WEBVTT

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This transcript was created on 2026-05-02 at 15:29:12

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Hello, dear listener, and welcome to the 2nd great and bountiful

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Human Empire, the only Doctor Who flash cast where you can hear

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the half baked opinions of the flight through entirety hosts on

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the latest episode from the new, new, new, new, new, new, new, new

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new, new series of Doctor Who.

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I'm Nathan.

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I'm Todd.

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I'm James I'm Peter.

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I'm Simon.

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And I'm a nasty cup of decaf ruining the last shot for this one.

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So we have just watched this morning, The Starbeast, by Russell T

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Davidson directed by Rachel Talalay, and I have to say that I'm

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pretty excited.

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But let's just go round the horn and see how people feel about, I

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think we'll start with the overall science fiction plot, the hard

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SF plot that the episode presented us with today.

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So let me start with Simon.

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Are you a fan of Beat The Meep?

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Well, I can't say I'm going to be, I can't say it's going to be on

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my watch list, but look, it was entertaining.

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It drew me in.

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I was engaged for 60 minutes.

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So from that level, I can't complain.

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It was actually better than I was fearing it might have been, but

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really, a lot of it's just quite silly, but that's okay.

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I mean, I was sort of a bit concerned for you as this milestone

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approached, actually.

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So I'm in a particularly, particularly after editing our episode

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on Heaven Set, which was just released a few hours ago.

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Well, my comments in that still stand very much.

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But look, look, look, I was warned. from people who in the know, I

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was warned it was basically, you know, RTD won on steroids and

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that's exactly what it was.

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So I went in with that view and it's it's proven completely true.

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But as I said, the one thing that it has going for it better than

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some of the other recent stuff we've had is that I wasn't looking

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at my watch Wandering.

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Oh my god, when is this going to end?

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was entertained.

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It might be the 1st episode of Doctor Who that I haven't done that

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for in about 5 years, I think.

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Richard.

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Had you seen the Beep the Meep comic?

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Did you know anything about this?

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I actually got it about 3 feet from my bedhead because of course

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everything's exists in this moment of time, doesn't it, where we

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can just reach out and crawl through the dust to our childhoods?

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I didn't think much of it then.

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Honestly, Doctor Who Weekly, I thought, oh, it's about time this

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got better.

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Um, I remember Iron Legion. was it part of that story or this no

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that was another story.

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Starbeast was its own story.

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Look, it's exactly, it's exactly what Simon says.

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You get what you're going to get on the cover and it's still a lot

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of fun and all of the fun is because of Catherine takes Catherine

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take.

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Catherine takes, takes, and um, and her daughters, and they're

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just sublime.

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And of course, Russell was going to find a way to turn this blot

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around and talk about organic plots.

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So yes, absolutely won me over, even though I was feeling quite

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similar to Simon for that 1st part.

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Um, what about you, Peter?

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Yeah, you said hard sci-fi.

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I'm not sure how hard sci-fi story can be when it's based on a

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comic strip from 1979.

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Um, but I really enjoyed it.

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I thought it was going to be RTD redux.

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I'm not sure that what we've got coming is going to be, but I

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thought that this episode would be and I wasn't disappointed.

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Um, I was kind of there with Donna.

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You know, Donna, throughout is saying I had something lovely and

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it's gone.

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I kind of felt that about the show over the last few years.

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I kind of felt that the show that I was a fan of just wasn't

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exciting me very much anymore.

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Um, and even though this episode I wouldn't lay any good, I

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wouldn't make any great claims for, um, it felt like the show that

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I love again.

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So on that count, I give it 10 out of 10.

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Todd.

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I have to agree with Peter.

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Like, I just felt this was a warm hug and I just relaxed into it

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and I haven't been relaxed into Doctor Who for some time.

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I've always been on edge that it's not going to deliver, and this

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did deliver what I wanted it to, and I just, I just enjoyed it for

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what it was.

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And it was funny and it was light and it was entertaining and

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there was just great character beats and it delivered what I

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wanted it too.

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I think I think that it's very similar to his other season openers

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isn't it?

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That the actual kind of Doctor Who plot is reasonably disposable

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are not really what we're here for.

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But that what we're really here for is to catch up with the nobles

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and see what this new doctor is doing.

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And I think, like all of you, that's what sold it to me.

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I had never seen or read the Starbeast.

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I had a vague idea that Beep the Meep was a bad person and that so

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I wasn't at all surprised by the twist.

