WEBVTT

NOTE
This transcript was created on 2026-05-02 at 15:30:57

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Hello, dear listener, and welcome back to the 2nd great and

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bountiful Human Empire, the only Doctor Who flash cast whose 6

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word story is some nerds had too many opinions.

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Actually, maybe not the only Doctor Who flash cast.

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I'm Nathan.

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I'm Brendan, and I'm Todd.

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Well, we are here to talk about the story and the engine, the 2nd

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Doctor Who episode to have an ampersand in the title.

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It's written by Inua Ellams, who also plays the stall holder.

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Uh, it turns out, uh, and directed by McCallum McPherson.

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And I think that we'll just start by saying what we thought of the

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episode generally.

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Todd, what sort of experience did you have watching this episode?

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Well, Nathan.

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I wanted to like it more than I did as I watched it the 1st time.

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I found it very talky, and I was missing things, and I could see

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all the components, and, and but I kept looking at my watch, which

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reminded me of Chris Chibnall episodes, and I sort of, I sort of

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left myself muddled at the end.

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It's not a four, it could be an eight.

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You know, it's probably a 6.

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So I wanted to give it some breathing space.

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So I did watch it again last night.

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And I'm so delighted to report that I did have a ton experience

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where I liked it a lot more the 2nd time through and I got a lot

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of the explanations, which I missed, which just made it much more

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cohesive.

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So I actually thought it was very good.

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Brendan?

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I wanted to watch it again. before recording, but I haven't had

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time.

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But I've sort of had the experience of just thinking about it more

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and just thinking about it more has made me enjoy it even more.

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And even my 1st impression of it was, well, this is definitely a 7

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out of 10.

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And I've said this on socials elsewhere, it gave me the Warriors

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Gate feeling of the 1st time I watched Warriors Gate.

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I came away from it going, I loved that.

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I don't know what was going on.

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This I actually had a better idea of what was going on when I

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finished watching it and just the 2 days I've had since then just

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sitting cogitating it.

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It's like, it's not only something beautiful, which is what, which

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is what I felt as the credits rolled.

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I went, no, no, no, I really like this story about stories and

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reading up on Enua Ellams and finding out his background as a

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playwright.

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I understand why the episode is written and directed the way it

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is.

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It's like a stage play and that's obviously something I'm very

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fond of.

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He's a poet as well, which is sort of interesting.

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I had a similar experience.

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I actually went out to dinner on Saturday night and came home

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having enjoyed the dinner and I watched it in bed on my phone.

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And I'm kind of going, I'm not following this, but maybe I'm kind

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of not sort of a bit under the weather or whatever.

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Like I thought it was stunningly beautiful and some incredible

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performances, but I couldn't kind of see how it all fit together.

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And I have to say the 2nd time I watched it, it was clearer, but

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it does seem to operate on a logic that I'm not always able to

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follow.

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And some of it is the sort of logic of myth and mythology and

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things like that.

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It seems to be really packed and really dense.

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And then this afternoon I read El Sandov's review and she compared

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it to Ghost Light, which I thought was actually really interesting

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because Ghost Light has a very strong thematic core.

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It has a real proper vibe and a real kind of atmosphere that

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everything is working towards.

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And on 1st viewing it makes very little sense.

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It's hard to see how all the pieces fit together.

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And so, there's a sense in which this is an episode that is being

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told in a way that we're not used to.

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And I still think it is a bit talky in the middle, but I think

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it's magnificent.

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And like you, Brendan, I've not been able to stop thinking about

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it since I 1st saw it.

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Well, I just have to concur that, you know, I gave it that

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breathing space because I kept thinking about it too.

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Well, I mean, let's talk about Africa.

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Doctor Who has been set in Africa before.

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For a few brief moments in the middle of the Dalek Master plan

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where we visit Egypt.

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And I thought that, you know, that it just looked amazing.

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Like the attempt to create, you know, Lagos in Wales, I think.

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Although there must have been some shooting overseas as well.

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There must have been some shooting in Africa, I think, some of the

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earliest scenes in the market.

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But I thought it looked amazing, like a really striking looking

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episode and vastly different from anything that we've seen

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before.

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It reminded me of, oh, I can't think of the show now.

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It was done several years ago and it was all set in Africa and

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they did one series of it.

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Oh, somebody will remind me.

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I think it's the ladies something detective agency.

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I can't remember.

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Oh yeah, the number one ladies detective agency, is that it?

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Yes.

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Correct.

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Yeah.

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And that's what it reminded me of, just their experiences and what

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they were talking about, and I really appreciated that.

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But then the barbershop, the sparseness of the barbershop and the

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streets and that I thought was really striking.

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Look, I did think that the initial scenes obviously were filmed in

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Lagos, but then we went into the, we've done the studio market and

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I did kind of went, well, I think it looks better than the market

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in turn left.

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I think it because, yeah, it's shot closer and stuff and there

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seem to be more people and the and the set seem to be bigger.

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I'm just, I'm just seeing here. they did commission and shoot

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drone shots of a market in Lagos and everything else was created

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in the studio.

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The funny thing is, those really tight early shots in the market

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where it's really crowded.

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It didn't strike me immediately that, oh, this studio.

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It was when the doctor goes into the back alley and sees the

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missing posters and finds Omo's shop.

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And I was kind of okay with that feeling a bit more like studio

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because we're meant to feel that this is different.

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Yes, to the bustling, lively, happy market outside.

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And, you know, with how happy the doctor is as soon as he's

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walking through there.

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Yeah, in Doctor Who terms, it does make me think of turn left.

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It does make me think of the Rings of Akaten.

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But in both of those cases, you never really feel like the doctor

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is part of the market.

