom, which I know is not a Dr. Light episode, obviously, but in another way, it's a, let's just have shooty in this one set.

276
00:23:24.420 --> 00:23:26.339
And do the whole thing.

277
00:23:26.400 --> 00:23:32.099
And so now looking at that retrospectively, it's quite clearly part of that broader problem that they had.

278
00:23:32.640 --> 00:23:36.059
Look, I think that, yeah, I totally agree with you.

279
00:23:36.119 --> 00:23:40.920
I do like the fact that as the episode went on, Ruby and the doctor were there more and more.

280
00:23:40.980 --> 00:23:49.079
So it's sort of built towards the end, which is probably why I liked it more as it went along as they were really interacting and being in the space with, with, with Findy.

281
00:23:49.140 --> 00:23:52.680
So, um, yeah, totally understand why they had to do it.

282
00:23:52.920 --> 00:23:58.980
I've heard it said that it wouldn't be such a big deal if this was like a 13 episode season, but if there's any eight.

283
00:23:59.039 --> 00:24:00.299
That's a little bit unfortunate.

284
00:24:00.359 --> 00:24:00.779
Sorry, Nathan.

285
00:24:00.839 --> 00:24:01.559
No, no, I agree.

286
00:24:01.619 --> 00:24:11.640
I think, Eric, friend of the podcast, Eric Stadnick, said that one of the features of the previous Russell seasons is that they're actually very carefully done.

287
00:24:11.700 --> 00:24:12.599
They're carefully organised.

288
00:24:12.660 --> 00:24:16.740
You have, you know, a sort of lighter episode on Earth in the present day.

289
00:24:16.799 --> 00:24:18.599
You go to the past, you go to the future.

290
00:24:18.660 --> 00:24:23.099
You have a two-parter with a returning monster that's generally light.

291
00:24:23.160 --> 00:24:24.779
You have one or 2 things.

292
00:24:24.839 --> 00:24:27.359
You have the darker two-parter towards the end.

293
00:24:27.420 --> 00:24:28.559
Do you know what I mean?

294
00:24:28.619 --> 00:24:38.460
Like every season is sort of constructed in a, in a way, uh, that allows a kind of buildup and variety and all of that sort of thing.

295
00:24:38.519 --> 00:24:53.279
And this where, um, you know, we've got dialogue suggesting in episode 2 or 3, depending on how you count it, in the devil's court, that Ruby's been with a doctor for 6 months, then the following episode we hear that this is her 1st alien planet.

296
00:24:53.339 --> 00:25:08.579
You know, it looks like boom was originally earlier in the schedules that something has happened, and now you have 2 consecutive episodes, where I think that perhaps it would have been less of a problem had those been separated in the running order in some way.

297
00:25:08.640 --> 00:25:16.079
So something has happened here, I think, and we're not seeing the episodes in the order, they were originally intended, I think.

298
00:25:16.140 --> 00:25:20.039
I mean, the flavour of Doc 2 always carries you forward.

299
00:25:20.099 --> 00:25:22.319
It always compensates for the absence of the doctor.

300
00:25:22.380 --> 00:25:30.420
And I think they've gotten used to during these doctor light episodes, casting an actor who's capable of leading the show in the doctor's absence.

301
00:25:30.480 --> 00:25:34.500
So Elton in love and monsters or, of course, Sally Sparrow in Blink.

302
00:25:34.559 --> 00:25:36.480
And I think here was another case of that.

303
00:25:36.539 --> 00:25:39.599
It is just, as you say, unfortunate that we've had 2 in a row.

304
00:25:39.660 --> 00:25:42.960
I feel like I was still getting to know this doctor and I don't want his absence.

305
00:25:43.019 --> 00:25:45.119
I want him on screen front and centre.

306
00:25:45.180 --> 00:25:50.579
And so when he comes back in that last scene and is front and centre and does a good job.

307
00:25:50.640 --> 00:25:52.380
You think, yeah, this is what I wanted all along.

308
00:25:52.440 --> 00:25:54.660
Everything else was okay, but I want this.

309
00:25:55.019 --> 00:25:56.940
Yeah, I entirely agree.

310
00:25:57.000 --> 00:25:58.319
Yeah.

311
00:25:58.380 --> 00:26:00.299
What do you, what do we think of the final scene?

