WEBVTT

NOTE
This transcript was created on 2026-05-02 at 15:30:00

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Hello, dear listener, and welcome back to the 2nd great and

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bountiful Human Empire, the only Doctor Who flash cast that's in

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your TARDIS time control, killing your dudes.

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I'm Nathan.

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I'm Brendan.

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I'm Simon.

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And I'm Todd.

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So we are here to talk about Empire of Death, which we saw mere

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days ago, the finale to season one of this new version of Doctor

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Who, written by Russell T. Davis, as usual, and directed by Jamie

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Donahue, who did last week's episode as well.

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Let's start by just giving a kind of general feeling about how we

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uh, sorry.

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Let's just start by giving a sort of general idea of how we felt

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about the episode.

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Simon, you're on record, I think, as saying that RTD series

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finales aren't quite your favourite thing.

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They tend not to be.

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How did you feel about this one?

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Look, I enjoyed it.

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I probably put it 2nd behind Bad Wolf Parting of the Ways, which

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is the only one that I rate in any serious way.

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I actually found myself enjoying it.

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Yes, there are some strange problems.

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Usually, though, a good sign is when you only think about those

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problems after you've watched it rather than while you're watching

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it, and I'm sure we might pick up on some of those later.

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But no, look, I think I think it was, it was fine.

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I think it actually fulfilled the promise of the previous

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episode.

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Usually the problem with the 2nd episode is that it disappoints

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what's being promised in episode one, which is actually not the

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problem with the classic series.

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I will acknowledge.

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But in this case, I actually think it's fulfilled that.

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Yes, it wasn't there are silly things with it, but I thought it

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was great.

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I thought everyone was great in it.

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I thought it was probably shooting's best performance of the

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season, and Bonnie, I mean, Bonnie.

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I mean, she, she, she, she, she is actually the best person in it

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by a significant mile.

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Um, and I include shooting in that.

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She is just better than axe rings around the rest of them, I have

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to say.

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What did you think, Todd?

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I agree.

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I thought it was charming.

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Bonnie Langford was just phenomenal.

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Absolutely, absolutely stole the show.

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It's funny, I think we mentioned last week that she was in DWM

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saying that she hadn't been very good in the show that she feared

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that she wasn't very good or maybe a couple of weeks ago, but she

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is so experienced, you know, and just so good as a result.

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And in fact, her kind of falling asleep on board the TARDIS, as if

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her energy's being sapped from her, is actually a little bit

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difficult to watch.

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It's really quite sad.

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Or the moment where she sees, you know, Colin's jacket.

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Yes.

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Oh, just touching.

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The look on her face when she's touching the... sleeve is just

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lovely.

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The whole episode is worth, the whole double is worth it for her

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alone for me.

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Yeah, yeah.

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Well, the whole revival, I think.

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What did you think, Fred?

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Um, I've said that this season I felt like every episode has

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bettered the previous one. and we started out in a strong place

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anyway.

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This is where it falls down.

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Not entirely.

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It's not a disaster.

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Um, but I was idly thinking today and I ranked the Russell T

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Davies season enders and I'm like, okay.

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Yes, I saw that.

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Yeah.

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So it's like Bad Wolf Parting of the Ways, Journey's End, and last

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of the time, Lords, I consider them all to be 10 out of 10.

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Um, Army of Ghost Doomsday are considered to be 9 out of 10.

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This and the giggle, I consider a 7 out of 10.

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So they're still solid.

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They're still solid.

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And then you've got the end of time.

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Daylight, the end of time.

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I'm in shock, Frank.

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I'm in shock Not what I expected from you.

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Yeah.

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Now, look, I completely agree with what's been said so far.

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I think Bonnie is excellent.

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I think shoot he's amazing.

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I think the cliffhanger resolve of, oh, what if we just pull the

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doctor out of the way of the slow moving agent of Soutek?

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is it made me laugh in the moment.

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It's just like a proper 80s cliffhanger resolution, isn't it?

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Yeah, yeah, yeah.

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We did call that a proper 80s cliffhanger is wait.

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We did it in flux as well, I think, didn't we?

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Where we just moved quickly away from swarm at one point.

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Yeah, and look, I think most of my problems with it are sort of

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around explanations for why things are happening in the plot just

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seem to be, and it's this now, and because this is how this

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works.

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And I just feel like some of those more fantastical explanations

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we've had since Russell came back have been better handled in the

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past, like where gods come from and how magic works and da da da

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da.

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I don't know if some lines were cut out or if it was something

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with the direction and the vision made things clearer.

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That being said, I still very much enjoyed it.

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I don't think it's a bad or weak episode by any means.

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It's just what has come before, including last week was so good

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that this needed to be more explicit, in my opinion, in what it

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was trying to do.

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I did think there were some important moments of explanation that

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were actually fudged by the director.

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And in particular, I think, uh, maybe the, the reveal where Louise

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points to the, the lamp post and we discover it's a thing.

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I think that's actually badly done.

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I think I think that's that or whole thing and this is probably

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about the season rather than the episode, but I find that a bit

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trite. this mysterious figure pointing in a very kind of Gothic

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way.

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It's all, and then for it to just reveal that she's just a normal

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person, basically, and ends now a nurse, I think that's, that's

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probably the weakest thing.

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But because it didn't, it's not what the episode was about.

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That didn't bother me too much.

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See, in a way, I think it is what the episode's about, and I liked

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it for that reason, that it wasn't, you know, a science fiction

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thing, and it wasn't quite the Gothic thing that we imagined it

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was going to be.

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We had the rug pulled out from under us last week with the, it was

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2004.

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It wasn't Charles Dickens, you know.

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And so having that very strange fairy tale thing and then just

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learning that in fact it was just a frightened girl abandoning her

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baby, you know, like I did actually like that outcome, it meant

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that we don't have a space reasons thing about Ruby's origin.

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She's just a person.

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I don't mind that at all.

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It's just that, like, here's this mysterious hooded figure, and

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she's pointing in an ominous way, and then in other episodes

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Maestro's saying that there's something wrong with Ruby and her

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song, and I just kind of think that it just doesn't quite, 2 and 2

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don't make four. you know what I mean?

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Like, I just think that's how I feel about that.

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But I don't necessarily loathe it.

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I just think that it wasn't the best, you know?

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Yeah, it's not the fact that she's a normal person. the fact that

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it's all the setup with all the the pointing in the robes and

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everything like that.

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It's just like, unless there's something next season, you know?

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Exactly.

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And that's maybe what the maestro thing was.

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It's supposed to be referring to that, but, you know, Yeah.

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And look, you know, Russell knew when he started writing this

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season that the next season had been commissioned.

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Right.

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So, yeah, he has made some comments in recent weeks that

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storylines continue next season and he's now working on season 3

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which has not been officially commissioned, but he is working on

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it.

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Hence, the woman in Mary Tam's outfit from the rebus operation, who

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was previously wearing Clara's outfit from Face the Raven.

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I think she's fabulous and I thought that ending was magnificent.

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Just absolutely.

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I was actually really happy that she had nothing to do with C tech

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and nothing to do with it. because that was the assumption in the

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previous episode. and I think that that was, that was, that was

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pretty good.

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And she sounds really terrifying.

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She's going to go and kill God.

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I just think she's wonderful.

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Like, you know, all of her little lines.

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I had such plans for a boy and then, you know, yeah, just, yeah

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yeah. in what was it?

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absolute terror.

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It was just delicious.

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Yeah, I mean, that's the thing.

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Like, I've been saying all along.

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I think she's river song, but now with some comments Russell has

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made this week where Russell's like, no, I deliberately put in red

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herrings, because I know fans are going to talk about them.

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Um, it's like, okay, her name is based on water, she's wearing

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Romana's coat.

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She's got a parasol on a roof.

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She's got a suitcase that I thought said trends of law, but it

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actually says Penzance.

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So it's like where it's being hinted that she is Romana River song

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at Clara.

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She none of them.

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Oh, there was a hint she was Susan last week, too, remember?

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And yeah, and she was Susan, of course.

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Yes.

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Yeah, but yeah, I've now decided she's none of them.

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No, she's Chancellor Flavia.

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Well, you know Russell loves Chancellor Flavia, so that's entirely

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a possibility.

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You know, I just, I just loved, like, I love the call back to 73

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yards and I love the memory TARDIS.

