WEBVTT

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This transcript was created on 2026-05-02 at 15:31:05

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Hello, dear listener, and welcome back to the 2nd great and

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bountiful Human Empire, the only Doctor Who flash cast with teeth

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and hands by stable diffusion.

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I'm Nathan.

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I'm Todd.

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I'm Peter.

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I'm Simon.

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And they had the premiere without me.

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Thank you, Neres.

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And I'm Brendan.

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All right, so we have just watched, well, maybe a few hours ago

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have just watched Wild Blue yonder, the 2nd of the 60th

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anniversary specials, and let's start by asking the question.

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What did we think of the pre-credits teaser?

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And predictably, I'm going to start with you, Simon.

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Why?

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Because we'll start from the bottom and work up.

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Look, I mean, I mean, obviously the pre-credit sequence is setting

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something up, I assume, for next week's episode with Maavity, but

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look, I mean, it's light and fluffy.

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I was a bit, I mean, I really like this episode and I really think

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it demonstrates what the show can be and what Russell and

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everybody else is capable of doing.

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It's just the fact that that 1st 5 or 10 minutes or 8 minutes or

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whatever it is.

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It's just, it sets me down the wrong path and took me a while to

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recover from that.

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So, look, it's a bit of fluff and it's just loud and people

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shouting at each other in the sequence in the tree.

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But look, whatever.

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I just have to accept that I have to put up with these things to

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get to the good bits.

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I have to say that I was sort of painfully aware that Sir Isaac

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Newton didn't invent the word gravity at all, and it's just the

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Latin word for heaviness. anyway.

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It's a me problem.

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Todd.

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I thought it was a lot of fun.

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I did think the CGI out of the TARDIS was a bit crap.

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But, um, you know, I like the fact that you think that it's going

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to be a light and fluffy thing that we're going for and then

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everything just begins to slowly turn into something else.

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So I actually like that misdirection.

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Peter?

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That 1st sequence reminded me a little bit of modern day Simpsons

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where they kind of have a skit all to themselves for the 1st 2 or

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3 minutes and then get onto the proper story.

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So I did enjoy that.

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I thought it was actually quite fun.

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It is unlike the story that follows it, but I quite liked that 90

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degree turn.

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Also, Simon, didn't we go to university with someone called

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Mavity?

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We did indeed.

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I think it's just going to be a part of episode 3 really, isn't

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it?

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The teaser is actually part of episode three.

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And we get Mavity seeded through the episode.

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The doctor remembers both words, but Donna only recognises the new

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one.

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And we almost immediately say, Sir Isaac Newton's hot.

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And so something has happened to the timeline. to turn the nerdy

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and weedy and sickly Sir Isaac Newton into what we saw, the

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hottest man in It's a Sin.

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Brendan, what did you think?

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Yeah, I thought it was a lovely 1st scene.

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I agree that it's probably plot wise going to play a role next

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week.

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But I think in terms of tone.

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Um, it's important to have because very shortly after they land on

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the ship, the doctor and Donna are quite tense and even sort of

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have a go at each other.

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So having this bit at the beginning where they're both wanting to

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make the part about gravity and both saying, no, don't, don't do

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that.

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And then they say it at the same time.

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You know, it cements that even though Donna has blowed up the new

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TARDIS, the TARDIS console room.

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They're still best mates and they're still, you know, they want to

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be having fun.

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So of course, Russell T. Davies is like, I'm going to torture

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them.

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Um, Brendan, it's the 2nd go that Doctor Who's had, uh, in the new

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era at a new version of gravity, because in the Impossible Planet

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the doctor mentioned gravity shmavity.

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So now we've got gravity, schmavity, mavity.

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Let's talk about the setting.

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Russell T. Davis apparently said that he was inspired by

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underworld part one.

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Uh, and I was getting some planet of evil vibes.

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You know, we're way out in the sort of extremities of the universe

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where normal rules no longer apply.

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And that's true of all 3 of those episodes, I think.

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But I thought maybe this was the scariest version of that.

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Peter?

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Um, I saw that Russell mentioned underworld.

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It actually put me in mind of what I just talked about, the

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Impossible Planet, because Impossible Planet was on this kind of

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you know, this planet out on the edge of a black hole.

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You get the impression it's the furthest they've ever gone.

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This may be the furthest they've ever gone further than that.

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But yeah, you're right.

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The rules are suspended.

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So in the impossible planet, they actually faced the devil as far

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as, um, and here they face these 2 kind of beings who we've never

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come across, sure if they're unleashed into our universe will

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cause havoc.

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And I like that.

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I like that feeling of danger and being removed from the TARDAS.

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That happened in the impossible planet, where it fell down into

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the crevasse, and we didn't know what happened to it, and here, the

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heads operate.

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Could throw back to the crotons.

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And so it's really unsettling and unnerving, and that's what I

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liked about this episode.