312
00:26:00.420 --> 00:26:04.019
Look, I think it wraps it up.

313
00:26:04.079 --> 00:26:12.960
Well, it ties up, ties it all up in a good bow, what we think we've been watching, you know, have we been watching this, right?

314
00:26:13.019 --> 00:26:17.039
And so, but I like the fact that it's not completely explicit.

315
00:26:17.160 --> 00:26:23.700
And I do notice out there that there are some people who haven't actually picked up on that aspect, the racial aspect of it at all.

316
00:26:23.759 --> 00:26:32.940
Having said that, I still maintain that it's not just about the racial aspect and I think the reason why the doctor is crying at the end is not because his feelings have been hurt.

317
00:26:33.000 --> 00:26:41.339
It's because of the fact that he feels so utterly sorry for these people who are quite evidently sailing to their deaths, whether it's in an hour or tomorrow, next week.

318
00:26:41.400 --> 00:26:58.319
The point is, the sense is these people are just refusing to listen and just sailing off anyway, and he is so he is so frustrated and sad by that fact that they're letting their prejudices in all their forms completely throw out means that they throw away their future.

319
00:26:58.559 --> 00:27:00.119
Torn.

320
00:27:00.180 --> 00:27:05.339
Again, I think should he did a wonderful job in that scene, displaying a huge range of emotions.

321
00:27:05.400 --> 00:27:08.640
But the other person who I was really very impressed with was Millie.

322
00:27:08.700 --> 00:27:14.400
And I think that builds from last week where I really got to like her a lot, like really, really like her.

323
00:27:14.400 --> 00:27:17.400
And just her reactions to him in that scene.

324
00:27:17.460 --> 00:27:31.980
And even earlier when with the whole Ricky September thing, which is the most hilarious thing, when they're, you know, hands off or whatever they say, or he's hot or whatever, and then she goes very quiet and the doctor's really engaged and you look at her, she's like, oh, you know, really into it.

325
00:27:32.039 --> 00:27:39.960
But again, in this scene, there's a real chemistry, I think, between them and her reaction to the doctor and how he's reacting is wonderful.

326
00:27:40.019 --> 00:27:44.099
So, yeah, I really liked that last thing from both of them.

327
00:27:44.160 --> 00:27:53.339
It's almost like she kind of understands what's going on before he does and like she knows what his reaction is about.

328
00:27:53.400 --> 00:27:54.359
You know.

329
00:27:54.420 --> 00:27:56.819
Yeah, she's realised, she's realised just before he has, I think.

330
00:27:56.880 --> 00:27:57.420
Yeah, yeah, yeah.

331
00:27:57.480 --> 00:28:00.839
And so she puts her hand on him and stuff and she's crying as well.

332
00:28:00.900 --> 00:28:03.000
It's really properly good.

333
00:28:03.059 --> 00:28:03.960
I think she's great.

334
00:28:04.079 --> 00:28:14.700
And shooty, of course, you know, just who goes through these range for motions and there's you, the closer before he does or says anything where he's quivering, you know, like it's, it's really terribly good.

335
00:28:14.759 --> 00:28:16.440
I think he's he's great.

336
00:28:16.619 --> 00:28:25.500
The comparison I wanted to make a 2 to that with that end with the people going off to their death is the kind of mentality you see in that film, don't look it up.

337
00:28:25.619 --> 00:28:29.099
Um, with Meryl Streep as the president, we're basically there.

338
00:28:29.160 --> 00:28:31.079
I mean, again, it's a farce.

339
00:28:31.140 --> 00:28:32.039
It's ridiculous.

340
00:28:32.099 --> 00:28:40.799
But it's that thing where despite the fact that we know that this asteroid is coming to obliterate the earth, we've all just agreed that we're just going to pretend it's not happening.

341
00:28:40.859 --> 00:28:43.559
And we're going to deny the reality of it.

342
00:28:43.619 --> 00:28:46.740
And I think there's almost it's that same commentary, I think.

343
00:28:47.279 --> 00:29:06.059
The other thing that I think Dot and Bubble does actually do quite well, and I think we've sort of all obliquely suggested it today, was around those, what you might call the sort of the casual remarks, the casual racism, because it's not, it's not like, you know, um, it's not like Lindy says, uh, right from the get go, get out of my feed, you're black.