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Have we ever known such as it was?

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Have we ever known Miriam Margolis to ever disappoint on the, I

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want to use the C word on the, on the cantankerous stakes?

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Yeah, that's right.

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She's always given us great cantankerous.

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It felt very much to me like partners in crime, but had the sort

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of Easter festive atmosphere of Planet of the Dead, I thought, and

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it was exactly what you needed.

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It was just that kind of, If you were trying to attract back an

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audience who'd fallen away from Doctor Who, they were going to

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tune into that and think, I'm watching an old Dave and Tennon

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episode from the height of its powers.

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It felt like that, and I think it was meant to feel like that.

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Did we like at the very, very beginning, like with the voiceovers

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and the sort of the pre-credit sequence.

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I almost wanted to hear Paul McGann's voice say that it was on my

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old planet Scaro that I finally, the master put on trial, whatever

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it would have been.

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It was like, let's just had but better, obviously.

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But it's kind of like, let's try and catch everyone who's just

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forgotten about this program for a while.

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I thought it was a bit like a hostage video.

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It reminded me.

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It reminded me of, um, it reminded me of Harrison Ford reluctantly

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doing the voiceovers for um, Blade Runner.

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And, and certainly, all of the stuff that Donna says is basically

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there in the episode.

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Yeah, there was a little bit of sort of reluctance we have to do

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this to get people caught up, but it didn't feel like part of the

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episode.

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I thought the interesting thing was the difference in picture

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quality between, you know, that 4K thing that we were seeing and

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the whatever the hell it was, the 480 P quotes that we were seeing

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as well.

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What about you, James?

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We didn't hear from you.

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How did you feel about the episode?

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I love the Starbeast?

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Like, because it's ridiculous.

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It's something that I thought until now could only be done.

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As a comic strip.

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And seeing this.

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Just brought part of my childhood to life.

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And it was a joy from beginning to end.

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I'm not saying it was perfect.

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But I really, really enjoyed it.

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It's got that sort of, you know, new Star Trek thing of kind of

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going, let's go for a really deep cart and see if we can make

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something work from the kind of the most kind of obscure spinoff

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material and our challenge is to make it work on TV in 2023.

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And I think they just about managed it.

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I'm not quite sure about the Roth Warriors, although they did have

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names that became his head, which was pretty awesome.

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I think that were the weakest point.

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Yeah.

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So, I mean, I would have thought that you would have appreciated

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how well spoken they were.

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They were very gosh.

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I did appreciate that.

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Yes, they were very posh.

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So marks for that, but low marks for their just they were men in

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rubber suits, which I thought we'd moved past.

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Richard?

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Oh, Simon, thank you. because we're all enjoying yours and Simon's

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Dulcets tonight, as you're the only ones that are speaking proper

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through proper mics.

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There was one technical bang for all the OCD kids being one of

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them.

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The 1st waspy mosquito green guard with red eyes, man, that would

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go the Roth.

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I spoke, and it sounded as if it was Matt Smith dialling it in

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from Metabolis.

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The voice was distant and sounded as if it came through the mask.

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Did anyone else pick up on that?

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No, it did feel like that.

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I must all dash back and watch it all again.

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It was almost as if something was let through, which can't be

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possible.

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Look at the budget.

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But yeah, no, I agree with the voices, but they look exactly like

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the drawings.

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They really do.

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Bit of a new complications situation.

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There was also a moment I noticed on the 2nd watch through where

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someone walks across in shot in the power station.

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Behind Shirley?

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It's not Barriman.

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That's Bat Smith.

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All right, let's talk about the temple nobles or the noble temple

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so all of them who have all come back with a brilliant edition. to

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the family.

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How did you feel about them, Todd?

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Sylvia was a delight.

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God, she's absolute delight.

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She had moments that I was just there going, you are an unsung

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hero of this.

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I mean, obviously seeing Sean in action as well.

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It was nice to have, you know, some backstory with him with what's

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going on.

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And, um, and Rose had a lovely warmth about her.

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And I thought that was, it was a, it was a nice way to integrate

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her story with the story.

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I appreciated that very much.

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She had a real glow.

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And of course, I love...

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Yeah, yeah.

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And I love the fact that good old Kate Stewart is looking after.

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That was lovely.

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You love that too, don't you, Peter?

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I liked the fact that even though what we wanted from this episode

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was the doctor and Donna and Donna's family reunited and we got

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that in spades.