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Yeah, the, The story I was most reminded of, at least in the 1st

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10 minutes, was um, uh, Skezzo, the big finish audio, which is a 2

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hander between Paul McGann and India Fisher.

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And of course, roughly around the time we get the golf cart, we

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know it's not that.

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And the golf cart's adorable.

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But, you know, right down to the slight tension between the doctor

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and Donna when they start arguing about why the TARDIS has

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disappeared.

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And it also straight away gives us another indication that this is

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not just the tense doctor again because when Donna gets upset, he

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takes her hand.

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He kisses it.

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He becomes very quiet and very soothing.

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And, you know, it's not all Dick Van Dyke and apples and pears.

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Um, And as for the as for the ship itself, it's a beautiful design

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uh, the director of this episode, Tom Kingsley has put together a

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um, Twitter thread of a bunch of behind the scenes, videos, and

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it's amazing how little of the set was actually built on how much

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of it is, um, CG for that long corridor.

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And there's also a very amusing video of him as the giant version

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of the monster chasing after the golf cart in an animatic.

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And it's just him sort of running on all 4s.

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Well, pretending to run on all 4s on a cushion.

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But yes, I hardly recommend anyone. everyone check him out on

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Twitter.

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Yeah, I think it looked incredible.

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That ship was really something, wasn't it?

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Just extraordinary.

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Yeah.

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Yeah, I mean, I can sort of see that it's sort of 90% CGI, I hate

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to say, that you sort of, you sort of just get so used to, to the

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way that, that looks.

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I'm not criticising it.

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I mean, it's just it's just something that you can say.

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I actually was reminded of 2001's Discovery spacecraft in this

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very long backbone with kind of a big bubble at one end.

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You don't really get a clear shot of it.

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The clearest shot of it actually is when it's just about to start

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blowing up.

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But I was kind of reminded of the shape of 2001 discovery in that

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sequence happens.

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Look, I really liked the, you know, once the episode actually gets

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going with, and you sort of discover, you sort of, it gradually

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unfolds what's happening, I love the sort of red herrings because

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when we 1st see the, well, the duplicate doctor and Donna for one

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of the better description of them, you're not entirely sure

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whether they're malevolent.

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You think that there might just be some weird thing.

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You think that they might even be part of the ship's, you know

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computer trying to keep them company or something weird.

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I mean, I had all sorts of thoughts flowing through my head.

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Not sure how it was going to unfold.

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And also the thing is, I didn't know that it was going to only

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just be the 2 of them for 95% of the episode.

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I didn't know whether that was known or whether that was a

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surprise for everybody.

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Yeah, no one knew.

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People were saying Matt Smith was going to be in it or, you know

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the reanimated corpse of William.

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Alan Ford.

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Yeah, you know, the reanimated corpse of Caroline Ford.

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Like, yeah.

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The thing, though, with the with the with the bits where, you know

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my arms are too long and and and where the jaw starts dropping to

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the floor is it's all kind of weird and strange without being

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revolting.

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I found that quite entrancing to watch.

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You were never grossed out by it.

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You were just kind of, you know, you couldn't take your eyes off

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the screen.

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I actually thought the big hands and stuff were actually kind of

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gross because they were very real and it kind of emphasised just

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the fleshiness of it.

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And I think it is...

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I think it's an episode that could only come into a world where we

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have those text to image AIs, you know, like Daly or stable

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diffusion that, you know, creates people with the wrong number of

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mouths or teeth or or, you know, that can't quite get people

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right.

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And someone did post something suggesting that it owed something

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to the fury from the deep animation, which I'm secretly going to

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pretend is true.

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Yes, less underworld, more furious than the deep reanimation.

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Todd.

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I really liked the fact that you had that point of view of

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somebody watching them in that corridor to begin with before we

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got up to the duplicates.

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And even when the duplicate started, I was going, is this sort of

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like, for a moment, it's going, is this sort of intercutting with

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a scene, perhaps, in the future or something like that and

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flashing back?

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And then when the not Donna walked in, I sort of went, no, there's

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something, then the penny began to drop.

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And I just liked the, I liked the fact that it was just them, you

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know, and I certainly gave David an opportunity to play a lot

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quieter moments and more still and menacing, which I thought was

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great.

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Um, and for his 14th doctor to do different reactions.

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I certainly felt that despite some moments that are very much

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him.

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There was a lot more range and a lot more stillness and um, in his

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performance than previously.

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Do we think this is actually a 14th doctor thing or do we think

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it's just the fact that it's the David Tennant playing the role

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however many years later, and so inevitably the performance will

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evolve and change.

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Like John Pert, we playing the 3rd doctor in the 5 doctors, for

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instance.

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I think I think that, yeah, David is more experienced as an actor

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but also, I think from an actor's point of view, He wouldn't want

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to come back and do it the same way.