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I loved that and all the little things to do with the past in

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that.

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You know, I just thought it was really beautiful, so much of it

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you know?

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Do we know if they built the memory Tartars for this and then

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decided to do all of the tales from the Tartars?

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Yeah, right.

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So it was that way round rather than, yeah.

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So yeah, we'll get to that in a minute because I think that that

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plays an important role in the episode, obviously.

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But let's just talk about how it begins because the cliffhanger is

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resolved, but then things get worse.

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And I think that that's the best kind of cliffhanger.

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It's like, um, Greatest Show in the Galaxy 4.

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You know, there's a cliffhanger and then things just build and

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build and get worse and worse and worse.

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And things have rarely been quite as bad as this, I think, in

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Doctor Who.

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How did people feel about that sequence?

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Todd.

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One of the things I dislike is when you actually start killing off

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everybody, because then you know there's a magical reset, and the

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moment that rose and um, Kate and all of them turn to dust.

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I just went, oh, so now we're going to have a reset button, right

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at the end.

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So I was on the back foot.

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I did not buy that death at all.

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If it had just been Kate by herself or something like that, then

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maybe I would have thought, oh no.

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But I went, oh, no.

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Like, it's just going to be this reset.

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I'm just, how are they going to get out of this?

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Is it going to be a crap explanation?

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So I was on the back foot from that for a little while.

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I thought it was glorious that everybody came back, including

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those poor men that were killed last week.

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I just thought that was wonderful.

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Everybody lives, yes.

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And including Susan Triad.

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I think it was great that she ended up living too.

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I thought the Vlinks was definitely for it.

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When the blinks got killed, I thought, oh, that's like killing

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Adrick.

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No, it'll care.

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And then they killed everyone else.

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What did you think, Simon?

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Well, I was going to say, I was...

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I took a little bit longer to get to the thing, oh, it's just

251
00:11:16.139 --> 00:11:17.879
great. have a great big reset button because I thought it was not

252
00:11:17.879 --> 00:11:19.080
entirely impossible.

253
00:11:19.139 --> 00:11:22.320
He was using this as a way to kind of cleanse all of the all that

254
00:11:22.320 --> 00:11:25.799
kind of unit team and go, okay, we're going to do something else

255
00:11:25.799 --> 00:11:26.340
later.

256
00:11:26.399 --> 00:11:28.320
But I thought, well, they're probably all coming back when they

257
00:11:28.320 --> 00:11:30.480
all turned to dust, and I certainly thought that we were all

258
00:11:30.480 --> 00:11:32.399
coming back as soon as it started to spread around the globe.

259
00:11:32.460 --> 00:11:36.059
I mean, it is very impressive, very frightening, especially it's

260
00:11:36.059 --> 00:11:36.419
not just the earth.

261
00:11:36.480 --> 00:11:39.419
It's everywhere the doctor has visited in the last, you know, since

262
00:11:39.419 --> 00:11:40.379
Pyramids of Mars.

263
00:11:40.440 --> 00:11:45.360
He's basically effectively polluted or infected with this gift of

264
00:11:45.360 --> 00:11:47.700
dust to all the universe.

265
00:11:47.759 --> 00:11:52.200
So, it's, it's, look, I mean, Doctor Who has done that before

266
00:11:52.200 --> 00:11:55.620
obviously, you know, whether it's logopolis or other things, like

267
00:11:55.620 --> 00:11:59.100
the flux and so on, but it's never going to be overly impressive

268
00:11:59.100 --> 00:12:02.639
and it's more frightening when people are picked off, you know, one

269
00:12:02.639 --> 00:12:05.399
by one, but they're going for the big, big shock value and it's

270
00:12:05.399 --> 00:12:06.539
certainly made for a great special effect.

271
00:12:06.600 --> 00:12:07.860
So I can't really complain.

272
00:12:07.919 --> 00:12:10.980
And it also actually, I think that scene where he's on the alien

273
00:12:10.980 --> 00:12:14.639
planet and it's just that woman with her, you know, dead child, I

274
00:12:14.639 --> 00:12:17.580
assume, uh, is very effective.

275
00:12:17.580 --> 00:12:19.919
And I think this idea that there are so, for some reason, there

276
00:12:19.919 --> 00:12:22.200
are a few pockets of people who have been accidentally left, but

277
00:12:22.200 --> 00:12:26.519
they're on the way out anyway, and that actually kind of is the

278
00:12:26.519 --> 00:12:29.519
payoff to, to everybody turning to dust at once.

279
00:12:29.580 --> 00:12:32.820
Well, I like that because he doesn't mean the doctor actually

280
00:12:32.820 --> 00:12:34.080
visited that planet.

281
00:12:34.139 --> 00:12:36.659
It may have been spread to that planet as it suggested in the

282
00:12:36.659 --> 00:12:40.080
dialogue, like eventually gets there through Susan Triad or

283
00:12:40.080 --> 00:12:41.460
through space and whatever.

284
00:12:41.519 --> 00:12:44.220
And I spent that whole scene going, I know this woman.

285
00:12:44.279 --> 00:12:44.940
I know this woman.

286
00:12:45.000 --> 00:12:45.600
I know this woman.

287
00:12:45.659 --> 00:12:47.580
And then only when I watched it again.

288
00:12:47.639 --> 00:12:52.320
The penny dropped that it's Claire from Fleabag and I thought she

289
00:12:52.320 --> 00:12:54.240
was tremendous and I really didn't love that scene.

290
00:12:54.299 --> 00:12:58.320
Do you know, that seems to me in some ways to be an answer to the

291
00:12:58.320 --> 00:13:03.419
tubital era, because that is a classic tubital era scene.

292
00:13:03.480 --> 00:13:07.919
It's like Survivors of the Flux or like Ascension of the

293
00:13:07.919 --> 00:13:08.820
Cyberman.

294
00:13:08.879 --> 00:13:13.379
And it is kind of Russell showing A, that he can do that and make

295
00:13:13.379 --> 00:13:14.940
us care about it.

296
00:13:14.940 --> 00:13:19.139
And B, that the doctor's job is to fix that sort of thing rather

297
00:13:19.139 --> 00:13:22.679
than just go away somewhere else at the end of the episode.

298
00:13:22.740 --> 00:13:25.919
And so I just thought that was incredibly beautiful.

299
00:13:25.980 --> 00:13:29.940
The details about the opera house, you know, and her husband being

300
00:13:29.940 --> 00:13:33.840
tall and like all of that stuff, I just thought was so skilfully

301
00:13:33.840 --> 00:13:38.639
done and the, and just that sort of the brownness of everything.

302
00:13:38.700 --> 00:13:43.559
You know, the dust in the air, all of that, even the opticals of

303
00:13:43.559 --> 00:13:46.559
the planets, which are all sort of shrouded in dust and things.

304
00:13:46.620 --> 00:13:49.679
I just thought it was, it was really very good.

305
00:13:49.740 --> 00:13:52.980
And of course, that action sequence leading up to it with the bus

306
00:13:52.980 --> 00:13:56.100
and the, and the, and the chase and all of that, I thought, was

307
00:13:56.100 --> 00:13:57.179
amazing.

308
00:13:57.240 --> 00:13:58.740
And then suddenly we can see the money.

309
00:13:58.799 --> 00:14:00.059
I mean, that's the sort of stuff.

310
00:14:00.120 --> 00:14:02.100
I mean, there would obviously would have been CGI crashes in there

311
00:14:02.100 --> 00:14:04.919
as well, but, you know, all those people, there would have been a

312
00:14:04.919 --> 00:14:05.460
lot of extras there.

313
00:14:05.519 --> 00:14:06.539
There was a lot of hardware happening.

314
00:14:06.600 --> 00:14:07.620
There was a lot of crashes.

315
00:14:07.679 --> 00:14:10.259
Yeah, as I said, some of it CGI, but I think there's real stuff

316
00:14:10.259 --> 00:14:12.539
going on there and that costs money.

317
00:14:12.600 --> 00:14:14.639
I actually think that, I mean, there's a lot being made about, you

318
00:14:14.639 --> 00:14:16.799
know, shooting being emotional and they're being the odd emotional

319
00:14:16.799 --> 00:14:18.120
scene here, they're everywhere throughout the season.

320
00:14:18.179 --> 00:14:19.500
But I actually think that this is the only one.