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Russell, being the genius years, of course, wasn't just content

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with that.

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And so it is a subtly different dynamic.

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Um, and I liked the fact, especially Sylvia.

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Was not the Sylvia who we remembered.

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The doctor basically told her off last time he saw her, maybe the

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2nd last time he saw her, for not being supportive enough of

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Donna.

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And I think you've seen that over all of these years, she's become

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more supportive of Donna.

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She's had a few of those rough edges shorn off a little bit and

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just, the dynamic was warmer and more caring, and I really liked

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that.

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I did like, though, that moment where Donna describes what it's

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like having a daughter and she grows up and she's this amazing

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wonderful woman.

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And then she kind of says, isn't isn't it like that, Mum, you

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know?

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So there was a lip still, Sylvia.

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I want her to bowl for Britain with that 12 yard run up slap.

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It's so good, wasn't it?

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She spent the last 15 years making sure that Donna doesn't find

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out about the invasions that have happened in the meantime.

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Yeah.

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Well, that hilarious moment too at the beginning where she's down

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repacking the boxes, while the alien ship lands so she doesn't see

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it, where kind of for the 1st time ever, we actually get to see

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that happening rather than just her telling us about how she was

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hung over or underwater or whatever when the invasion happened

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last time.

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It's kind of genius.

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I thought that was pretty good.

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Yeah, during Day of the Triffords, Donna would have been in

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hospital having eye surgery.

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Exactly.

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But I love the fact that Rose has got her online business, which

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ends up in all those little plush toys that are actually...

251
00:12:36.419 --> 00:12:37.200
Who monsters?

252
00:12:37.259 --> 00:12:38.100
monsters.

253
00:12:39.240 --> 00:12:41.100
Oh, it was funny.

254
00:12:41.159 --> 00:12:45.600
The wonderful thing with that is, is that the way that they're

255
00:12:45.600 --> 00:12:48.539
shot, when you initially see them, you don't realise they're

256
00:12:48.539 --> 00:12:49.379
adopted in monsters.

257
00:12:49.440 --> 00:12:54.360
They're close enough and they're kind of fleetingly fleetingly

258
00:12:54.360 --> 00:12:58.679
seen that you they might trigger something in the back of your

259
00:12:58.679 --> 00:13:02.460
head and then when you come back and they do all the shots, like

260
00:13:02.460 --> 00:13:04.019
you're like, wow, that's so cool.

261
00:13:04.139 --> 00:13:05.820
So much fun.

262
00:13:05.879 --> 00:13:06.539
Yeah.

263
00:13:06.600 --> 00:13:10.799
I love to when the meep is sitting hiding in amongst them in a

264
00:13:10.799 --> 00:13:11.940
very ET kind of moment.

265
00:13:12.000 --> 00:13:14.460
It's a great reference to ET.

266
00:13:14.639 --> 00:13:17.399
And of course, beat the meat, the comic.

267
00:13:17.460 --> 00:13:20.220
I'm not, I can't remember if there was a short end there like

268
00:13:20.220 --> 00:13:20.460
that.

269
00:13:20.519 --> 00:13:22.919
I suspect that there was any actual comic, but the comic, of

270
00:13:22.919 --> 00:13:24.539
course, predated ET by 3 years.

271
00:13:24.600 --> 00:13:25.620
Yes.

272
00:13:25.620 --> 00:13:28.259
So it was a Doctor Who comic, was it?

273
00:13:28.320 --> 00:13:30.659
Yeah, in Doctor Who weekly.

274
00:13:30.720 --> 00:13:32.340
Indoctor Weekly, right.

275
00:13:32.399 --> 00:13:34.799
So it's it's pre-frobisher.

276
00:13:34.860 --> 00:13:36.960
Oh, yeah, yeah.

277
00:13:36.960 --> 00:13:38.940
Tom was still the doctor.

278
00:13:39.000 --> 00:13:41.519
It was still a weekly black and white paper.

279
00:13:41.580 --> 00:13:46.860
Yeah, and it did feature, like it did feature the 1st companion of

280
00:13:46.860 --> 00:13:47.220
colour.

281
00:13:47.279 --> 00:13:48.659
Oh, that's right.

282
00:13:48.720 --> 00:13:49.799
Sharon.

283
00:13:49.860 --> 00:13:52.200
Yes, who becomes Rose in this?