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Like, you know, he did 48. episodes before.

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I think I think if he comes back, he'll be like, I want to do

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something new and I want to honour the fact that Matt, Peter, and

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Jody have all have all followed him.

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Brendan, my fanbrain wants to say 47 David Tennant episodes, but

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if you're adding the Starbeast, let's say 48.

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Oh, 46.

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Okay.

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I may be counting dreamland in that.

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That's just a number I have in my head.

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But you're right.

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Dreamland is not a proper episode.

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I shall have to go look that up.

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I shall have to go look that up.

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I think it was very clever, the fact they could only get, obviously

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David and Catherine for 3 episodes.

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And so they maximised their potential by placing them front and

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centre, not having any distractions, just having them up against

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themselves.

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So we get more donner and doctor for our buck.

248
00:11:36.120 --> 00:11:40.860
But also, I mean, going back to the quality of what it was like

249
00:11:40.860 --> 00:11:45.059
and what the episode follows, I think there's been a lot of talk

250
00:11:45.059 --> 00:11:48.659
of its nearest antecedent being midnight. and that's true.

251
00:11:48.720 --> 00:11:51.179
But I like the fact that Russell flips it on his heads.

252
00:11:51.240 --> 00:11:54.360
Midnight was all about what you didn't see and that was unnerving

253
00:11:54.360 --> 00:11:57.419
whereas here he flips it and makes it all the body horror of what

254
00:11:57.419 --> 00:11:58.139
you do see.

255
00:11:58.200 --> 00:12:02.039
And so you have, you know, David Tennant doing the spider walking

256
00:12:02.039 --> 00:12:06.600
from X. You have sort of the big crushed limbs together when

257
00:12:06.600 --> 00:12:07.259
they're huge.

258
00:12:07.320 --> 00:12:10.379
You have, obviously, the jaw dropping and all of that.

259
00:12:10.440 --> 00:12:15.539
And it was all about making visuals scary without a lot of, without

260
00:12:15.539 --> 00:12:17.700
a lot of verbiage to go with it, which I really liked.

261
00:12:18.000 --> 00:12:22.799
It's all that dialogue too, between the doctor and the not

262
00:12:22.799 --> 00:12:25.559
daughter and the opposite, like, you know, where they're actually

263
00:12:25.559 --> 00:12:31.259
delving deeper into what's going on in over the last 15 years.

264
00:12:31.320 --> 00:12:36.720
And so we're getting answers, but they're not necessarily getting

265
00:12:36.720 --> 00:12:37.679
the answers between each other.

266
00:12:37.740 --> 00:12:41.639
I love the fact that I think that Donna actually lies at the end

267
00:12:41.639 --> 00:12:44.399
when she says that she doesn't remember because I think it's

268
00:12:44.399 --> 00:12:45.059
obvious that she does.

269
00:12:45.120 --> 00:12:48.360
And, um, you know, I think it was great that she was concerned

270
00:12:48.360 --> 00:12:51.419
about her family and wanting to get back and, and I know I'm

271
00:12:51.419 --> 00:12:54.659
jumping ahead here, but the moment at the end where the spaceship

272
00:12:54.659 --> 00:12:55.919
is footing and she's there.

273
00:12:55.980 --> 00:12:58.259
The absolute look on her face, the horror.

274
00:12:58.320 --> 00:13:01.320
I mean, he, he is, and I thought, 0 my god, they're going to

275
00:13:01.320 --> 00:13:03.720
actually, you know, kill her for a moment.

276
00:13:03.720 --> 00:13:06.779
And I was on the edge of my seat, but also in terms of that

277
00:13:06.779 --> 00:13:10.200
character, realising that, you know, she can let the doctor go, she

278
00:13:10.200 --> 00:13:12.059
needs to go back to her family because this is too much.

279
00:13:12.059 --> 00:13:15.779
And I really like, one of the things I liked about this episode is

280
00:13:15.779 --> 00:13:20.340
sort of the setting up of that, the doctor talking about, The flux

281
00:13:20.340 --> 00:13:29.039
and the timeless child, I think, you know, Russell paying dues to

282
00:13:29.039 --> 00:13:32.220
that and giving that a bit of weight and giving us, not

283
00:13:32.220 --> 00:13:35.519
necessarily answers, but, you know, I thought we never got the

284
00:13:35.519 --> 00:13:39.600
answers we needed, but here he is putting things in that can carry

285
00:13:39.600 --> 00:13:40.080
forward.

286
00:13:40.139 --> 00:13:44.460
We never found out what the flux did, and it was very much a case

287
00:13:44.460 --> 00:13:47.639
of half the universe wouldn't want us to mourn.

288
00:13:47.700 --> 00:13:50.340
Let's go off and have a holiday on a sentient beach.

289
00:13:50.399 --> 00:13:54.059
You know, like, and Russell makes it land.