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Like the doctor is there and is a tourist enjoying these things

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whereas...

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Shoot, he just really manages to subtly play that feeling of

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belonging that the doctor is talking about.

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And it's quite beautiful.

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It's something we don't often see.

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You know, something about the doctor's characters.

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The doctor is distant.

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So to have somewhere that the doctor feels like home is absolutely

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beautiful.

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I mean, this is a doctor who's much less guarded and much more

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willing to show his feelings.

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He's someone who is open.

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He's not, it's not like he's a mask or a performance the way maybe

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tenants doctor is or the way that Jody's doctor was.

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She was very guarded and very private and this doctor isn't like

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that at all.

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There's that scene at the beginning, which I just thought was

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magnificently good because like you're casting a black doctor.

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And what we have here is a black doctor, a black script writer, and

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a black director, all working on this episode, and this episode

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really centres Shooty's blackness, and it lets him talk about it

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for the 1st time.

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There's that, you know, that moment in dot and bubble where he

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suddenly realises that all of those people are racist and that's

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why he's being treated in this way.

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Um, but here he talks, he talks to us about the experience of

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being black and what the barbershop means to him.

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And like I was aware that the black barbershop is an important

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element in African-American culture.

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You know, you see that depicted on TV and in movies and things all

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the time.

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I didn't know that it was a thing in Africa itself.

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But that barbershop where men meet and it's a safe place.

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But I really appreciated that insight from him.

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And the wonderful way that, you know, it's portrayed as something

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like I, you know, this is an alien thing, I'm the doctor and you

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won't understand this, Belinda.

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And then Belinda comes back and talks about being taken to India

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by her nan and having exactly the same experience and feeling the

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same way.

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And that's not a perspective that we've heard expressed in Doctor

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Who before.

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And it is a thing where having a black doctor opens up the show to

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different types of storytelling and that's exactly what's

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happening here.

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And that was a beautiful scene and a lovely moment with Belinda.

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She had some nice moments actually in the episode.

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She had a couple of other lines later on, which I thought were

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very nice, even if I did feel like she was a bit sidelined for

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part of the episode.

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Like, obviously they need to get to flash back in so they could

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have Mrs. Flood and that sort of stuff.

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But it would have been nice, had, um, Abby, perhaps been

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monitoring her in the marketplace and led her there.

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I just kind of thought that was a little bit clunky, if I can put

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it like that, because at one point in the marketplace blending

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gets pulled up for knocking over the, you know, the store and then

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she's okay, like nothing happened.

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Yeah, I would have liked if Abby had sort of been monitoring this

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companion and then sort of directed her or just something there

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like that was something for me that that I would have liked to

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have seen.

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But when she was in the action, later on, she was extremely good

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and I can't remember the line, but there was a line that she did

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say, I'm sure she said it to Abby, which was very powerful, but I

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can't remember why.

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Is it hurt people, hurt people?

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Was that her line or was that for his line?

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Yeah, that was her line.

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Yeah, that was blind.

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Yeah, that was the line then.

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Yeah.

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And I just thought, wow, you know, again, showing what a great

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character that she is.

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I mean, I believe this was originally written for Millie's

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character.

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Oh, right.

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But you don't realise that, you know.

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In fact, I think it works really well because there's that thing

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where she really wants to go home and and the doctor's going to

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take her.

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He goes out, like he explains how important this place is, but he

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goes out with a vindicator.

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He uses the vindicator, and then he's coming back in to just leave

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and she says, no, you go, you know, go to this place that makes

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you happy.

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And people have been sort of complaining a little bit about her

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constantly saying, I need to, I need to go home.

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You have to take me home.

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But, One of the things that I've felt is that she continues to

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warm to him in a way.

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She doesn't want to get home because she doesn't like this.

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You know, she was desperate to go outside in 1952.

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And here she wants the doctor to experience the place that's so

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important to him.

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I mean, that's the nature of this script.

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It's a shame like in an 8 episode season.

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She wasn't really in last week and this week she was very much in

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the background.

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You kind of want more with the current companion, but you know

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that's just the nature of things.

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Yeah.

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I also think the doctor telling a story about Belinda that we

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didn't see and that she hasn't told him.

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It is a way of showing us that they have been talking and getting

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to know each other in the scenes we haven't seen.

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And it's not a story about an adventure they've had together.

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It's a story about a day in her life and why she does what she

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does and how her life has affected people.

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And it's actually the doctor kind of taking Omo's idea of, you

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know, you're the great, you're the great time lord and the great

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traveller, you will have so many stories.

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And the doctor's like, you don't have to be a timelord and a

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traveller and save planets to have stories.

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I think the story's just beautiful.

246
00:12:09.720 --> 00:12:12.179
And the 2nd time I watched it, I found myself really incredibly

247
00:12:12.179 --> 00:12:17.399
moved by it because, you know, when they wheel her out.

248
00:12:17.460 --> 00:12:21.600
Like the doctor says, they wield the lady away and then she starts

249
00:12:21.600 --> 00:12:25.559
crying and she's just crying, of course, because she's exhausted

250
00:12:25.559 --> 00:12:29.220
and because of what she's given up, not because the ladies died.

251
00:12:29.279 --> 00:12:31.259
So when the lady comes back at the end.

252
00:12:31.320 --> 00:12:34.620
Um, you know, like I just found myself very moved by that.

253
00:12:34.740 --> 00:12:35.759
I thought it was great.

254
00:12:35.820 --> 00:12:36.720
It was really good.

255
00:12:36.840 --> 00:12:40.080
What do you think of the wall that shows the stories on it?