284
00:13:52.259 --> 00:13:56.399
I actually like too, how well the transgender thing was handled

285
00:13:56.399 --> 00:14:01.500
because, I mean, how do you make it clear to the audience that

286
00:14:01.500 --> 00:14:07.679
Rose is transgender and it's clear because the boys are taunting

287
00:14:07.679 --> 00:14:15.059
her and you get to see how much, you know, Donna will do to defend

288
00:14:15.059 --> 00:14:18.480
her daughter, which obviously plays in to her decisions at the

289
00:14:18.480 --> 00:14:20.220
climax of the episode.

290
00:14:20.279 --> 00:14:24.539
But I thought the bit with Sylvia, saying that she wasn't quite

291
00:14:24.539 --> 00:14:28.440
sure how to deal with it, where she accidentally misgenders her

292
00:14:28.440 --> 00:14:31.379
where she says, oh, you know, I get pronouns wrong, am I being

293
00:14:31.379 --> 00:14:36.480
sexist, if I say she's gorgeous, all of that stuff, where, like, I

294
00:14:36.480 --> 00:14:39.480
just thought that there was something about that, you know, Russell

295
00:14:39.480 --> 00:14:43.799
comes out very clearly uh, in favour of transgender people who are

296
00:14:43.799 --> 00:14:49.080
a pretty beleaguered group, I think, in Great Britain, but he

297
00:14:49.080 --> 00:14:51.480
doesn't go in all guns blazing.

298
00:14:51.539 --> 00:14:55.559
You know, this is something that's happening on telly on Saturday

299
00:14:55.559 --> 00:14:59.279
night for families to watch, and I think that taking that approach

300
00:14:59.279 --> 00:15:03.240
and showing some understanding towards people who didn't know very

301
00:15:03.240 --> 00:15:06.659
much about it or didn't quite know how to react to it, I thought

302
00:15:06.659 --> 00:15:08.519
was really exactly the right thing to do.

303
00:15:08.580 --> 00:15:12.179
Especially older people, I think, will be this generation.

304
00:15:12.240 --> 00:15:14.820
Although I have to say those things with the boys on the bike, I

305
00:15:14.820 --> 00:15:18.240
thought, were an unusually hard-edged and effective scene for

306
00:15:18.240 --> 00:15:18.720
Doctor Who.

307
00:15:18.779 --> 00:15:20.039
Yeah, yeah, yeah.

308
00:15:20.399 --> 00:15:23.639
Yeah, I mean, I'm inclined to agree with everything you've just

309
00:15:23.639 --> 00:15:23.879
said.

310
00:15:23.940 --> 00:15:27.000
The only, I mean, I am splitting hairs a little bit, but I do like

311
00:15:27.000 --> 00:15:32.159
to do that, where Sylvia does misgender her, and in some respects

312
00:15:32.159 --> 00:15:36.360
Donna kind of, I think, I mean, it's very subtle, but she's a bit

313
00:15:36.360 --> 00:15:37.200
too mean to her.

314
00:15:37.259 --> 00:15:39.360
Like I think they also needed to be a bit more understanding for

315
00:15:39.360 --> 00:15:42.240
Sylvia, making coming to an adjustment as well.

316
00:15:42.299 --> 00:15:45.720
And I think, there would, I think Donna was a little bit too harsh

317
00:15:45.720 --> 00:15:46.080
on her.

318
00:15:46.139 --> 00:15:48.960
Although it sort of was over very quickly.

319
00:15:49.019 --> 00:15:51.899
I mean, she kind of says, yes, she is gorgeous.

320
00:15:51.960 --> 00:15:52.679
That's okay.

321
00:15:52.740 --> 00:15:53.580
What you said was okay.

322
00:15:53.639 --> 00:15:55.200
Yeah, yeah, yeah.

323
00:15:55.259 --> 00:15:57.419
Yeah, I didn't get that, Simon.

324
00:15:57.480 --> 00:16:01.799
I just felt that writing Sylvia, the way he did was a very

325
00:16:01.799 --> 00:16:04.200
relatable move for people and I really liked it.

326
00:16:04.379 --> 00:16:06.899
There's a lightness of touch to that.

327
00:16:06.960 --> 00:16:13.440
Because, like you say, it's going out at 6.37 PM on a Saturday

328
00:16:13.440 --> 00:16:19.500
night and the audience is a mix of generations, a lot of people

329
00:16:19.500 --> 00:16:25.320
who are going to have those kind of struggles and it's about

330
00:16:25.320 --> 00:16:31.080
normalising it and and making it something which is just part of

331
00:16:31.080 --> 00:16:31.740
people's lives.