290
00:13:54.120 --> 00:13:57.480
He says, all right, half the universe was destroyed and he makes

291
00:13:57.480 --> 00:13:58.919
the doctor feel something about it.

292
00:13:58.980 --> 00:14:01.860
And that was really quite weightless, I think, at the end of

293
00:14:01.860 --> 00:14:02.340
flux.

294
00:14:02.399 --> 00:14:03.960
We really never got that payoff.

295
00:14:04.019 --> 00:14:05.580
And he didn't have to do that.

296
00:14:05.639 --> 00:14:08.700
And I'm kind of glad that he did.

297
00:14:08.759 --> 00:14:12.240
Isn't it funny how the half universe that gets destroyed, never is

298
00:14:12.240 --> 00:14:14.519
Earth's half and always is Trarkan's half.

299
00:14:14.580 --> 00:14:16.259
Yeah, that's good though.

300
00:14:16.559 --> 00:14:20.639
The 25% of the console of the TARNIS that gets jettisoned never

301
00:14:20.639 --> 00:14:21.840
includes the console room either.

302
00:14:21.899 --> 00:14:25.860
So, you know, but I actually think that he's actually making it.

303
00:14:25.919 --> 00:14:28.860
It is all of those things, but I think also, most importantly, he's

304
00:14:28.860 --> 00:14:32.759
making that little statement saying, yes, that all counts.

305
00:14:32.879 --> 00:14:35.159
Yes, I'm not I'm not going to try and pretend that it didn't

306
00:14:35.159 --> 00:14:35.519
happen.

307
00:14:35.580 --> 00:14:38.580
Yes, I'm accepting it and we're going to own it and we're going to

308
00:14:38.580 --> 00:14:38.879
move on.

309
00:14:38.940 --> 00:14:41.039
I think that's what that's about as well.

310
00:14:41.100 --> 00:14:45.419
Russell would never do anything as inelegant as trying to erase

311
00:14:45.419 --> 00:14:48.720
that from Doctor Who's history, but, you know, he's got the he's

312
00:14:48.720 --> 00:14:50.940
got the ability to give it a bit more weight, which is really all

313
00:14:50.940 --> 00:14:51.240
we need.

314
00:14:51.299 --> 00:14:54.360
Yeah, well, no, not necessarily a razor, but just forget about

315
00:14:54.360 --> 00:14:54.539
it.

316
00:14:54.600 --> 00:14:57.120
Like it would be so easy just to sort of, we'll never, we'll just

317
00:14:57.120 --> 00:14:57.600
never talk about it.

318
00:14:57.659 --> 00:14:58.200
You know what I mean?

319
00:14:58.259 --> 00:14:59.039
Yeah.

320
00:14:59.100 --> 00:15:02.460
It's why I think Doctor Who can ever be rebooted because we were

321
00:15:02.460 --> 00:15:03.000
all there.

322
00:15:03.059 --> 00:15:06.059
We saw all the previous episodes, they happened.

323
00:15:06.059 --> 00:15:08.159
You know, we all watched Flux.

324
00:15:08.220 --> 00:15:11.820
It happened in our living room and having the doctor kind of deny

325
00:15:11.820 --> 00:15:15.419
that or just never mention it again is weird, I think, in the

326
00:15:15.419 --> 00:15:16.019
modern era.

327
00:15:16.139 --> 00:15:21.120
It's kind of like, I have no problem with Doctor Who never

328
00:15:21.120 --> 00:15:22.740
mentioning dimensions in time, right?

329
00:15:22.799 --> 00:15:24.539
I have no problem with them never mentioning it.

330
00:15:24.600 --> 00:15:26.100
I do.

331
00:15:26.100 --> 00:15:28.320
But here's the thing.

332
00:15:28.379 --> 00:15:32.820
There's a new adventure that basically says it was a horrible

333
00:15:32.820 --> 00:15:36.539
nightmare the doctor had, you know, after he had a dinner that

334
00:15:36.539 --> 00:15:38.759
disagreed with him and I kind of look at that and I go, that's

335
00:15:38.759 --> 00:15:39.480
mean spirited.

336
00:15:39.539 --> 00:15:42.960
Like it's mean-spirited to the people who love dimensions in

337
00:15:42.960 --> 00:15:43.259
time.

338
00:15:43.320 --> 00:15:49.559
And it's, it's also just kind of like, if, if you want to sort of

339
00:15:49.559 --> 00:15:53.519
say it didn't happen, just don't, yeah, just don't talk about it.

340
00:15:53.580 --> 00:15:58.559
But to say, no, it definitely happened and here's an emotional

341
00:15:58.559 --> 00:16:00.000
payoff from it.

342
00:16:00.120 --> 00:16:02.039
I found that highly effective.