256
00:12:41.519 --> 00:12:44.519
Marvellous. absolutely marvellous.

257
00:12:44.580 --> 00:12:47.039
And the opening title star on it, which is great.

258
00:12:47.100 --> 00:12:51.720
You know, we're continuing this theme of the gods break our

259
00:12:51.720 --> 00:12:52.320
reality.

260
00:12:52.320 --> 00:12:56.820
Because, you know, we had maestro starts playing the theme and

261
00:12:56.820 --> 00:13:01.919
that goes into the titles and we got Omo is imagining the titles.

262
00:13:01.980 --> 00:13:05.399
Like, he's imagining, he's like, oh, I'm in a pre-credit scene.

263
00:13:06.120 --> 00:13:11.700
Marvellous I liked the way that segued into the titles. that was

264
00:13:11.700 --> 00:13:11.940
good.

265
00:13:12.059 --> 00:13:16.559
I think the way in which that was used did remind me of one of the

266
00:13:16.559 --> 00:13:18.960
chibnal episodes, I can't remember which one it is.

267
00:13:19.259 --> 00:13:21.120
Can you hear me?

268
00:13:21.179 --> 00:13:26.159
We get a backstory for the gods because Jim will really kind of

269
00:13:26.159 --> 00:13:30.299
kind of sets up the pantheon and then Russell runs with it.

270
00:13:30.360 --> 00:13:35.399
And it's an explanation of where those 2 characters come from in.

271
00:13:35.460 --> 00:13:36.419
Can you hear me?

272
00:13:36.480 --> 00:13:40.019
But it is kind of there for kind of just to illustrate someone's

273
00:13:40.019 --> 00:13:41.820
exposition scene.

274
00:13:41.879 --> 00:13:43.919
And so it's not used quite as cleverly.

275
00:13:43.980 --> 00:13:47.279
And I think that this version of Doctor Who has incorporated

276
00:13:47.279 --> 00:13:51.659
animation, like I think the animation of that story that he tells

277
00:13:51.659 --> 00:13:54.480
at the beginning, that Omo tells at the beginning, is really

278
00:13:54.480 --> 00:13:59.159
stunningly beautiful, did either you see on the BBC website

279
00:13:59.159 --> 00:14:01.500
there's a longer version of Omo's story?

280
00:14:01.559 --> 00:14:02.940
Oh, no.

281
00:14:02.940 --> 00:14:09.600
What I did on my holidays by Omo Esosa in the great tradition?

282
00:14:09.659 --> 00:14:11.039
And it's really good.

283
00:14:11.100 --> 00:14:12.840
It's excellent.

284
00:14:12.899 --> 00:14:16.019
I will put a link to it in the show notes, but it's well worth a

285
00:14:16.019 --> 00:14:16.500
read.

286
00:14:16.559 --> 00:14:19.799
And it explains the background to the girl with the blue earrings

287
00:14:19.799 --> 00:14:24.720
as well and tells us a little bit about what Omo's life was like.

288
00:14:24.779 --> 00:14:26.519
So it said in 1965.

289
00:14:26.759 --> 00:14:28.860
And it's in Nigeria.

290
00:14:28.919 --> 00:14:31.980
It's really very interesting and pretty cool.

291
00:14:32.039 --> 00:14:35.279
So what did we think of the barber?

292
00:14:35.340 --> 00:14:39.600
And Abby, our 2 are they antagonists?

293
00:14:39.659 --> 00:14:40.139
Sort of.

294
00:14:40.259 --> 00:14:42.059
How 2 strange?

295
00:14:42.120 --> 00:14:44.580
Yeah, our 2 strange antagonists.

296
00:14:44.639 --> 00:14:51.840
I thought both brilliant performances, and the concept of the

297
00:14:51.840 --> 00:14:56.100
barber, as sort of the herald of the gods.

298
00:14:56.159 --> 00:14:59.039
You know, he goes around telling their stories.

299
00:14:59.100 --> 00:15:04.080
And the doctor then links that to being an online troll.

300
00:15:04.139 --> 00:15:07.980
And I'm also kind of like, okay, this is also, he's a bit like a

301
00:15:07.980 --> 00:15:11.940
proprietorial fan in that he knows the best way the stories are to

302
00:15:11.940 --> 00:15:15.000
be told and he, if the stories are not being told in the right way

303
00:15:15.000 --> 00:15:18.480
he's going to rip the heart out of the storytellers and the gods.

304
00:15:18.480 --> 00:15:25.019
And just the performance had, it had menace, but it also had

305
00:15:25.019 --> 00:15:26.159
humility.

306
00:15:26.220 --> 00:15:28.080
Oh, I just loved it.

307
00:15:28.139 --> 00:15:29.340
I just loved him.

308
00:15:29.399 --> 00:15:33.720
He played Lord Boreal in his dark materials and he was absolutely

309
00:15:33.720 --> 00:15:35.580
terrifying in that.

310
00:15:35.639 --> 00:15:38.820
I spent my whole time going, where do I know this guy from?

311
00:15:38.820 --> 00:15:40.980
And I checked it out.

312
00:15:41.039 --> 00:15:44.759
I saw his, you know, MDB page where he had his sort of Lord Boreal

313
00:15:44.759 --> 00:15:45.179
hair.

314
00:15:45.240 --> 00:15:48.179
I thought he was pretty great in that.

315
00:15:48.240 --> 00:15:51.000
It's a strange thing, isn't it?

316
00:15:51.059 --> 00:15:53.759
Because he's taken the barber shop over from Omo.

317
00:15:53.820 --> 00:15:56.700
And so at the beginning, the doctor arrives and we don't really

318
00:15:56.700 --> 00:15:58.679
see the barber, like he's there.