321
00:14:19.559 --> 00:14:24.600
That scene is the only one for me, which actually was properly

322
00:14:24.600 --> 00:14:24.960
emotional.

323
00:14:25.019 --> 00:14:28.139
The rest were just like, he was just an emotional scene we're

324
00:14:28.139 --> 00:14:28.440
going to do.

325
00:14:28.500 --> 00:14:30.299
Come on, everybody, let's feel emotional.

326
00:14:30.360 --> 00:14:33.720
And you need to have more than that to actually be affected.

327
00:14:33.779 --> 00:14:38.159
And I think that was the 1st time in the season where I thought

328
00:14:38.159 --> 00:14:41.399
yeah, we're actually doing that that kind of scene properly for

329
00:14:41.399 --> 00:14:41.820
the 1st time.

330
00:14:42.179 --> 00:14:46.620
Yeah, no, I think that's a, that is an amazing, amazingly good

331
00:14:46.620 --> 00:14:47.279
scene.

332
00:14:47.340 --> 00:14:48.840
All right.

333
00:14:48.899 --> 00:14:52.620
Let's talk about Sutek himself.

334
00:14:52.679 --> 00:14:58.740
Um, and someone pointed out that in the very 1st episode of the

335
00:14:58.740 --> 00:15:02.820
new series, uh, Clive identifies the doctor's constant companion

336
00:15:02.820 --> 00:15:13.139
as deaf, um, and what this reminded me of is the arc. um

337
00:15:13.139 --> 00:15:13.980
naturally.

338
00:15:14.100 --> 00:15:15.419
Of course.

339
00:15:15.899 --> 00:15:17.580
Dodo.

340
00:15:17.820 --> 00:15:22.379
You remember that there's this line where the doctor suggests that

341
00:15:22.379 --> 00:15:25.559
perhaps they've been infecting people wherever they've gone with

342
00:15:25.559 --> 00:15:28.559
their germs and so they've been bringing germs everywhere.

343
00:15:28.559 --> 00:15:34.740
Earlier in the, in the previous episode last week, the doctor said

344
00:15:34.740 --> 00:15:40.019
that he brought havoc and death wherever he went and that's why he

345
00:15:40.019 --> 00:15:45.659
hadn't gone back to visit Susan and, you know, Kate says, no, no, I

346
00:15:45.659 --> 00:15:46.620
think you bring joy.

347
00:15:46.679 --> 00:15:51.299
But, you know, the doctors fear that he brings death and

348
00:15:51.299 --> 00:15:55.620
destruction and mayhem with him wherever he goes, and that's made

349
00:15:55.620 --> 00:16:02.820
real by having big old Soutec crouched over the ship for the last

350
00:16:02.820 --> 00:16:04.440
40 something years.

351
00:16:04.500 --> 00:16:11.399
Um, how did people feel that Sutec, Sutec went and and and that

352
00:16:11.399 --> 00:16:12.960
resolution, Brendan?

353
00:16:13.320 --> 00:16:18.059
So I said last week that I thought, you know, within 2 minutes of

354
00:16:18.059 --> 00:16:21.600
the start of this episode, he'd be a man in a suit swanning around

355
00:16:21.600 --> 00:16:25.679
um, that unit set, and it wasn't.

356
00:16:26.159 --> 00:16:31.320
And again, I was really impressed by the visual effects of

357
00:16:31.320 --> 00:16:32.220
Soutech.

358
00:16:32.279 --> 00:16:38.820
I think having, um, I think having Harriet and later Mel and Susan

359
00:16:38.820 --> 00:16:45.000
Triad, Sutex Avatars, if you like, um, helped helped lend to that

360
00:16:45.000 --> 00:16:45.299
as well.

361
00:16:45.360 --> 00:16:46.559
It gave it a sense of scale.

362
00:16:46.620 --> 00:16:51.120
But I thought the visual representation was really good.

363
00:16:51.179 --> 00:16:57.659
They get a lot of emotionality out of that totally invented face.

364
00:16:57.720 --> 00:17:00.360
And of course, Gabrielle Wolf has still got it.

365
00:17:00.419 --> 00:17:02.220
So no complaints here.

366
00:17:02.820 --> 00:17:04.859
What did you think, Tom?

367
00:17:04.920 --> 00:17:06.059
I don't know.

368
00:17:06.119 --> 00:17:07.380
I'm a bit on the fence with it.

369
00:17:07.619 --> 00:17:12.059
Just a lot, like a big dog all the time and then the voice over

370
00:17:12.059 --> 00:17:12.539
the top.

371
00:17:12.599 --> 00:17:13.259
Do you know what I mean?

372
00:17:14.099 --> 00:17:16.079
Like, is that...

373
00:17:16.079 --> 00:17:16.740
No, I agree.

374
00:17:16.799 --> 00:17:17.160
I agree.

375
00:17:17.220 --> 00:17:20.940
And then I was trying to point out, well, when did he grab onto

376
00:17:20.940 --> 00:17:22.740
the TARDIS in the pyramids of Mars?

377
00:17:22.799 --> 00:17:25.740
Was it when he 1st the vision happened at the beginning where

378
00:17:25.740 --> 00:17:26.640
Sarah saw him?

379
00:17:26.640 --> 00:17:30.420
Or was it, like, because later on he's sent to his doom, like in

380
00:17:30.420 --> 00:17:30.900
the future?

381
00:17:30.960 --> 00:17:32.700
But the Tatars isn't in that corridor.

382
00:17:32.759 --> 00:17:35.099
So I guess I got stuck in that, Brendan?

383
00:17:35.160 --> 00:17:37.200
I think you're absolutely right.

384
00:17:37.259 --> 00:17:39.900
And I messaged Nathan earlier saying, I've realised something

385
00:17:39.900 --> 00:17:40.980
about pyramids above.

386
00:17:41.039 --> 00:17:42.420
If I forget, tell me.

387
00:17:42.480 --> 00:17:47.460
No, I think it is when Sarah sees Sutek at the starter pyramids of

388
00:17:47.460 --> 00:17:47.759
Mars.

389
00:17:47.819 --> 00:17:51.599
Remember, they're en route to Unit HQ and then they are knocked

390
00:17:51.599 --> 00:17:53.220
off course back to 1911.

391
00:17:53.400 --> 00:17:55.440
So I think Soutex going forward.

392
00:17:55.500 --> 00:17:59.160
The TARDIS is and runs into the TARDIS and sends it backwards.

393
00:17:59.700 --> 00:18:04.019
Good explanation just as you're a perfect explanation, Brendan.

394
00:18:04.079 --> 00:18:05.460
It's just like your unit dating theory.

395
00:18:05.519 --> 00:18:07.500
Yeah, it's the same thing with Pyramids and Mars.

396
00:18:07.559 --> 00:18:08.940
So, you know, you're bringing that.

397
00:18:09.000 --> 00:18:10.920
I, however, have a much more Sorry, you...

398
00:18:10.920 --> 00:18:14.819
I was just going to say, my unit dating theory depends on Soutec

399
00:18:14.819 --> 00:18:17.940
grabbing onto the time vortex and ripping it out of shape.

400
00:18:18.000 --> 00:18:18.539
And what happens?

401
00:18:18.599 --> 00:18:19.500
What happens?

402
00:18:19.619 --> 00:18:21.539
Anyway, sorry, go away.

403
00:18:21.599 --> 00:18:22.680
That's right.

404
00:18:22.740 --> 00:18:25.140
Look, I mean, I'm a Doctor Who fan.

405
00:18:25.200 --> 00:18:28.140
I'm never going to let some misused continuity get in the way of

406
00:18:28.140 --> 00:18:29.460
enjoying the episode.

407
00:18:29.519 --> 00:18:33.480
But look, I, for echoing what Todd was saying.

408
00:18:33.539 --> 00:18:35.940
I can understand why they present Z Tech like this. you know

409
00:18:35.940 --> 00:18:38.099
modern audience, modern thing. have CGI, we can do all this

410
00:18:38.099 --> 00:18:38.339
stuff.

411
00:18:38.400 --> 00:18:40.980
I just think, though, that there is something and, you know, we

412
00:18:40.980 --> 00:18:45.359
can mock the papier mache mask from 1975, but I think if you'd

413
00:18:45.359 --> 00:18:49.319
have taken that look and just done it with today's technology in

414
00:18:49.319 --> 00:18:53.400
today's ability, I think, at nuances and so on, I think it would

415
00:18:53.400 --> 00:18:55.440
have been much more freaky.