343
00:16:02.700 --> 00:16:07.139
And especially something I loved about it was when Tennant walks

344
00:16:07.139 --> 00:16:12.899
out of that, the doctor has to take a moment to get the rage and

345
00:16:12.899 --> 00:16:15.899
the sorrow out in some way.

346
00:16:15.960 --> 00:16:19.860
And we've seen Tennant do it before in the end of time, but I

347
00:16:19.860 --> 00:16:21.899
think it's so much more effective here because there are no

348
00:16:21.899 --> 00:16:22.200
words.

349
00:16:22.320 --> 00:16:26.100
It is a guttural sobbing.

350
00:16:26.220 --> 00:16:32.220
Anger instead of a speech about how he could, he could have done

351
00:16:32.220 --> 00:16:32.580
more.

352
00:16:32.639 --> 00:16:34.019
He could have done this.

353
00:16:34.080 --> 00:16:37.740
It's it's um, it's visceral and emotional, which I think is very

354
00:16:37.740 --> 00:16:38.879
appropriate for this episode.

355
00:16:39.059 --> 00:16:42.840
I just thought, you know, the episode manages to be about

356
00:16:42.840 --> 00:16:46.440
something more than just sort of scary monsters in a spaceship, and

357
00:16:46.440 --> 00:16:50.159
it is about the doctor and Donna trying to have conversations with

358
00:16:50.159 --> 00:16:54.059
each other about real things and failing because they're speaking

359
00:16:54.059 --> 00:16:55.620
to the duplicate all the time.

360
00:16:55.679 --> 00:16:59.639
And as you said, Todd, there's that thing at the end where they

361
00:16:59.639 --> 00:17:02.879
sort of have that conversation, but Donna can't bring herself to

362
00:17:02.879 --> 00:17:07.680
admit that she knows what went on for the doctor during those 15

363
00:17:07.680 --> 00:17:09.180
years.

364
00:17:09.240 --> 00:17:14.519
Um, and then the TARDIS lands and she says to him, you timed that

365
00:17:14.519 --> 00:17:16.980
in order to avoid an awkward conversation.

366
00:17:17.039 --> 00:17:21.359
And so it's all about them getting together after all of this time

367
00:17:21.359 --> 00:17:23.819
but not managing to properly speak to one another.

368
00:17:23.880 --> 00:17:26.279
And I thought that that was really good and really interesting.

369
00:17:26.339 --> 00:17:29.519
And again, it's refreshing to have an episode that's about

370
00:17:29.519 --> 00:17:33.299
something more than just the space problem that we're encountering

371
00:17:33.299 --> 00:17:33.660
this week.

372
00:17:34.140 --> 00:17:39.900
It, it gives a gravity to the situation, Avatar.

373
00:17:39.960 --> 00:17:45.000
Yes, the natity to the situation and and to this story.

374
00:17:45.059 --> 00:17:47.640
And like, I mean, it would have been so easy to say we're going to

375
00:17:47.640 --> 00:17:50.400
have 3 specials and they're all just going to be whizz, bang, you

376
00:17:50.400 --> 00:17:52.259
know, sort of like dalek, cybermen.

377
00:17:52.319 --> 00:17:52.980
God knows what.

378
00:17:53.039 --> 00:17:57.420
And I think this is, this is why I love this episode so much.

379
00:17:57.480 --> 00:18:02.519
And I loved last week as well, but it just is, I was just, it was

380
00:18:02.519 --> 00:18:07.200
just compelling and it was, there was an interiority to it that I

381
00:18:07.200 --> 00:18:12.000
just really liked and, yeah, it was the right, I think it was the

382
00:18:12.000 --> 00:18:14.160
right direction to go because obviously next week it's going to be

383
00:18:14.160 --> 00:18:16.319
like, well, we'll see.

384
00:18:16.380 --> 00:18:20.039
It's just such a lovely idea, having the doctor and Donna by

385
00:18:20.039 --> 00:18:23.339
themselves facing another doctor and Donna, while they can't face

386
00:18:23.339 --> 00:18:24.720
themselves or each other.

387
00:18:24.839 --> 00:18:27.000
It's just, you know, welcome back Russell.

388
00:18:27.779 --> 00:18:30.900
So let's talk about next week.

389
00:18:30.960 --> 00:18:34.799
I think we are in for a sort of big dumb spectacle of the kind

390
00:18:34.799 --> 00:18:37.799
that I really like, but I'm sort of happy that it's not going to

391
00:18:37.799 --> 00:18:42.779
involve Daleks and Cybermen unless we've all been horribly duped.

392
00:18:42.839 --> 00:18:47.039
How did you feel about the cliffhanger and that scene?

393
00:18:47.519 --> 00:18:54.059
I really love the fact that Donna knows her family so well to know

394
00:18:54.059 --> 00:18:56.819
that the one waiting for her will be willf.

395
00:18:57.000 --> 00:19:00.779
You know, and she's the thing is, she's fine with that.