319
00:15:58.740 --> 00:16:01.679
He's sort of doing things, but we don't really see him.

320
00:16:01.679 --> 00:16:04.080
And he acts like a mythical character.

321
00:16:04.139 --> 00:16:09.480
You know, you know how Fenrick plucks bones from the desert sands

322
00:16:09.480 --> 00:16:11.580
and carves them into chess pieces.

323
00:16:11.639 --> 00:16:15.059
That sort of thing where mythical characters and gods and things

324
00:16:15.059 --> 00:16:19.259
take a normal thing and turn it into something huge and epic.

325
00:16:19.320 --> 00:16:21.000
And that scene of him creating the web.

326
00:16:21.059 --> 00:16:22.139
Do you know what I mean?

327
00:16:22.200 --> 00:16:26.039
That's exactly how you would tell that story in a myth.

328
00:16:26.100 --> 00:16:28.980
And so he is this sort of strange mythic character.

329
00:16:29.039 --> 00:16:29.759
I really bought it.

330
00:16:29.820 --> 00:16:32.279
But he also spends the beginning of the episode being a sort of

331
00:16:32.279 --> 00:16:35.460
Doctor Who villain, you know, like in the next room with the

332
00:16:35.460 --> 00:16:38.460
control panels and all of that, which I thought was pretty great.

333
00:16:38.879 --> 00:16:42.600
I perhaps did not buy it as much as you guys bought it.

334
00:16:42.659 --> 00:16:47.100
The whole gods thing, I just didn't quite buy into, like, we're

335
00:16:47.100 --> 00:16:50.700
experiencing these gods now, not the ones that Shooty is talking

336
00:16:50.700 --> 00:16:51.899
about, which we're never seen.

337
00:16:51.960 --> 00:16:56.519
It's like when we experience the doctor meeting like Zastor or

338
00:16:56.519 --> 00:17:00.419
Asma or the Borad, which adventures that had never happened, and I

339
00:17:00.419 --> 00:17:03.419
just kind of, I kind of go, oh, it's just words to me.

340
00:17:03.480 --> 00:17:05.940
It's sort of like, you know, it's convenient for the plot.

341
00:17:06.000 --> 00:17:08.160
Um, so the whole gods thing.

342
00:17:08.220 --> 00:17:11.400
I'm just a little bit annoyed with perhaps suddenly she's the

343
00:17:11.400 --> 00:17:14.940
daughter of one of the gods that he's met and he kind of remembers

344
00:17:14.940 --> 00:17:18.240
her but doesn't and that was the aspect that I was going.

345
00:17:18.299 --> 00:17:21.119
Well, I mean, it was great to see Joe Martin and that was a

346
00:17:21.119 --> 00:17:22.380
fantastic shock moment.

347
00:17:22.440 --> 00:17:26.700
Um, So does that mean that he met, like, he obviously met her at

348
00:17:26.700 --> 00:17:27.180
that time?

349
00:17:27.180 --> 00:17:29.940
Did he meet the gods at that time when he was Joe Martin?

350
00:17:30.000 --> 00:17:34.380
You know, I was just a bit sort of, but putting that to one side.

351
00:17:34.440 --> 00:17:36.119
I thought his performance was wonderful.

352
00:17:36.180 --> 00:17:37.859
And I kept thinking about this.

353
00:17:37.920 --> 00:17:39.599
I kept thinking, oh, they've got to kill off people.

354
00:17:39.660 --> 00:17:41.039
They've got to be zapped out into space.

355
00:17:41.160 --> 00:17:45.000
You know, I'm not seeing anybody getting destroyed in the chair.

356
00:17:45.059 --> 00:17:47.759
But then I realised at the end, like in order for him to have

357
00:17:47.759 --> 00:17:49.559
redemption, that was never going to happen.

358
00:17:49.619 --> 00:17:54.180
And that was actually quite powerful that at the end, he, he could

359
00:17:54.180 --> 00:17:57.599
go and live a normal life and let that go and people could forgive

360
00:17:57.599 --> 00:17:57.779
him.

361
00:17:57.839 --> 00:17:59.339
And I thought that was extremely powerful.

362
00:17:59.400 --> 00:18:03.299
So, I was, this is why I was all muddled and conflicted the 1st

363
00:18:03.299 --> 00:18:07.200
time I watched it because I was wanting, The Doctor Who tropes

364
00:18:07.200 --> 00:18:07.920
that I love.

365
00:18:07.980 --> 00:18:12.900
But then I realised we're not being given that and why is that?

366
00:18:12.960 --> 00:18:17.880
And I thought that was really a wonderful ending, you know, at the

367
00:18:17.880 --> 00:18:18.359
end there.

368
00:18:18.420 --> 00:18:20.940
When Omo gives him his father's name.

369
00:18:21.000 --> 00:18:23.880
You know, he says I don't have a name for people to trust me

370
00:18:23.880 --> 00:18:24.299
with.

371
00:18:24.359 --> 00:18:27.660
And so Omo gives him his father's name and I just think that was

372
00:18:27.660 --> 00:18:28.380
so great.

373
00:18:28.440 --> 00:18:29.880
That was such a great moment.

374
00:18:30.000 --> 00:18:33.359
I mean, the gods thing is really interesting because these don't

375
00:18:33.359 --> 00:18:36.119
seem at all to be the gods that we've been talking about over the

376
00:18:36.119 --> 00:18:36.960
last couple of years.

377
00:18:37.019 --> 00:18:42.000
Like, you know, Maestro and the and the toy maker and and Larks.

378
00:18:42.119 --> 00:18:44.700
That's why I struggle with it because they're ones we haven't

379
00:18:44.700 --> 00:18:45.240
encountered.