416
00:18:55.500 --> 00:18:59.640
I mean, that mask, even now when I watch Pyramids of Mars has a

417
00:18:59.640 --> 00:19:01.680
freaky devilishness to it for me.

418
00:19:01.859 --> 00:19:06.779
But anyway, look, that was not going to detract. was just like, oh

419
00:19:06.779 --> 00:19:08.279
this is how I would have done it instead.

420
00:19:08.339 --> 00:19:12.480
I think, I mean, they love, it's like that thing that, you know

421
00:19:12.480 --> 00:19:14.700
the modern era likes to try and recreate the catch lines that all

422
00:19:14.700 --> 00:19:16.920
the kids were saying on the bus when very elaborate was

423
00:19:16.920 --> 00:19:17.460
overhearing them.

424
00:19:17.519 --> 00:19:20.880
So, you know, we have to say, I bring Sutex gifts of dust to all

425
00:19:20.880 --> 00:19:24.240
the universal humanity over and over again rather than just once

426
00:19:24.240 --> 00:19:26.099
which would have been much more powerful.

427
00:19:26.160 --> 00:19:30.720
I think the makeup on the, on the, the minions is the most

428
00:19:30.720 --> 00:19:34.859
freakish and brilliant part of it because it is relatively

429
00:19:34.859 --> 00:19:37.140
understated, certainly understated compared to the way CTex

430
00:19:37.140 --> 00:19:37.559
presented.

431
00:19:37.619 --> 00:19:41.759
And I think the performances of those 3 actresses is immaculate

432
00:19:41.759 --> 00:19:43.440
when they're being possessed.

433
00:19:43.440 --> 00:19:45.539
And that does have that kind of devilish evil thing.

434
00:19:45.599 --> 00:19:46.799
I'm not convinced.

435
00:19:46.859 --> 00:19:49.980
I mean, I maybe I misheard things or wasn't paying attention, but

436
00:19:49.980 --> 00:19:55.559
Sutech is an a siren, a race, a super advanced race that visits

437
00:19:55.559 --> 00:19:59.579
ancient Egypt, and, you know, any adequately advanced technology

438
00:19:59.579 --> 00:20:03.119
is indistinguishable from magic, and godlike godness.

439
00:20:03.180 --> 00:20:06.539
And that's why they are worshipped as gods and they influence the

440
00:20:06.539 --> 00:20:09.660
development of Egypt and the human race ultimately.

441
00:20:09.720 --> 00:20:13.500
And now suddenly he's just kind of a hyper dimensional being.

442
00:20:13.559 --> 00:20:14.819
Am I am I hearing that, right?

443
00:20:14.880 --> 00:20:18.480
There is a line of dialogue where it's the fact that he travels

444
00:20:18.480 --> 00:20:24.960
around the time vortex, you know, holding the TARDIS over all of

445
00:20:24.960 --> 00:20:28.859
that time that eventually he does turn into the god that he always

446
00:20:28.859 --> 00:20:29.700
imagined himself.

447
00:20:29.759 --> 00:20:30.240
They could have to be.

448
00:20:30.299 --> 00:20:31.740
But he imagines himself to be.

449
00:20:31.799 --> 00:20:33.420
Yeah, that's a tough thing.

450
00:20:33.480 --> 00:20:38.339
I, I still think, and they try and recreate it and not really

451
00:20:38.339 --> 00:20:44.460
successfully, the reason that we remember Zue Tech, apart from the

452
00:20:44.460 --> 00:20:48.359
cushion, obviously, is that scene with Tom.

453
00:20:48.420 --> 00:20:55.500
Uh, and it's that, that scene where he, uh, you know, Tom is in

454
00:20:55.500 --> 00:21:00.180
the in the pyramid with SUTEC, and he's being tortured.

455
00:21:00.240 --> 00:21:04.140
And Soutec, um, says what he thinks is good.

456
00:21:04.200 --> 00:21:07.259
You know, like I leave death and destruction or what, you know

457
00:21:07.259 --> 00:21:08.880
wherever I go, I find that good.

458
00:21:08.940 --> 00:21:12.599
And then Tom says you're an abomination in the name of sort of all

459
00:21:12.599 --> 00:21:13.980
sentient creation and things.

460
00:21:14.039 --> 00:21:16.619
And I think that's one of the great highlights of the classic

461
00:21:16.619 --> 00:21:17.279
series.

462
00:21:17.339 --> 00:21:21.299
And, you know, far better than the story that it finds itself in.

463
00:21:21.359 --> 00:21:27.480
And as recently as Flux, Chibnill tried to do that with Azure as

464
00:21:27.480 --> 00:21:30.720
well, she and the doctor have a similar conversation along those

465
00:21:30.720 --> 00:21:31.140
lines.

466
00:21:31.200 --> 00:21:34.200
And I think that's incredible and that's where you get, you know

467
00:21:34.200 --> 00:21:38.519
that crisp voice of Gabriel Wolf and the incredible stillness and

468
00:21:38.519 --> 00:21:39.960
Tom in pain and stuff.

469
00:21:40.019 --> 00:21:42.359
I think it's one of the absolute highlights of the series.

470
00:21:42.420 --> 00:21:46.799
They do try and do that in the time window with shooting and the

471
00:21:46.799 --> 00:21:50.940
big old dog, but it doesn't quite land in the same way. does seem

472
00:21:50.940 --> 00:21:51.960
to be just an echo of it.

473
00:21:52.019 --> 00:21:54.660
That's partly because I think there's just, I mean, this is the

474
00:21:54.660 --> 00:21:55.319
new series generally.

475
00:21:55.380 --> 00:21:58.799
There is just not enough stillness in the new series. particularly

476
00:21:58.799 --> 00:21:59.220
in this season.

477
00:21:59.279 --> 00:22:00.240
It's too much going on.

478
00:22:00.299 --> 00:22:03.299
It's not the way they're making it, which is unfortunate, but we

479
00:22:03.299 --> 00:22:03.839
have to live with that.

480
00:22:03.900 --> 00:22:06.539
I don't know about the cultural appropriation line, which is very

481
00:22:06.539 --> 00:22:09.539
odd and not, I think, misplaced, but, you know, that's not

482
00:22:09.539 --> 00:22:10.380
atypical of this season.

483
00:22:10.440 --> 00:22:14.400
Well, I think I think it's like a throwaway and almost a comedy

484
00:22:14.400 --> 00:22:15.240
line as well.

485
00:22:15.299 --> 00:22:18.299
I mean, the problem with one of the big problems with pyramids of

486
00:22:18.299 --> 00:22:21.900
Mars is that by modern standards, it's quite racist.

487
00:22:21.900 --> 00:22:26.519
And so, you know, if he is going to bring that character in, he

488
00:22:26.519 --> 00:22:29.339
has to do what he did with the toy maker, I think, and sort of

489
00:22:29.339 --> 00:22:31.380
address it in some way without waiting.

490
00:22:31.740 --> 00:22:34.140
I don't necessarily see that though.

491
00:22:34.200 --> 00:22:34.859
Really?

492
00:22:34.920 --> 00:22:39.059
Yeah, there's lots of sort of silly Egyptian. apart from Ibrahim

493
00:22:39.059 --> 00:22:39.900
Nam in the beginning.

494
00:22:39.960 --> 00:22:42.839
And I mean, yeah, I think they're the character.

495
00:22:42.900 --> 00:22:43.380
Is that sort of thing?

496
00:22:43.440 --> 00:22:47.039
But the concept of having him having influenced ancient Egypt and

497
00:22:47.039 --> 00:22:48.960
basically effectively being an Egyptian god.

498
00:22:49.019 --> 00:22:50.039
I don't...

499
00:22:50.039 --> 00:22:54.240
It's one of those unfortunate things that, you know, if you're

500
00:22:54.240 --> 00:22:56.220
going to say a line like that, let there be actual cultural

501
00:22:56.220 --> 00:23:00.420
appropriation as opposed to, you know, cultural inspiration, should

502
00:23:00.420 --> 00:23:00.839
we say?