396
00:19:00.839 --> 00:19:05.160
Like she doesn't say, oh, you know, Rose will come back once every

397
00:19:05.160 --> 00:19:09.119
so often and that's fine, but my grandad, he's going to be there

398
00:19:09.119 --> 00:19:12.359
with a flask and, you know, and there he is and that's beautiful.

399
00:19:12.539 --> 00:19:14.880
As a cliffhanger, you know.

400
00:19:14.940 --> 00:19:17.579
We've had a story, as we've been saying, which is about

401
00:19:17.579 --> 00:19:22.319
communication and failed communication, but also, there's several

402
00:19:22.319 --> 00:19:26.039
times where the doctor and Donna put aside their fear or their

403
00:19:26.039 --> 00:19:29.519
anger to solve the situation and to support each other.

404
00:19:29.519 --> 00:19:34.140
And they get back to earth and people are randomly attacking each

405
00:19:34.140 --> 00:19:41.339
other and there just seems to be this, this, um, rage virus, I

406
00:19:41.339 --> 00:19:45.960
suppose, to use the term from 28 days later, um, going around and

407
00:19:45.960 --> 00:19:51.720
so even the cliffhanger juxtaposes what happens in the episode.

408
00:19:51.779 --> 00:19:55.559
And also we get Bernard Crittens.

409
00:19:55.619 --> 00:19:58.140
The late great Bernard Crittens.

410
00:19:58.200 --> 00:20:01.140
Um, It's, it's, it's perfectly judged.

411
00:20:01.500 --> 00:20:05.160
I think that this is the only scene that we get with him.

412
00:20:05.220 --> 00:20:06.180
Am I right?

413
00:20:06.240 --> 00:20:07.140
Yes.

414
00:20:07.140 --> 00:20:09.660
I think Russell's confirmed that today.

415
00:20:09.660 --> 00:20:13.079
They did write more for him, but after they filmed this, there was

416
00:20:13.079 --> 00:20:15.359
a mutual agreement that that was enough.

417
00:20:15.420 --> 00:20:17.220
He wasn't too much.

418
00:20:17.279 --> 00:20:18.660
But then, yeah.

419
00:20:18.720 --> 00:20:25.680
But apparently Bernard came to the full read through and everyone

420
00:20:25.680 --> 00:20:28.140
loved him and he was entertaining people and what have you, which

421
00:20:28.140 --> 00:20:28.859
is lovely to hear.

422
00:20:28.920 --> 00:20:32.039
And the episode was dedicated to his memory as well, of course.

423
00:20:33.059 --> 00:20:35.099
Simon, what did you think?

424
00:20:35.579 --> 00:20:40.680
I'm optimistic about next week, um, because I, even though, yes

425
00:20:40.680 --> 00:20:42.420
it's going to be, it's going to be that kind of, you know, big

426
00:20:42.420 --> 00:20:44.579
spectacle and lots of things going to happen, but I'm looking

427
00:20:44.579 --> 00:20:46.980
forward to hoping that we're going to have a quite a surreal

428
00:20:46.980 --> 00:20:48.480
episode.

429
00:20:48.539 --> 00:20:52.319
I mean, I don't think this is a spoilery thing to say because it

430
00:20:52.319 --> 00:20:55.079
sort of was on clips and stuff, but there's a sort of a bit, I

431
00:20:55.079 --> 00:20:58.019
think it's a fan made video or something of Neil Patrick Harris

432
00:20:58.019 --> 00:21:02.640
and David Tennant sort of dancing together in the middle of all of

433
00:21:02.640 --> 00:21:04.799
this kind of mayhem and then going off.

434
00:21:04.920 --> 00:21:09.119
It's that's the sort of thing that I think can be very odd and

435
00:21:09.119 --> 00:21:12.180
very effective and I'll be fascinated to see how it unfolds and

436
00:21:12.180 --> 00:21:12.900
I'm very hopeful.

437
00:21:13.019 --> 00:21:17.880
Do you remember before we all saw the celestial toy maker how

438
00:21:17.880 --> 00:21:24.119
intriguing the kind of the concept was, you know, the how surreal

439
00:21:24.119 --> 00:21:27.359
and strange we all thought it was and how great we thought it

440
00:21:27.359 --> 00:21:27.779
would have been?

441
00:21:27.839 --> 00:21:30.960
But that's also because Ian Levine was telling us that it was one

442
00:21:30.960 --> 00:21:33.539
of the best stories ever, remember. that's true. that's right And

443
00:21:33.539 --> 00:21:35.460
so was Jeremy about so many celebration.

444
00:21:35.519 --> 00:21:35.880
Yeah.

445
00:21:35.940 --> 00:21:39.660
It's not, it's just her, it's just unfortunately realised because

446
00:21:39.660 --> 00:21:44.220
it's all too laboured in a studio where you can only, you know, cut

447
00:21:44.220 --> 00:21:45.779
twice in each episode.