380
00:18:45.299 --> 00:18:46.440
And thinking, where does this fit in?

381
00:18:46.500 --> 00:18:48.359
How have we had the time for this?

382
00:18:48.359 --> 00:18:51.960
And like the doctor's always been so kind of human over the years

383
00:18:51.960 --> 00:18:54.779
he's just met evil people and villains rather than gods.

384
00:18:54.839 --> 00:18:58.440
And when it starts going to that territory, I just, I struggle

385
00:18:58.440 --> 00:18:58.799
with it.

386
00:18:58.859 --> 00:18:59.220
I do.

387
00:18:59.279 --> 00:19:03.180
Simon said that, I think, online too, that he thinks that the show

388
00:19:03.180 --> 00:19:05.819
is getting too kind of supernatural and stuff.

389
00:19:05.880 --> 00:19:09.839
I mean, gods and storytelling are super important and they're

390
00:19:09.839 --> 00:19:13.259
intertwined, and these are all real gods who he was mentioning, and

391
00:19:13.259 --> 00:19:16.799
he obviously mentioned some European gods, but some African gods

392
00:19:16.799 --> 00:19:21.420
as well, and the barber and Urbana and stuff.

393
00:19:21.480 --> 00:19:22.259
Do you know what I mean?

394
00:19:22.319 --> 00:19:24.539
Like they're clearly kind of associated with that.

395
00:19:24.599 --> 00:19:27.359
And there's things going on that I don't know enough.

396
00:19:27.480 --> 00:19:32.759
I know that Anansi is from Ghana, I think, and is a sort of spider

397
00:19:32.759 --> 00:19:38.039
trickster figure, and so is appropriate for that, and he talks

398
00:19:38.039 --> 00:19:41.759
about Saga, who's from Norse mythology, and Dionysus, obviously.

399
00:19:41.819 --> 00:19:45.240
And, you know, gods are created by stories.

400
00:19:45.299 --> 00:19:47.099
That's where they come from.

401
00:19:47.160 --> 00:19:50.160
And this tells it the other way around.

402
00:19:50.220 --> 00:19:52.140
So there's something about mythology going on there.

403
00:19:52.200 --> 00:19:55.200
But it was one of those things where I felt I'm not not quite

404
00:19:55.200 --> 00:19:58.259
equipped to know exactly what's going on here.

405
00:19:58.319 --> 00:20:01.380
But I was kind of content to just sort of let that wash over me a

406
00:20:01.380 --> 00:20:01.799
little bit.

407
00:20:01.859 --> 00:20:05.039
This might be something where I'm just not going to get this and

408
00:20:05.039 --> 00:20:06.599
that's kind of okay, I think.

409
00:20:06.660 --> 00:20:08.279
Here's a question.

410
00:20:08.339 --> 00:20:09.900
Is Abina a god at the end?

411
00:20:09.960 --> 00:20:11.279
Like, does she walk away?

412
00:20:11.279 --> 00:20:15.420
Like, she is a god and she just walks off stage left or page right

413
00:20:15.420 --> 00:20:16.619
or whatever it happens to me.

414
00:20:16.680 --> 00:20:19.019
Looking fabulous, by the way.

415
00:20:19.079 --> 00:20:20.160
Awesome.

416
00:20:20.220 --> 00:20:22.559
Her performance was so wonderful.

417
00:20:22.680 --> 00:20:25.200
It was warm when it needed to be warm.

418
00:20:25.259 --> 00:20:27.900
It had an edge to it when it needed to have an edge to it.

419
00:20:27.900 --> 00:20:31.140
And, yeah, I really, really loved her.

420
00:20:31.140 --> 00:20:36.119
And, and having her in that moment with the fugitive doctor, woman

421
00:20:36.119 --> 00:20:39.660
to woman, was Marvellous.

422
00:20:40.920 --> 00:20:46.259
And and something I find really extraordinary because just looking

423
00:20:46.259 --> 00:20:51.059
up the cast here, Ariana Bakari, who is the barber, we have seen

424
00:20:51.059 --> 00:20:56.460
in Doctor Who before, he is Leandro, the Lion Man, in he is, of

425
00:20:56.460 --> 00:20:57.119
course he is.

426
00:20:57.180 --> 00:21:00.480
So another not quite Warriors gate link.

427
00:21:01.019 --> 00:21:05.880
Michelle Asanti seems to have most of her experience in voice

428
00:21:05.880 --> 00:21:06.359
work.

429
00:21:06.420 --> 00:21:09.359
That's not to say that she hasn't appeared on screen, but just

430
00:21:09.359 --> 00:21:13.200
looking here, it seems to be maybe 50-50 on screen and voice work

431
00:21:13.200 --> 00:21:17.339
and yeah, I would just love to see more of her.

432
00:21:17.400 --> 00:21:19.799
I'd love to see her back in Doctor Who in the same role.

433
00:21:19.859 --> 00:21:23.279
But yeah, I found her really compelling to watch.

434
00:21:23.339 --> 00:21:28.619
And because, you know, I'm a bloody, you know, anorak with a copy

435
00:21:28.619 --> 00:21:31.440
of the discontinuity guide, when the doctor's saying, I know you

436
00:21:31.440 --> 00:21:34.619
I'm going, well, obviously she's a new character.

437
00:21:34.680 --> 00:21:36.839
She's not going to be the Rani or anything like that.

438
00:21:36.900 --> 00:21:40.440
She's no one we as fans have met before, but I was really drawn

439
00:21:40.440 --> 00:21:42.359
into the mystery of, okay, who is she then?