344
00:29:06.119 --> 00:29:09.660
It's all the other commentaries. she doesn't actually say that.

345
00:29:09.720 --> 00:29:22.859
And it's fascinating and we are all 4 of us white men of a certain age who aren't used to that sort of just very casual, very, and sometimes quite subtle ways that things are expressed to you.

346
00:29:22.920 --> 00:29:26.579
And I think actually this episode did actually make some attempt.

347
00:29:26.640 --> 00:29:31.440
Maybe successfully, maybe unsuccessfully, but certainly made an attempt to demonstrate that to us.

348
00:29:31.740 --> 00:29:49.140
It's also that generational kind of racism that you get where you might get someone who's 80 years old who says, I'm not a racist and would declare that and yet they just don't feel comfortable around people of different racism. they'll cross the they'll cross to the other side of the street or they'll, you know, et cetera.

349
00:29:49.200 --> 00:29:54.480
Or as long as the person in question is on their best behaviour.

350
00:29:54.539 --> 00:30:00.359
It's all good, but as soon as there's one character floor or something that they don't like that opens the floodgates to everything else.

351
00:30:00.420 --> 00:30:04.259
And yet this person would declare that they are not racist and everything's fine.

352
00:30:04.319 --> 00:30:05.220
Exactly.

353
00:30:05.880 --> 00:30:11.460
Just going back to the social media aspect with the ages because they're supposed to be, what, between 18 and 27 or something?

354
00:30:11.460 --> 00:30:14.819
17 and 27, right.

355
00:30:14.880 --> 00:30:25.140
I thought it was funny, like, because we've all got their ages there, but I think the casting agent really needs to kind of think about this a bit more because if Ricky September is 27, then I'm then I'm 35.

356
00:30:26.880 --> 00:30:28.799
Actually, 39.

357
00:30:28.980 --> 00:30:33.480
I thought I thought he was actually in that age group.

358
00:30:33.539 --> 00:30:36.539
It was the other guy at the end with the longer hair.

359
00:30:36.599 --> 00:30:39.119
The long hair, the one who's decided he's going to be leader.

360
00:30:39.180 --> 00:30:40.799
Looked older than that.

361
00:30:40.859 --> 00:30:45.359
But I am glad that I'm 10 years younger than MVP Susan Twist.

362
00:30:46.380 --> 00:30:48.119
She's back.

363
00:30:48.180 --> 00:30:55.019
Well, both the weathercaster and Dr. P were older than 27, but they might have been computer generated.

364
00:30:55.079 --> 00:30:59.400
I think Dr. P is a computer generation, but God, there is something wrong with that man's face.

365
00:30:59.460 --> 00:31:00.240
The teeth.

366
00:31:00.240 --> 00:31:02.880
I just thought that that had...

367
00:31:02.880 --> 00:31:05.759
He's been artificially enhanced in some form.

368
00:31:06.240 --> 00:31:08.099
It's so great.

369
00:31:08.160 --> 00:31:09.240
So good.

370
00:31:09.299 --> 00:31:12.119
All right, well, we do have season twist.

371
00:31:12.180 --> 00:31:17.640
We have next week to look forward to, which is called Rogue, which will be exciting, which I don't think is by Russell.

372
00:31:17.819 --> 00:31:18.119
Is that right?

373
00:31:18.180 --> 00:31:18.779
That's right.

374
00:31:18.779 --> 00:31:20.279
Different writers.

375
00:31:20.339 --> 00:31:32.940
In fact, I actually think it's really interesting that before they do their Bridgerton episode with the strange approach to race that Bridgerton has that, like, we never knew if they were going to go there with a black doctor.

376
00:31:33.000 --> 00:31:34.799
They went there with Martha.

377
00:31:34.859 --> 00:31:36.000
They went there with Bill.

378
00:31:36.059 --> 00:31:39.240
Were they ever going to do an episode where the doctor experienced racism?

379
00:31:39.240 --> 00:31:44.519
And, you know, like if you're going to have a cast, a black actor, you know, that's a thing that you should probably do.

380
00:31:44.579 --> 00:31:52.380
But it's funny that we do it in the future episode before going back to the past where I think maybe we were wondering how that would play out.