448
00:21:45.839 --> 00:21:49.140
I mean, look, there are obviously many other problems with it as

449
00:21:49.140 --> 00:21:49.380
well.

450
00:21:49.440 --> 00:21:52.440
But I think it is the kind of thing that I'm reading, you know, the

451
00:21:52.440 --> 00:21:55.619
one paragraph that was available in the 20th anniversary magazine

452
00:21:55.619 --> 00:21:59.339
special or the doctor, the making of Doctor Who, and being quite

453
00:21:59.339 --> 00:22:01.920
captivated by it, by the sound of it.

454
00:22:01.980 --> 00:22:02.220
Yeah.

455
00:22:02.279 --> 00:22:03.720
I'm sure Russell had the same experience.

456
00:22:03.779 --> 00:22:07.140
I think we can say with some certainty, the next week's episode is

457
00:22:07.140 --> 00:22:09.420
going to be better than the Celestial Toy Maker.

458
00:22:11.759 --> 00:22:15.660
Because I think while the ideas at the heart of Celestial Toy

459
00:22:15.660 --> 00:22:17.039
Maker are quite fun.

460
00:22:17.099 --> 00:22:20.519
The execution is no fun at all, whereas Russell is all about

461
00:22:20.519 --> 00:22:23.579
taking ideas like that and putting interesting spins on them.

462
00:22:23.640 --> 00:22:25.319
So I think it's going to be a very good episode.

463
00:22:25.380 --> 00:22:29.640
I want I want the trilogic game back in it, please, for next

464
00:22:29.640 --> 00:22:29.880
week.

465
00:22:30.000 --> 00:22:31.799
There'll have to be a reference to it.

466
00:22:31.859 --> 00:22:33.000
Surely there has to be a reference to it.

467
00:22:33.059 --> 00:22:35.759
I want to return for the feared dodo doctor.

468
00:22:35.819 --> 00:22:37.980
Oh my god, though.

469
00:22:41.039 --> 00:22:46.259
Seeing Bernard. obviously brought a lump to my throat and it was

470
00:22:46.259 --> 00:22:52.259
just a lovely moment and with everything cliffhanger with the

471
00:22:52.259 --> 00:22:53.099
cliffhanger there.

472
00:22:53.160 --> 00:22:56.640
I am really looking forward to what they're going to do next week

473
00:22:56.640 --> 00:23:01.019
and seeing how David plays off Neil Patrick Harris.

474
00:23:01.079 --> 00:23:03.119
I think that's going to be really intriguing.

475
00:23:03.180 --> 00:23:07.500
And I'm looking forward to seeing the head of unit back.

476
00:23:07.619 --> 00:23:09.480
Oh, yeah, of course.

477
00:23:09.480 --> 00:23:10.559
Kate Stewart.

478
00:23:10.619 --> 00:23:12.420
We're still trying to make Kate Stewart happen.

479
00:23:12.480 --> 00:23:16.200
Yes, I'm still trying to make her happen, right?

480
00:23:16.259 --> 00:23:19.680
I am actually looking forward to seeing her, seeing what she, you

481
00:23:19.680 --> 00:23:20.640
know, yeah.

482
00:23:20.700 --> 00:23:24.539
I can anticipate she'll have a furrowed brow and no emotion.

483
00:23:24.599 --> 00:23:25.019
How about that?

484
00:23:26.160 --> 00:23:29.579
I'm hoping we get Shirley and Bingham back.

485
00:23:29.640 --> 00:23:30.240
Oh, yes.

486
00:23:30.299 --> 00:23:30.960
Yeah, me too.

487
00:23:31.019 --> 00:23:31.859
We do.

488
00:23:31.859 --> 00:23:33.000
We do.

489
00:23:33.059 --> 00:23:33.420
Oh, good.

490
00:23:33.539 --> 00:23:37.680
Yeah, you can see her in that scene where the doctor is on top of

491
00:23:37.680 --> 00:23:40.079
that building and the toy maker is pointing the gun at him.

492
00:23:40.140 --> 00:23:41.400
You can see her in the background.

493
00:23:41.460 --> 00:23:41.940
It's great.

494
00:23:42.000 --> 00:23:42.900
Excellent.

495
00:23:42.960 --> 00:23:43.259
Good.

496
00:23:43.980 --> 00:23:49.200
I thought that Mavity may have come into play with the fake donor

497
00:23:49.200 --> 00:23:53.640
in the TARDIS, right, with her slipping up there, but it didn't.

498
00:23:53.700 --> 00:23:56.640
And I actually predict that it may not actually come into play

499
00:23:56.640 --> 00:23:57.240
next week.

500
00:23:57.299 --> 00:23:59.579
It might be a thing that goes on longer.