440
00:21:43.019 --> 00:21:44.400
Yeah.

441
00:21:44.460 --> 00:21:49.500
And yeah, then using that as a way to bring Joe Martin in genius.

442
00:21:49.559 --> 00:21:54.059
See, I wanted them to then have one of those flashbacks in the

443
00:21:54.059 --> 00:21:54.420
picture.

444
00:21:54.480 --> 00:21:56.400
You see, that's the anorex that I am.

445
00:21:56.460 --> 00:22:00.180
We talked about all that, but we didn't see it over there and I

446
00:22:00.180 --> 00:22:01.319
kind of really wanted that.

447
00:22:01.319 --> 00:22:03.240
Yeah, that would have been great.

448
00:22:03.900 --> 00:22:05.519
Yeah, yeah.

449
00:22:05.579 --> 00:22:09.420
This is why I considered this episode to be good, but there's

450
00:22:09.420 --> 00:22:11.400
little things that I pick apart, you know?

451
00:22:11.940 --> 00:22:14.940
the things with the gods and that sort of thing, right?

452
00:22:14.940 --> 00:22:16.859
I just kind of think, oh, it was right there.

453
00:22:16.920 --> 00:22:18.359
Give us that.

454
00:22:18.539 --> 00:22:22.740
I think like keeping the Joe Martin thing a little bit Vegas, super

455
00:22:22.740 --> 00:22:23.220
interesting.

456
00:22:23.279 --> 00:22:25.559
Like, does he remember what happened to Joe Martin?

457
00:22:25.619 --> 00:22:26.519
I don't think he should.

458
00:22:27.240 --> 00:22:31.200
But also it's the previous time that the doctor's been black, and

459
00:22:31.200 --> 00:22:34.079
you kind of think maybe she needed to be there?

460
00:22:34.140 --> 00:22:35.940
And it's so generous.

461
00:22:36.000 --> 00:22:36.720
Do you know what I mean?

462
00:22:36.779 --> 00:22:38.279
Like, it's so generous.

463
00:22:38.339 --> 00:22:43.500
Russell, I think, has treated the cibnolera in a sort of kindly

464
00:22:43.500 --> 00:22:44.460
and generous way.

465
00:22:44.519 --> 00:22:48.359
And given that Joe Martin as the fugitive doctor is one of the

466
00:22:48.359 --> 00:22:51.839
best things about the era, having her back just for that moment, I

467
00:22:51.839 --> 00:22:52.859
thought was really terrific.

468
00:22:52.920 --> 00:22:53.640
Really good.

469
00:22:53.700 --> 00:22:56.579
And then all of the clips of all the other doctors, you know?

470
00:22:56.640 --> 00:22:57.299
Yeah.

471
00:22:57.359 --> 00:23:00.480
Although mine is one the fact that Colin Baker had like one

472
00:23:00.480 --> 00:23:03.180
millisecond at the end. the great tradition.

473
00:23:03.480 --> 00:23:07.799
I have just noticed that Michelle Asanti has been in Doctor Who

474
00:23:07.799 --> 00:23:12.420
before as well she is credited as neighbour in the forest of the

475
00:23:12.420 --> 00:23:12.660
night.

476
00:23:12.720 --> 00:23:16.259
So I'm guessing I'm guessing maybe she was complaining about the

477
00:23:16.259 --> 00:23:17.519
hydrangeas. don't know.

478
00:23:17.579 --> 00:23:19.680
Can someone cut them?

479
00:23:19.740 --> 00:23:23.880
So this is reasons why both of these actors now have to be in

480
00:23:23.880 --> 00:23:26.880
another episode because they just want to erase those 2 episodes

481
00:23:26.880 --> 00:23:27.779
from there.

482
00:23:28.799 --> 00:23:31.920
Hey, I like the woman who lived.

483
00:23:31.980 --> 00:23:35.759
I don't mind either fast of the night, oddly enough.

484
00:23:35.759 --> 00:23:38.700
All right.

485
00:23:38.759 --> 00:23:42.359
Well, um, there is one other thing that we haven't mentioned while

486
00:23:42.359 --> 00:23:45.420
we're talking about people who have been in the show before.

487
00:23:45.480 --> 00:23:50.279
So Belinda notices, and if you don't want to be spoiled, this

488
00:23:50.279 --> 00:23:54.359
isn't a spoiler, it is in the closing credits, but we are going to

489
00:23:54.359 --> 00:24:00.059
speculate about the finale or the next few episodes.

490
00:24:00.119 --> 00:24:03.119
And if you haven't noticed this thing, you might find that

491
00:24:03.119 --> 00:24:03.960
irritating.

492
00:24:04.019 --> 00:24:06.779
So if you're particularly squeamish about that, you might want to

493
00:24:06.779 --> 00:24:10.619
bow out, but make sure that you, you know, obviously listen to 500

494
00:24:09.960 --> 00:24:11.579
year diary.

495
00:24:11.640 --> 00:24:16.200
But I want to talk about Captain Poppy, who is the creepy little

496
00:24:16.200 --> 00:24:22.319
girl, I think is how Belinda puts it, who she just spots for a

497
00:24:22.319 --> 00:24:22.920
2nd.

498
00:24:23.099 --> 00:24:26.579
And she does say to the doctor, did you see the creepy little

499
00:24:26.579 --> 00:24:27.059
girl?

500
00:24:27.059 --> 00:24:31.980
And the doctor says, all the stories are leaking out or something

501
00:24:31.980 --> 00:24:33.539
and getting mixed up.

502
00:24:33.599 --> 00:24:39.839
But that is Captain Poppy, who we last saw in the 2024 classic

503
00:24:39.839 --> 00:24:42.299
Space Babies.