503
00:23:00.900 --> 00:23:03.599
I think there's cultural appropriation in the sense of taking

504
00:23:03.599 --> 00:23:06.779
Egyptian culture and turning it into a hammer horror film and

505
00:23:06.779 --> 00:23:10.380
probably that's what he's referring to rather than anything in

506
00:23:10.380 --> 00:23:11.640
universe as such.

507
00:23:11.700 --> 00:23:13.019
I think it's a metacometry.

508
00:23:13.079 --> 00:23:16.740
And also, it's a quicker way for the doctor to explain to Ruby.

509
00:23:16.799 --> 00:23:19.500
Well, he's actually an alien who came here and was worshipped as a

510
00:23:19.500 --> 00:23:22.920
god, and that was the foundation for Egyptian culture, and da da

511
00:23:22.920 --> 00:23:23.099
da.

512
00:23:23.160 --> 00:23:24.420
It's cultural appropriation.

513
00:23:24.480 --> 00:23:26.279
Ruby's like, oh, I know what that means.

514
00:23:26.339 --> 00:23:26.640
Yeah.

515
00:23:27.660 --> 00:23:32.160
But having him as the big dog was fantastic because it gave us

516
00:23:32.160 --> 00:23:35.460
that wonderful moment, which I didn't actually see coming where

517
00:23:35.460 --> 00:23:39.359
Ruby's going to go and show him the tablet or whatever and I'm

518
00:23:39.359 --> 00:23:41.940
going, I want to know what's the name and then she drops it and

519
00:23:41.940 --> 00:23:44.220
leashes him and it's like on for young and old.

520
00:23:44.279 --> 00:23:44.819
I thought that was great.

521
00:23:44.940 --> 00:23:46.740
The god of nothing line.

522
00:23:46.799 --> 00:23:48.119
She was so magnificent.

523
00:23:48.180 --> 00:23:49.079
Is that what she says?

524
00:23:49.200 --> 00:23:49.980
God of nothing.

525
00:23:50.039 --> 00:23:51.599
You know, she mocks him.

526
00:23:51.660 --> 00:23:55.559
And then puts a leash on him and that kind of...

527
00:23:55.619 --> 00:23:56.880
Yes, it's pretty great.

528
00:23:56.940 --> 00:23:58.799
Some men would pay good money for that.

529
00:24:00.839 --> 00:24:06.119
And I guess, you know, people are obviously going to say Deos X

530
00:24:06.119 --> 00:24:09.779
Markina, because they always say that about Russell's finales

531
00:24:09.779 --> 00:24:12.720
whether they have a day or sex Markina in them or not.

532
00:24:12.779 --> 00:24:15.539
This one obviously has a deos in mark in our.

533
00:24:15.599 --> 00:24:20.220
We had a dayos lying around, and obviously we have to use that to

534
00:24:20.220 --> 00:24:22.200
solve the problem that it's created.

535
00:24:22.259 --> 00:24:26.759
And so while I'm not kind of sure that, you know, death squared

536
00:24:26.759 --> 00:24:31.440
equals life, whatever, I guess, it's magic and that's how we're

537
00:24:31.440 --> 00:24:32.039
going to resolve it.

538
00:24:32.220 --> 00:24:36.420
I kind of went, yeah, death plus death equals life, does it

539
00:24:36.420 --> 00:24:36.779
really?

540
00:24:36.839 --> 00:24:40.380
And just by dragging through the vortex, suddenly, by touching the

541
00:24:40.380 --> 00:24:44.279
sides, he's going to just make everything on every world. okay?

542
00:24:44.339 --> 00:24:44.940
I don't know.

543
00:24:45.059 --> 00:24:47.880
I just I wanted a bit more explanation.

544
00:24:47.940 --> 00:24:49.079
I'm okay with it, right?

545
00:24:49.140 --> 00:24:51.960
I, you know, there is an explanation there.

546
00:24:52.019 --> 00:24:56.160
It's just if you dig a little bit deeper, sometimes that's not as

547
00:24:56.160 --> 00:25:00.180
satisfactory, but I'm not, I'm not saying I don't like it, like

548
00:25:00.180 --> 00:25:01.559
there is an explanation.

549
00:25:01.619 --> 00:25:06.059
I think multiply death by death rather than... exactly.

550
00:25:06.119 --> 00:25:08.759
It's like the square of minus one and square of minus one is one.

551
00:25:08.819 --> 00:25:09.599
Yeah, that's it.

552
00:25:09.660 --> 00:25:11.579
Yeah, yeah, that's what I was going to say.

553
00:25:11.640 --> 00:25:14.819
Like the 12-year-old at home has just learned in maths this week

554
00:25:14.819 --> 00:25:17.880
that if you multiply a negative by a negative, you get a

555
00:25:17.880 --> 00:25:18.240
positive.

556
00:25:18.299 --> 00:25:20.700
And I think that's what Russell's going for.

557
00:25:20.759 --> 00:25:25.079
And frankly, scientifically, it's like shoving all the IVs in the

558
00:25:25.079 --> 00:25:29.160
lift shower in New Earth and you suddenly cure everything.

559
00:25:29.220 --> 00:25:31.619
Okay, Russell, sure care, Russell.

560
00:25:31.680 --> 00:25:36.000
But, like, yeah, I don't think, like...

561
00:25:36.000 --> 00:25:36.359
Yeah.

562
00:25:36.420 --> 00:25:39.900
But like you, Todd, I'm just along for the ride.

563
00:25:39.960 --> 00:25:41.880
It's like, okay, that's the explanation I'm given.

564
00:25:41.940 --> 00:25:44.759
Everyone in the room believes it.

565
00:25:44.819 --> 00:25:45.240
Okay.

566
00:25:45.299 --> 00:25:46.559
Yep, fine.

567
00:25:46.619 --> 00:25:47.519
I'm along.

568
00:25:47.579 --> 00:25:48.000
Yeah.

569
00:25:48.059 --> 00:25:51.180
Well, I'm totally okay with him being let off the leash and then

570
00:25:51.180 --> 00:25:54.119
dying in the vortex because he's no longer connected to the TARDIS

571
00:25:54.119 --> 00:25:54.599
in some way.

572
00:25:54.660 --> 00:25:57.000
So that I had no problem with that at all.

573
00:25:57.059 --> 00:25:58.440
I think that looked great.

574
00:25:58.500 --> 00:25:59.220
Yeah.

575
00:25:59.279 --> 00:26:00.480
Oh, yeah, stunning.

576
00:26:00.539 --> 00:26:01.440
I thought that looked good.

577
00:26:01.500 --> 00:26:02.400
I mean, it's one of those things.

578
00:26:02.460 --> 00:26:05.759
When you create a situation like that where the entirety of

579
00:26:05.759 --> 00:26:10.920
creation is being obliterated by this dust, no way out.

580
00:26:10.980 --> 00:26:14.460
There is no way out of that that's going to be either plausible or

581
00:26:14.460 --> 00:26:15.539
ultimately satisfactory.

582
00:26:15.599 --> 00:26:18.539
So whenever those sorts of things happen on that sort of scale, I

583
00:26:18.539 --> 00:26:21.000
just kind of go, oh, you know, whatever.

584
00:26:21.299 --> 00:26:25.019
I mean, I think I think we want the visuals from that.

585
00:26:25.079 --> 00:26:26.160
Do you know what I mean?

586
00:26:26.220 --> 00:26:28.980
I think it would be poor if the show was less ambitious if it said

587
00:26:28.980 --> 00:26:31.859
well, we can't plausibly get out of this, so we'll just give

588
00:26:31.859 --> 00:26:33.839
everyone a bit of a cold or something like that.

589
00:26:33.900 --> 00:26:34.559
Do you know what I mean?

590
00:26:34.619 --> 00:26:36.420
Like, yeah, yeah, yeah.

591
00:26:36.420 --> 00:26:39.839
It's better that they sort of attempt it and then do, you know

592
00:26:39.839 --> 00:26:43.200
they have a god lying around and so they use that to solve the

593
00:26:43.200 --> 00:26:43.500
problem.

594
00:26:43.559 --> 00:26:46.319
I think, you know, that's kind of okay.

595
00:26:47.220 --> 00:26:50.819
I mean, it's just that like sort of lack of sophistication that I

596
00:26:50.819 --> 00:26:52.200
alluded to earlier in the season.