501
00:23:59.640 --> 00:24:00.359
Okay.

502
00:24:00.359 --> 00:24:03.779
Which would be quite interesting.

503
00:24:04.019 --> 00:24:05.400
Yes.

504
00:24:05.460 --> 00:24:08.099
The mention of the boss in the Starbeast.

505
00:24:08.160 --> 00:24:13.319
Russell has already confirmed that that's a season 14, possibly

506
00:24:13.319 --> 00:24:14.460
season 15 thing.

507
00:24:14.519 --> 00:24:15.240
Right.

508
00:24:15.660 --> 00:24:19.140
We haven't really talked about the self-destruct mechanism of that

509
00:24:19.140 --> 00:24:22.680
spaceship in, let's just assume it was running at normal speed

510
00:24:22.680 --> 00:24:24.539
rather than the hyper slow down speed.

511
00:24:24.599 --> 00:24:27.599
But basically you set the self-destruct of the spacecraft.

512
00:24:27.660 --> 00:24:30.480
And then this tiny robot walks along this very, very long corridor

513
00:24:30.480 --> 00:24:32.220
to then press a button and then blow the ship up.

514
00:24:32.279 --> 00:24:34.019
I don't know why you don't just press the button yourself.

515
00:24:34.079 --> 00:24:35.759
It's uh, it's interesting.

516
00:24:35.819 --> 00:24:39.539
Well, she, it's very self-out the air, but very effective.

517
00:24:39.539 --> 00:24:41.099
It wasn't available to press the button, I think.

518
00:24:41.099 --> 00:24:43.559
No, but you're operating self-destruct under normal

519
00:24:43.559 --> 00:24:44.099
circumstances.

520
00:24:44.160 --> 00:24:47.519
Yes, again, I suppose what are the normal circumstances that you

521
00:24:47.519 --> 00:24:48.539
self-destruct this ship?

522
00:24:49.440 --> 00:24:51.000
All right.

523
00:24:51.059 --> 00:24:53.640
Well, unless anyone has anything more to add.

524
00:24:53.700 --> 00:24:55.019
I think we might wind up.

525
00:24:55.079 --> 00:24:57.660
I'm going to plug some things.

526
00:24:57.720 --> 00:25:00.779
The flight through entirety series 9 coverage.

527
00:25:00.839 --> 00:25:04.500
Kind of finishes this Sunday with the retrospective.

528
00:25:04.559 --> 00:25:09.839
We have 2 episodes of Startling Barbara Bain. already released

529
00:25:09.839 --> 00:25:12.599
covering the 1st 2 episodes of Space 1999.

530
00:25:13.079 --> 00:25:14.640
She's extra startled.

531
00:25:14.700 --> 00:25:15.900
She's super startled.

532
00:25:15.960 --> 00:25:22.019
We have maximum power powering its way through series 3 of Blake

533
00:25:22.019 --> 00:25:22.440
7.

534
00:25:23.279 --> 00:25:25.140
No one's gonna correct me?

535
00:25:25.200 --> 00:25:25.799
Numbers?

536
00:25:25.859 --> 00:25:26.700
Numbers?

537
00:25:26.700 --> 00:25:29.940
I've given up Nathan.

538
00:25:30.000 --> 00:25:32.339
And I never cared.

539
00:25:32.460 --> 00:25:36.960
And we have untitled Star Trek Project, which will this week, God

540
00:25:36.960 --> 00:25:40.740
willing, be covering Star Trek for the voyage home.

541
00:25:40.859 --> 00:25:43.619
Oh, you deserve a treat.

542
00:25:43.799 --> 00:25:45.539
Yes, yeah, yeah, yeah, yeah.

543
00:25:45.599 --> 00:25:47.400
We've had a rough run, I tell you what.

544
00:25:47.460 --> 00:25:48.480
I'm quite fond of that.

545
00:25:48.539 --> 00:25:49.500
It's wonderful.

546
00:25:49.559 --> 00:25:52.319
It's really great I confess I haven't seen it this century, so I

547
00:25:52.319 --> 00:25:53.759
might have a different view of it if I watched it again.

548
00:25:53.819 --> 00:25:55.440
It's very period.

549
00:25:55.500 --> 00:26:00.359
Yeah, yeah, just say that. 80s is period drama.

550
00:26:00.420 --> 00:26:01.200
That's right.

551
00:26:01.259 --> 00:26:02.099
All right.

552
00:26:02.160 --> 00:26:05.279
So all that remains is for me to say, until next time, remember

553
00:26:05.279 --> 00:26:08.640
that people being hot is always a good thing.

554
00:26:08.700 --> 00:26:11.220
Thank you very much for listening and good night.

555
00:26:11.279 --> 00:26:12.539
See you soon.

556
00:26:12.599 --> 00:26:13.140
Good night.

557
00:26:13.259 --> 00:26:13.799
Good night.