381
00:31:52.440 --> 00:31:54.000
But has everyone seen the trailer?

382
00:31:54.059 --> 00:31:57.240
Well, I've only seen the next time, if that's what you mean.

383
00:31:57.299 --> 00:32:04.799
Yeah, so the fact that they all appear to be owls, really, probably means that the racial politics thing takes us. secondary role.

384
00:32:05.099 --> 00:32:22.259
I think the racial politics thing, which is one of the reasons why I think Rosa is a bit unfortunate is because I think when you do trying to go back to tackle racism in the past, It is so horrifically awful with people being lynched, et cetera, that it's just something the show shouldn't really be touching.

385
00:32:22.380 --> 00:32:28.079
So I think it's better if you are going to do the racism thing to do it in the context of what we have done in dock and bubble and do it in this pretend future.

386
00:32:28.140 --> 00:32:29.339
Do you know what I mean?

387
00:32:29.400 --> 00:32:33.299
And when you do go back to the past, when you do go back to the past, you kind of just pretend it's actually not a thing.

388
00:32:33.359 --> 00:32:34.140
Do you know what I mean?

389
00:32:34.200 --> 00:32:38.880
To be our agree, because if you go back to the past, not equipped to deal with that.

390
00:32:38.940 --> 00:32:40.140
Yeah, it's just too awful.

391
00:32:40.200 --> 00:32:40.799
You can't do that.

392
00:32:40.859 --> 00:32:43.019
Yeah, I think that there's a limit to what you can do.

393
00:32:43.140 --> 00:32:54.240
I mean, I do think that what we did with Martha and what we did with Bill, where we just had people expressing racist sentiments and either being punished for that or not being punished for it, you would be kind of wondering where all that was.

394
00:32:54.720 --> 00:32:58.559
But yes, like the full extent of that.

395
00:32:58.680 --> 00:33:02.700
It's the same reason that when Hitler turns up in the show you have to put him in a cupboard.

396
00:33:02.759 --> 00:33:05.759
You, you know, the show can't quite deal with that.

397
00:33:05.819 --> 00:33:19.440
Well, it's the reason that Doctor 2 in 1967 wouldn't do Douglas Canfield's Nazi werewolf scripts because that was within the extreme living memory of people who were watching the show and you can't just make that into...

398
00:33:19.500 --> 00:33:20.279
Exactly.

399
00:33:20.339 --> 00:33:22.619
All right, I've got some things to plug.

400
00:33:22.680 --> 00:33:38.460
I think you can listen to 500-year diary, which is our triumphant 1st season of Flight through Entirety's spinoff podcast in which we discuss various new beginnings throughout the show's history, and that's at 500-yeardiary.com.

401
00:33:38.519 --> 00:33:48.420
Our next episode of Flight through Entirety is still not due until Christmas in July, July the 25th, when we will return with the return of Dr. Mysterio.

402
00:33:48.480 --> 00:33:55.859
And there is, of course, untitled Star Trek Project, for those of you who are fans of Enterprise, and I know that you all are.

403
00:33:55.920 --> 00:34:04.740
Our most recent episode featured a large number of white people taking over the enterprise and doing some suicide bombing with hilarious results.

404
00:34:04.799 --> 00:34:07.980
So that's at untitled Star Trek Project.com.

405
00:34:08.039 --> 00:34:09.599
All right.

406
00:34:09.659 --> 00:34:15.900
So all that remains is for me to say, until next time, remember to be kind to the Gen Z kids in your life.

407
00:34:15.960 --> 00:34:19.260
They've been putting up with you for such a long time.

408
00:34:19.320 --> 00:34:22.260
No, can they be kind to me, please?

409
00:34:22.320 --> 00:34:24.840
Yes, we're old.

410
00:34:24.960 --> 00:34:26.039
We deserve to be nice.

411
00:34:26.400 --> 00:34:29.159
Thank you very much for listening and good night.

412
00:34:29.219 --> 00:34:30.420
Good night.

413
00:34:30.480 --> 00:34:31.260
Bye bye.

414
00:34:31.320 --> 00:34:32.400
See you soon.

415
00:34:32.460 --> 00:34:35.039
And also you, Gen Z, kids, get off my lawn.