597
00:26:52.259 --> 00:26:55.980
That's all, it's just, and that's for me, the issue, broadly

598
00:26:55.980 --> 00:26:59.400
speaking, with Russell's version of the show, is just a broad, like

599
00:26:59.400 --> 00:27:00.960
a sophistication, to my taste.

600
00:27:01.019 --> 00:27:03.660
It doesn't mean I can't enjoy it because the one thing that most

601
00:27:03.660 --> 00:27:06.539
of this season has had, of course, isn't it's been engaging, even

602
00:27:06.539 --> 00:27:07.680
if I haven't liked all of it.

603
00:27:08.099 --> 00:27:13.200
What I wasn't necessarily okay with was Colonel Ibrahim and Kate

604
00:27:13.200 --> 00:27:14.220
holding hands at the end.

605
00:27:14.279 --> 00:27:15.539
Yes, what was that?

606
00:27:15.599 --> 00:27:16.440
What was that?

607
00:27:16.500 --> 00:27:16.980
Why?

608
00:27:17.039 --> 00:27:18.599
Because they were dead.

609
00:27:18.720 --> 00:27:20.279
In fact, it wasn't a recent button.

610
00:27:20.339 --> 00:27:21.000
We fixed it.

611
00:27:21.059 --> 00:27:21.960
Do you know what I mean?

612
00:27:22.019 --> 00:27:23.460
Like all of that happened.

613
00:27:23.579 --> 00:27:25.980
They were aware that it happened.

614
00:27:26.039 --> 00:27:27.480
Yeah, where it happened.

615
00:27:27.539 --> 00:27:31.559
Yeah, it's interesting that, yeah, I've I've said on a previous

616
00:27:31.559 --> 00:27:34.380
episode this season, we've had some episodes of really where

617
00:27:34.380 --> 00:27:37.140
they're influencers on their sleeve, and I think a big influence

618
00:27:37.140 --> 00:27:41.640
with Mel slowly fading away.

619
00:27:42.779 --> 00:27:45.119
And it occurred to me afterwards because, of course, we just lost

620
00:27:45.119 --> 00:27:49.259
Donald Sutherland a few days ago, is the 1978 invasion of the body

621
00:27:49.259 --> 00:27:52.380
snatchers where it's when you fall asleep that they get you.

622
00:27:52.440 --> 00:27:57.839
And I felt like it was very much like the characters in that

623
00:27:57.839 --> 00:28:00.119
version trying to stay awake.

624
00:28:00.180 --> 00:28:05.220
As for the revivification, I think Russell is directly taking it

625
00:28:05.220 --> 00:28:07.920
from the Avengers endgame films.

626
00:28:08.400 --> 00:28:10.259
Yeah, with the snap.

627
00:28:10.319 --> 00:28:14.339
Because, yeah, with the snap and with the fact that we can't

628
00:28:14.339 --> 00:28:17.759
change time because it creates a paradox, therefore, we will bring

629
00:28:17.759 --> 00:28:19.319
everyone back 5 years later.

630
00:28:19.319 --> 00:28:26.099
And I do wonder whether we're going to explore next season the

631
00:28:26.099 --> 00:28:30.000
fact that everyone in the world has been dead for 2 hours or

632
00:28:30.000 --> 00:28:33.720
whatever it was and everyone remembers it on some level.

633
00:28:33.779 --> 00:28:37.799
Um, because something I really liked when we had those death

634
00:28:37.799 --> 00:28:42.539
scenes was out with our with our heroes and their supporters and

635
00:28:42.539 --> 00:28:47.220
family and Carla and the unit people and everyone, there was a

636
00:28:47.220 --> 00:28:53.880
stoicism and acceptance and sadness and I thought that Gemma

637
00:28:53.880 --> 00:28:57.839
Redgrave speech about the birds was so beautifully done.

638
00:28:57.900 --> 00:29:00.599
And I found myself thinking, what is it about the birds?

639
00:29:00.660 --> 00:29:03.059
And then I thought back today of the doctor and she's out watching

640
00:29:03.059 --> 00:29:03.900
the ravens.

641
00:29:03.900 --> 00:29:06.960
And they need recharging or something.

642
00:29:07.019 --> 00:29:08.640
That's right.

643
00:29:08.700 --> 00:29:11.099
I thought it was great in this two-part.

644
00:29:11.160 --> 00:29:12.660
Like, I don't care what people say about her.

645
00:29:12.720 --> 00:29:17.940
I actually really, all the women, all the women were fabulous in

646
00:29:17.940 --> 00:29:18.779
this.

647
00:29:18.839 --> 00:29:22.859
And one scene that moved me to absolute tears was actually Ruby

648
00:29:22.859 --> 00:29:24.779
meeting a mum and I didn't think I was going to.

649
00:29:24.839 --> 00:29:26.220
I actually had tears.

650
00:29:26.339 --> 00:29:27.599
So well done.

651
00:29:27.660 --> 00:29:33.299
Let's talk about that because I think that so has done 4 proper

652
00:29:33.299 --> 00:29:39.359
kind of full season finales and only in one of them has the

653
00:29:39.359 --> 00:29:44.099
companion departed of their own free will and that's Martha.

654
00:29:44.160 --> 00:29:47.160
And I think that we liked that.

655
00:29:47.220 --> 00:29:50.460
I think, you know, generally speaking, we like it because she just

656
00:29:50.460 --> 00:29:52.859
gets to leave on her own terms and she doesn't leave for space

657
00:29:52.859 --> 00:29:53.640
reasons.

658
00:29:53.700 --> 00:29:55.559
She just says, I'm kind of done here.

659
00:29:55.619 --> 00:29:59.039
And that scene where she's there with a doctor and she's trying to

660
00:29:59.039 --> 00:30:01.619
talk to him, but she's distracted by her phone.

661
00:30:01.619 --> 00:30:04.859
Like, and it's her life.

662
00:30:04.920 --> 00:30:07.859
All these changes in her life, her mother, her father, all calling

663
00:30:07.859 --> 00:30:12.960
her away from him and her being torn and it's an amazing

664
00:30:12.960 --> 00:30:14.400
performance by Millie.

665
00:30:14.519 --> 00:30:16.680
And I think it's the right decision.

666
00:30:16.740 --> 00:30:20.759
I was expecting, you know, we were all expecting her to be, you

667
00:30:20.759 --> 00:30:24.420
know, some hyper intelligent pan-dimensional being or something.

668
00:30:24.480 --> 00:30:29.880
And she just ends up being Millie and she just leaves on her own

669
00:30:29.880 --> 00:30:31.680
terms in a normal way.

670
00:30:31.799 --> 00:30:35.640
And I found it really incredibly moving.

671
00:30:35.700 --> 00:30:39.900
And the bit that I liked the most was where the doctor tells her

672
00:30:39.900 --> 00:30:45.240
not to go and speak to Louise and the reason he does that is he's

673
00:30:45.240 --> 00:30:50.160
a foundling, and he wants them to be foundlings together, and he

674
00:30:50.160 --> 00:30:55.079
fears that he'll lose her, if she finds her mother, that that's

675
00:30:55.079 --> 00:30:58.920
you know, there's a little selfish moment there, um, where he

676
00:30:58.920 --> 00:31:00.420
tries to persuade her out of it.

677
00:31:00.480 --> 00:31:04.920
And you can see that in that final scene where he knows that he's

678
00:31:04.920 --> 00:31:09.059
going to say goodbye to her because the big thing that they had in

679
00:31:09.059 --> 00:31:12.359
common all this time is now gone and she has something better.

680
00:31:12.420 --> 00:31:15.779
It's a little bit like, you know, Rose gets her father back at the

681
00:31:15.779 --> 00:31:20.279
end of series two, you know, Millie gets her whole family back or

682
00:31:20.279 --> 00:31:22.619
a new family or a, you know, an origin.

683
00:31:22.680 --> 00:31:25.140
It was just all very well done.

684
00:31:25.740 --> 00:31:30.000
It's interesting you say that because that's not how I read that

685
00:31:30.000 --> 00:31:32.339
conversation between the doctor and Millie.

686
00:31:32.400 --> 00:31:37.559
When they're outside the cafe, I mean, and how I read it is he's

687
00:31:37.559 --> 00:31:41.519
listing all the reasons he still hasn't popped forward to the 22nd

688
00:31:41.519 --> 00:31:42.480
century to see.

689
00:31:42.599 --> 00:31:43.200
Susan.