504
00:24:42.359 --> 00:24:44.160
And thus it gets a -one for me.

505
00:24:46.079 --> 00:24:52.079
So this episode can't get more than an 8 now, so there's a ceiling

506
00:24:52.079 --> 00:24:52.559
to it.

507
00:24:52.619 --> 00:24:56.039
Look, I mean, as much as, you know, I disagree with you on space

508
00:24:56.039 --> 00:24:58.980
babies, the fact that she's there is an interesting thing and I

509
00:24:58.980 --> 00:25:02.160
think if these stories are bleeding, what's going to happen in the

510
00:25:02.160 --> 00:25:07.140
next episode and who are we going to then see, obviously, in the

511
00:25:07.140 --> 00:25:07.619
finale?

512
00:25:07.680 --> 00:25:08.819
Yeah.

513
00:25:08.880 --> 00:25:12.420
I didn't actually realise it was Poppy until you mentioned it just

514
00:25:12.420 --> 00:25:13.920
before recording, Nathan.

515
00:25:13.980 --> 00:25:18.180
And my immediate thought was, it's one of the timeless children.

516
00:25:18.240 --> 00:25:21.660
You know, it's one of the pre-Jo Martin doctors.

517
00:25:21.720 --> 00:25:26.039
But no, it being poppy is a lovely, is a lovely callback.

518
00:25:26.160 --> 00:25:27.059
Yeah.

519
00:25:27.119 --> 00:25:31.380
And even if it was never explained who she was, when we have

520
00:25:31.380 --> 00:25:35.700
Doctor Who doing myths and legends and gods and stories, it's okay

521
00:25:35.700 --> 00:25:37.859
to have things that aren't explained.

522
00:25:37.920 --> 00:25:41.220
And, you know, all all the showrunners have done that at some

523
00:25:41.220 --> 00:25:41.519
point.

524
00:25:41.579 --> 00:25:46.440
Like, I mean, even if we don't see any of them again in the finale

525
00:25:46.440 --> 00:25:50.700
it's, it might be mentioned like there might be consequences for

526
00:25:50.700 --> 00:25:52.440
other bleed throughs, et cetera.

527
00:25:52.500 --> 00:25:57.240
So, yeah, you know, as soon as I saw her, I thought, mhm.

528
00:25:57.299 --> 00:26:00.119
Okay, that's who it is, is it?

529
00:26:00.539 --> 00:26:05.819
I do like that it does emphasise that those babies were meant to

530
00:26:05.819 --> 00:26:07.920
be creepy because they definitely were.

531
00:26:10.980 --> 00:26:14.519
Just before we go, though, I do want to say one thing.

532
00:26:14.579 --> 00:26:20.099
Richard has spoken to fans, someone who's listening, who talk to

533
00:26:20.099 --> 00:26:22.740
him a little bit about Lux and Richard quoted some of the things

534
00:26:22.740 --> 00:26:25.079
that he said about Larks.

535
00:26:25.140 --> 00:26:30.539
He sent quite a long message to Richard, and I haven't got his

536
00:26:30.539 --> 00:26:32.400
permission to read it out or anything like that.

537
00:26:32.460 --> 00:26:36.539
But I have to say that some of the stuff that I said, I think, was

538
00:26:36.539 --> 00:26:41.640
informed by what he had said in particular about the importance of

539
00:26:41.640 --> 00:26:44.220
barbers in African-American culture, which is something I was

540
00:26:44.220 --> 00:26:47.099
vaguely aware of, but he clarified quite a lot.

541
00:26:47.220 --> 00:26:50.880
And he did mention, and we haven't mentioned this, the thing about

542
00:26:50.880 --> 00:26:54.960
cornrows, and I did sort of look this up later, that corners were

543
00:26:54.960 --> 00:27:00.839
used by enslaved people to carry messages and maps and things like

544
00:27:00.839 --> 00:27:01.079
that.

545
00:27:01.140 --> 00:27:04.380
And he also mentioned the importance of hair.

546
00:27:04.440 --> 00:27:08.279
You know, that hairstyles for African-American people have been, uh

547
00:27:08.279 --> 00:27:12.059
like are a cultural marker and are hugely significant.

548
00:27:12.119 --> 00:27:13.500
And that's something that he mentioned.

549
00:27:13.559 --> 00:27:16.859
So I just wanted to say, I'm not going to read that out because I

550
00:27:16.859 --> 00:27:20.279
don't have permission, but I really, really appreciate his insight

551
00:27:20.279 --> 00:27:21.960
and his engagement.

552
00:27:22.019 --> 00:27:25.799
It was a really, really interesting read and important, I think, in

553
00:27:25.799 --> 00:27:29.519
the way that you and I came to think about the episode, Brendan.

554
00:27:29.579 --> 00:27:31.380
Yeah, absolutely.

555
00:27:31.440 --> 00:27:32.339
Thank you, Alan.

556
00:27:32.400 --> 00:27:33.539
Your words were absolutely beautiful.

557
00:27:33.599 --> 00:27:35.160
Absolutely beautiful.

558
00:27:35.220 --> 00:27:37.380
Well, I found it extremely interesting.

559
00:27:37.440 --> 00:27:39.000
The whole hair braiding stuff.

560
00:27:39.059 --> 00:27:41.400
And I thought, you know, that's what I love in Doctor Who, things

561
00:27:41.400 --> 00:27:46.140
like that that educate and inform and widen your worldview, you

562
00:27:46.140 --> 00:27:46.440
know?

563
00:27:46.440 --> 00:27:48.299
Yeah, you know, I think that's brilliant.