690
00:31:43.200 --> 00:31:43.500
Yeah.

691
00:31:43.559 --> 00:31:44.400
But there's that too.

692
00:31:44.460 --> 00:31:46.799
And then that is mentioned in that.

693
00:31:46.859 --> 00:31:47.640
Well, I've seen it.

694
00:31:47.700 --> 00:31:51.539
I think certainly in that last scene, there is an element of, you

695
00:31:51.539 --> 00:31:54.960
know, Ruby is now moving away from him because not only has she

696
00:31:54.960 --> 00:31:58.440
got the family who raised her, but she's found the family, who

697
00:31:58.440 --> 00:32:04.200
created her, you know, and she, so she's surrounded by twice the

698
00:32:04.200 --> 00:32:06.839
love she had before, if not more.

699
00:32:06.900 --> 00:32:10.680
And I think I think there's an element in of sadness in there of

700
00:32:10.680 --> 00:32:14.940
he doesn't feel needed and even feels like he might be intruding

701
00:32:14.940 --> 00:32:16.019
on that.

702
00:32:16.079 --> 00:32:21.660
Um, Yeah, and I, I, I just thought his his reaction to watching

703
00:32:21.660 --> 00:32:23.519
them in the cafes is so lovely.

704
00:32:23.640 --> 00:32:27.000
And and melancholy and heartbreaking.

705
00:32:27.059 --> 00:32:30.779
It's a bit of a rebuke too, isn't it, to, you know, the way the

706
00:32:30.779 --> 00:32:34.619
doctor had the watch and she just threw it away.

707
00:32:34.680 --> 00:32:37.920
She decided not to investigate it and look into it.

708
00:32:37.920 --> 00:32:42.960
And now he sees Ruby making a completely different decision and

709
00:32:42.960 --> 00:32:46.259
starts to think, well, maybe that's what I should have done.

710
00:32:46.380 --> 00:32:48.539
Um, nothing to add.

711
00:32:48.599 --> 00:32:52.140
I mean, I, I, it's funny because I read it as the, at the scene

712
00:32:52.140 --> 00:32:54.119
outside the cafe as the doctor was playing.

713
00:32:54.180 --> 00:32:57.420
It was so that she wasn't having an internal monologue.

714
00:32:57.480 --> 00:32:59.400
It was kind of, it was kind of an external version of the internal

715
00:32:59.400 --> 00:32:59.700
monitor.

716
00:32:59.759 --> 00:33:00.660
Should I go in there?

717
00:33:00.779 --> 00:33:01.619
What if she doesn't like me?

718
00:33:01.680 --> 00:33:02.160
What if she hates me?

719
00:33:02.220 --> 00:33:03.000
What if she doesn't want to see it?

720
00:33:03.059 --> 00:33:04.259
Basically, it's like that thing.

721
00:33:04.259 --> 00:33:06.660
As soon as, as soon as she steps through the door and talks to her

722
00:33:06.660 --> 00:33:10.799
there is only, you know, it'll be what it'll be and she can't, she

723
00:33:10.799 --> 00:33:14.940
can't ever wonder whether, you know, if the reaction is bad, she

724
00:33:14.940 --> 00:33:17.339
can't even wonder what might the reaction have been like?

725
00:33:17.400 --> 00:33:17.880
you know what I mean?

726
00:33:17.940 --> 00:33:19.680
I'm not expressing that right, but it's that kind of thing.

727
00:33:19.740 --> 00:33:22.859
It's basically the doctor's providing the procrastination.

728
00:33:22.920 --> 00:33:26.160
I just saw it as a use of a character in drama rather than

729
00:33:26.160 --> 00:33:29.519
anything deeper than that, I'm afraid, but that probably says a

730
00:33:29.519 --> 00:33:29.880
lot about me.

731
00:33:31.440 --> 00:33:34.740
I thought it was really good casting, actually, because I

732
00:33:34.740 --> 00:33:35.759
really...

733
00:33:35.759 --> 00:33:38.279
I thought it was great casting, like, really?

734
00:33:38.279 --> 00:33:39.180
Like, really?

735
00:33:39.240 --> 00:33:41.519
Like I just couldn't believe, you know?

736
00:33:41.579 --> 00:33:44.279
And just to expand on what you were saying, Nathan, about the way

737
00:33:44.279 --> 00:33:47.099
she leaves is that, I mean, it's not just the space not having

738
00:33:47.099 --> 00:33:47.819
space reasons.

739
00:33:47.880 --> 00:33:51.539
It's the fact that a companion leaving on their own terms, which

740
00:33:51.539 --> 00:33:54.660
can be for space reasons, but it's the fact that rather than the

741
00:33:54.660 --> 00:33:57.059
space reasons keeping them away from the doctor because there's an

742
00:33:57.059 --> 00:34:00.000
interdimensional rifter, whatever hell it is, um, it's because

743
00:34:00.000 --> 00:34:02.400
they've decided, have learnt so much from you.

744
00:34:02.460 --> 00:34:04.920
I've loved our time together, but I actually think I am more used

745
00:34:04.920 --> 00:34:08.579
to doing this now, being basically taking everything I've learnt

746
00:34:08.579 --> 00:34:12.179
from you and helping these other people here and I need to go and

747
00:34:12.179 --> 00:34:14.039
add big do and be an adult over here now.

748
00:34:14.039 --> 00:34:17.219
And I think that for me, that's what's most appealing.

749
00:34:17.280 --> 00:34:22.320
It's funny, the space reasons, uh, things that Russell does.

750
00:34:22.380 --> 00:34:23.579
He walks both of them back.

751
00:34:23.639 --> 00:34:26.760
And one of them more successfully than the other.

752
00:34:26.880 --> 00:34:30.480
Uh, you know, Billy gets a spare David Tennant.

753
00:34:30.539 --> 00:34:33.840
Spare David Tennant, because that's...

754
00:34:33.900 --> 00:34:38.159
And of course, Russell does make us wait 15 years or whatever, but

755
00:34:38.159 --> 00:34:40.920
eventually we resolve the Donna thing as well.

756
00:34:40.980 --> 00:34:43.739
So those are never particularly satisfactory.

757
00:34:43.800 --> 00:34:44.639
We had Moffat.

758
00:34:44.699 --> 00:34:45.960
Although Donna's a space reason, though.

759
00:34:46.079 --> 00:34:47.519
Yeah, but she's back.

760
00:34:47.579 --> 00:34:48.239
Do you know what I mean?

761
00:34:48.300 --> 00:34:49.739
It's kind of like, let's not do that.

762
00:34:49.800 --> 00:34:53.880
Let's actually just have her stay with another spare David

763
00:34:53.880 --> 00:34:54.420
Tennant.

764
00:34:54.599 --> 00:34:56.699
It's very traumatised.

765
00:34:56.760 --> 00:34:58.800
It's a very trial of a time, Lord 14.

766
00:34:59.579 --> 00:35:03.300
No, we shouldn't have done that.

767
00:35:03.360 --> 00:35:05.820
That's a bit Moffatt does that too.

768
00:35:05.880 --> 00:35:09.360
Ruby, the actress that Ruby is coming back, if not in the

769
00:35:09.360 --> 00:35:10.440
Christmas special, the next year.

770
00:35:10.500 --> 00:35:13.920
So they are just, unfortunately they are just going to undo it and

771
00:35:13.920 --> 00:35:15.659
she's going to be left with another spare David Tennant or

772
00:35:15.659 --> 00:35:15.900
something.

773
00:35:17.460 --> 00:35:19.260
Oh, Simon.

774
00:35:19.320 --> 00:35:21.719
That is not beyond the realms of possibility, Todd.

775
00:35:21.780 --> 00:35:22.380
Exactly.

776
00:35:22.380 --> 00:35:26.159
We'd all like a lot of things.

777
00:35:28.980 --> 00:35:33.179
That's, that's, that was, that was exactly what I thought when I

778
00:35:33.179 --> 00:35:34.980
heard Russell was coming back to produce the show.

779
00:35:38.039 --> 00:35:40.860
The one thing that I was disappointed you guys didn't pick up on

780
00:35:40.860 --> 00:35:45.000
last week, though, was the VHS tape and, you know, when they're in

781
00:35:45.000 --> 00:35:46.920
the time portal or whatever the hell it's quite time window.