564
00:27:48.359 --> 00:27:52.019
And getting back to something you said earlier, Todd, that's why I

565
00:27:52.019 --> 00:27:57.180
actually quite appreciated the use of gods we recognise, you know

566
00:27:57.180 --> 00:27:58.859
talking about Loki.

567
00:27:58.859 --> 00:28:01.980
And, you know, I hadn't heard of saga, but I'd heard of Dionysus.

568
00:28:01.980 --> 00:28:06.240
And I had only vaguely heard of Anansi, but it's kind of a way of

569
00:28:06.240 --> 00:28:09.660
going, whichever of these gods you've heard of as a viewer.

570
00:28:09.720 --> 00:28:12.299
You have an anchor point to then understand.

571
00:28:12.539 --> 00:28:17.400
A Nancy or Saga or Dionysus, if you're not familiar with Greek

572
00:28:17.400 --> 00:28:18.359
mythology, for instance.

573
00:28:18.420 --> 00:28:24.000
And I think when the new series sets out to educate, it often does

574
00:28:24.000 --> 00:28:28.019
it in a really beautiful way that's not info dumping.

575
00:28:28.019 --> 00:28:31.200
You know we have the word assassin in English today.

576
00:28:31.680 --> 00:28:36.539
But it made me go, oh, okay, like, I was already understanding

577
00:28:36.539 --> 00:28:39.180
what was going on, but it's like, oh, this gives me additional

578
00:28:39.180 --> 00:28:44.579
context as someone who, you know, is a white viewer who doesn't

579
00:28:44.579 --> 00:28:48.480
know about as much about black culture as perhaps I should, and it

580
00:28:48.480 --> 00:28:49.500
gives me an anchor point.

581
00:28:49.559 --> 00:28:51.900
It helps me understand the richness of the story even more.

582
00:28:51.960 --> 00:28:53.759
That's a really good point, Brendan.

583
00:28:53.819 --> 00:28:54.960
Nicely put.

584
00:28:55.019 --> 00:28:56.099
All right.

585
00:28:56.160 --> 00:28:58.259
Well, in that case, I think we might wind up.

586
00:28:58.319 --> 00:29:00.779
I have some things to plug.

587
00:29:00.839 --> 00:29:07.259
I've already mentioned 500-year diaries season 2, the 2nd coming

588
00:29:07.259 --> 00:29:11.519
which just released its episode on the Seeds of Death last Sunday

589
00:29:11.519 --> 00:29:15.720
and this coming Sunday, we'll be looking at the return of the

590
00:29:15.720 --> 00:29:20.220
Santarans in the Santaran experiment, and you can keep up with us

591
00:29:20.220 --> 00:29:26.039
at FlightTorentirety.com on Blue Sky or at FTE podcast on Mastodon

592
00:29:26.039 --> 00:29:27.480
or Twitter, if you insist.

593
00:29:27.539 --> 00:29:30.119
Brandon, do you have anything to plug?

594
00:29:30.359 --> 00:29:35.400
Just the most recent episode of the 3 handed game, this green

595
00:29:35.400 --> 00:29:39.059
unpleasant land, which is on Emily, which is the last episode of

596
00:29:39.059 --> 00:29:40.140
the new Avengers.

597
00:29:40.200 --> 00:29:44.400
And before we go, I just want to continue with my occasional

598
00:29:44.400 --> 00:29:49.619
series on linking back the 2nd Russell T. Davies era to the

599
00:29:49.619 --> 00:29:53.400
William Hartnell era, this being the 5th episode of season two

600
00:29:53.400 --> 00:29:57.900
links very nicely with the 5th story of season two, the Web

601
00:29:57.900 --> 00:29:58.500
Planet.

602
00:29:59.940 --> 00:30:01.740
She got a web?

603
00:30:02.039 --> 00:30:04.079
You've got a web.

604
00:30:04.079 --> 00:30:05.819
You've got a web.

605
00:30:05.940 --> 00:30:08.640
You got a very poetic way of speaking and telling story.

606
00:30:08.759 --> 00:30:14.759
And you have a central brain repository in the middle of

607
00:30:14.759 --> 00:30:16.380
everything.

608
00:30:16.380 --> 00:30:19.200
And Vicky calls the animus a giant spider.

609
00:30:19.259 --> 00:30:25.200
We have a giant spider here, and the threat here is eliminated by

610
00:30:25.200 --> 00:30:26.759
the destruction of the giant spider.

611
00:30:27.240 --> 00:30:30.359
Well, that's excellent.

612
00:30:30.420 --> 00:30:32.759
I'm waiting for us to get to the chase now.

613
00:30:37.259 --> 00:30:41.220
And Nathan, Nathan, what's your 6 word story for your life?

614
00:30:41.279 --> 00:30:43.200
I podcast I work i podcast?

615
00:30:43.259 --> 00:30:44.099
Yeah, basically.

616
00:30:44.160 --> 00:30:46.440
It's actually a podcast, I podcast, I podcast, really.

617
00:30:46.500 --> 00:30:47.460
Oh okay.

618
00:30:47.519 --> 00:30:48.059
Yeah, yeah.

619
00:30:48.180 --> 00:30:49.740
One day I'll figure it out.

620
00:30:51.299 --> 00:30:52.920
All right.

621
00:30:52.980 --> 00:30:56.279
Well, in that case, all that remains is for me to say, until next

622
00:30:56.279 --> 00:30:58.980
time, laugh and tell stories.

623
00:30:59.039 --> 00:31:01.500
Thank you very much for listening and good night.

624
00:31:01.559 --> 00:31:02.579
Good night.

625
00:31:02.640 --> 00:31:03.420
See you soon.