782
00:35:46.980 --> 00:35:47.519
What was it called?

783
00:35:47.760 --> 00:35:52.559
Someone is actually, and this is kudos to whoever looked up, looked

784
00:35:52.559 --> 00:35:54.780
after this on the production, but they've actually put dropouts

785
00:35:54.780 --> 00:35:56.820
and things on the VHS.

786
00:35:56.880 --> 00:36:00.059
It actually looks like an enormous projected VHS tape, the kind

787
00:36:00.059 --> 00:36:02.219
that's been sitting around for a long while, so there are bits

788
00:36:02.219 --> 00:36:04.619
missing and there's a few jumps and so on like that.

789
00:36:04.679 --> 00:36:08.219
I read that as not the fact that it was distortion because of the

790
00:36:08.219 --> 00:36:10.739
time window because of the fact that it was a VHS.

791
00:36:10.800 --> 00:36:11.519
Yeah, yeah, yeah, yeah.

792
00:36:11.579 --> 00:36:11.820
Yeah.

793
00:36:11.880 --> 00:36:13.079
Just even the quality of the image.

794
00:36:13.139 --> 00:36:13.679
I thought.

795
00:36:13.980 --> 00:36:14.579
Yes, yeah, yeah.

796
00:36:14.639 --> 00:36:16.739
Slightly smudgy and slightly musy, you know.

797
00:36:16.800 --> 00:36:17.699
Yeah.

798
00:36:17.699 --> 00:36:18.599
That whole sequence.

799
00:36:18.659 --> 00:36:20.400
Is that tape?

800
00:36:20.460 --> 00:36:21.840
I thought there was tapes for a second.

801
00:36:21.960 --> 00:36:22.860
I think this tape, oh, yeah.

802
00:36:22.920 --> 00:36:23.699
Yeah, yeah, yeah.

803
00:36:23.760 --> 00:36:24.239
Yeah, yeah, yeah.

804
00:36:24.300 --> 00:36:26.940
You know, I reckon Steve Roberts was sitting at home saying, that's

805
00:36:26.940 --> 00:36:27.420
what it's like.

806
00:36:27.480 --> 00:36:29.099
That's what it like.

807
00:36:29.639 --> 00:36:31.500
So, Brendan.

808
00:36:31.500 --> 00:36:32.159
Yes.

809
00:36:32.219 --> 00:36:36.539
What about your season one, season one?

810
00:36:36.599 --> 00:36:37.980
Yeah, okay, right.

811
00:36:38.039 --> 00:36:40.860
So we're up to the reign of terror, of course.

812
00:36:40.920 --> 00:36:43.860
And look, for understandable reasons.

813
00:36:43.920 --> 00:36:45.960
Everyone's quite maudlin this week.

814
00:36:47.820 --> 00:36:56.699
But the big one is, in fact, related to Roger Appwilliam. who, of

815
00:36:56.699 --> 00:36:57.719
course, is the prime minister.

816
00:36:57.780 --> 00:37:00.239
And when the doctor turns up outside the office, He says, I was

817
00:37:00.239 --> 00:37:01.139
here when he was deposed.

818
00:37:01.199 --> 00:37:04.679
Well, who gets deposed at the end of Reign of Terror, but citizen

819
00:37:04.679 --> 00:37:07.739
Robespierre, who the doctor had previously been to sea, but he's

820
00:37:07.739 --> 00:37:10.920
not actually there when he's dragged out of the office.

821
00:37:11.880 --> 00:37:14.639
So we have that.

822
00:37:14.940 --> 00:37:19.019
And of course, you know, Robespierre is a complicated figure in

823
00:37:19.019 --> 00:37:26.579
French historical politics, but also has a long legacy and as soon

824
00:37:26.579 --> 00:37:30.360
as the doctor hears and things of the name Roger at William back

825
00:37:30.360 --> 00:37:33.719
in 73 yards, he's able to sort of rattle off everything he can

826
00:37:33.719 --> 00:37:34.139
do.

827
00:37:34.199 --> 00:37:36.599
Whereas, you know, Harriet Jones, he had to think about it for a

828
00:37:36.599 --> 00:37:37.139
few hours.

829
00:37:37.139 --> 00:37:39.480
And he's like, oh, I know that name's familiar.

830
00:37:39.539 --> 00:37:44.099
So, yeah, we have a significant historical figure being deposed

831
00:37:44.099 --> 00:37:46.019
from office and the doctor was somehow involved.

832
00:37:46.139 --> 00:37:48.119
Well known, Brendan.

833
00:37:49.019 --> 00:37:52.559
I just, look, I thought the sensor rights was going to be

834
00:37:52.559 --> 00:37:55.320
difficult. ended up having like 3 or four.

835
00:37:55.619 --> 00:37:59.639
Well, see, this is the end of the season, and so we'll be back

836
00:37:59.639 --> 00:38:03.780
this Christmas to see whether Stephen Moffat's up to writing a

837
00:38:03.780 --> 00:38:05.159
Christmas special or not.

838
00:38:05.219 --> 00:38:07.920
So we'll see you a couple of days after Christmas Day.

839
00:38:07.920 --> 00:38:12.659
And of course, if there's any urgent spinoff that suddenly gets

840
00:38:12.659 --> 00:38:16.559
released between now and then, I imagine we might be back for

841
00:38:16.559 --> 00:38:17.039
that.

842
00:38:17.099 --> 00:38:20.880
If you're interested in keeping up with the 2nd great and

843
00:38:20.880 --> 00:38:22.320
bountiful Human Empire news.

844
00:38:22.380 --> 00:38:30.539
You can follow us at FDE podcast on X or even better on Mastodon

845
00:38:30.539 --> 00:38:32.400
or Blue Sky.

846
00:38:32.519 --> 00:38:36.000
I'm just going to plug untitled Star Trek Project.

847
00:38:36.059 --> 00:38:42.780
This Friday's episode is Angel One, the Planet of Aggressive and

848
00:38:42.780 --> 00:38:47.760
Very Sexy Women, and a very, very, very important message about

849
00:38:47.760 --> 00:38:52.079
feminism, which is we're not remotely interested in it here at

850
00:38:52.079 --> 00:38:53.400
Star Trek the Next Generation.

851
00:38:54.599 --> 00:38:58.679
Brendan, do you have things that you want to plant?

852
00:38:58.739 --> 00:39:00.300
Uh, yes.

853
00:39:00.360 --> 00:39:04.260
So, um, this uh, we can just go on by.

854
00:39:04.320 --> 00:39:11.159
We are up to the cool war for the 3 handed game with the Avengers

855
00:39:11.159 --> 00:39:13.679
and we are looking at our 1st episode of the New Avengers, which

856
00:39:13.679 --> 00:39:15.179
is called Catch a Rat.

857
00:39:15.300 --> 00:39:17.460
So that's at the three-handed game.

858
00:39:17.519 --> 00:39:21.119
Meanwhile, over on my gaming podcast, BJ and I have gone on

859
00:39:21.119 --> 00:39:26.280
holiday to play the tourist, so that you can find at the BJBJ game

860
00:39:26.280 --> 00:39:26.639
show.

861
00:39:26.699 --> 00:39:30.659
And so you can keep up with us at flightsorentirety.com, of course

862
00:39:30.659 --> 00:39:36.420
uh, and on our website here, greatandbountiful.com, uh, or if you

863
00:39:36.420 --> 00:39:39.059
have a bit more time on your hands, the 2nd great and

864
00:39:39.059 --> 00:39:44.340
bountifulhuman empire.com, or even possibly Shooty summoned a

865
00:39:44.340 --> 00:39:46.800
hopeful dentate harbinger.com.

866
00:39:47.340 --> 00:39:52.079
Until next time, then, remember, you can wait nearly 44 years, and

867
00:39:52.079 --> 00:39:54.840
finally, a Doctor Who story comes along in which the planet

868
00:39:54.840 --> 00:39:56.639
Tigella is destroyed.

869
00:39:56.699 --> 00:39:58.559
So never stop hoping.

870
00:39:58.619 --> 00:40:01.199
Thank you very much for listening and good night.

871
00:40:01.260 --> 00:40:02.460
Good night.

872
00:40:02.519 --> 00:40:05.039
I can't even see Matilla Oriensis.

873
00:40:05.400 --> 00:40:07.199
I'll see you soon