332
00:16:31.799 --> 00:16:32.580
It's not scary.

333
00:16:32.639 --> 00:16:35.159
It's just, it just is.

334
00:16:35.220 --> 00:16:35.759
Yeah.

335
00:16:35.759 --> 00:16:38.820
And let's not forget that this is going out on a Saturday night

336
00:16:38.820 --> 00:16:42.299
for strictly and strictly for just the last 2 years. has

337
00:16:42.299 --> 00:16:45.360
normalised having same-sex couples on the dancing on the dance

338
00:16:45.360 --> 00:16:45.720
floor.

339
00:16:45.840 --> 00:16:46.919
Only in the last few years.

340
00:16:46.980 --> 00:16:48.360
Only the last 2 years.

341
00:16:48.419 --> 00:16:50.220
I think maybe last season was the 1st time.

342
00:16:50.279 --> 00:16:53.820
And so I think for a Saturday night, you know, the British viewing

343
00:16:53.820 --> 00:16:56.399
public is becoming pretty liberal, actually.

344
00:16:56.460 --> 00:17:00.240
What was what was nice about it was that Sylvia was shown to be

345
00:17:00.240 --> 00:17:02.039
being well intentioned.

346
00:17:02.100 --> 00:17:06.299
And like you said, Peter, she's not quite, She's not quite the

347
00:17:06.299 --> 00:17:09.960
Sylvia that she was back in...

348
00:17:09.960 --> 00:17:12.359
All those years ago.

349
00:17:12.420 --> 00:17:12.900
Yeah.

350
00:17:12.900 --> 00:17:16.079
Although I won't lie.

351
00:17:16.140 --> 00:17:18.839
I would have loved to have seen the Sylvia return.

352
00:17:19.440 --> 00:17:22.559
I love the subtle shading.

353
00:17:22.619 --> 00:17:26.880
I love that Sylvia is just like women in my family that age and

354
00:17:26.880 --> 00:17:31.259
that Donna's old scars come straight to the surface and Donna

355
00:17:31.259 --> 00:17:35.099
makes it about Donna and the pain that she had from Sylvia as a

356
00:17:35.099 --> 00:17:35.339
child.

357
00:17:35.400 --> 00:17:38.099
No, it's okay to praise a child, mom.

358
00:17:38.160 --> 00:17:41.759
I really love the way she did that because that's exactly how it

359
00:17:41.759 --> 00:17:42.299
would happen.

360
00:17:42.299 --> 00:17:45.420
And they're both standing there saying, we both adore Rose.

361
00:17:45.480 --> 00:17:46.200
Yes, we do.

362
00:17:46.319 --> 00:17:48.359
Okay, mum, let's unbox this inside that.

363
00:17:48.779 --> 00:17:51.720
Yeah, it's perfect, Russell, writing.

364
00:17:51.779 --> 00:17:53.579
And it's what he does really, really well.

365
00:17:53.640 --> 00:17:56.460
When you look back at, I don't know if anyone's been listening to

366
00:17:56.460 --> 00:18:01.680
his old stuff on big finish, I listen to damaged goods and the one

367
00:18:01.680 --> 00:18:06.779
he wrote when he was, I think, 22 and sent into the BBC for, do

368
00:18:06.779 --> 00:18:07.140
you know that one?

369
00:18:07.200 --> 00:18:08.819
Mind if the Hodea?

370
00:18:08.880 --> 00:18:09.420
That's it.

371
00:18:09.480 --> 00:18:10.200
I just listened to that.

372
00:18:10.259 --> 00:18:10.559
Yeah.

373
00:18:10.619 --> 00:18:12.180
I listened the other day.

374
00:18:12.240 --> 00:18:15.599
It's got moments that are like this in that because he's always

375
00:18:15.599 --> 00:18:17.940
wanted to write, you know, he always loved writing the family

376
00:18:17.940 --> 00:18:18.539
drama.

377
00:18:18.599 --> 00:18:20.039
I think it's note perfect.

378
00:18:20.400 --> 00:18:25.319
Essentially, even though it's just a, you know, it's a adaptation

379
00:18:25.319 --> 00:18:28.740
of a cartoon, it's actually about something as well.

380
00:18:28.799 --> 00:18:31.140
And I think that was kind of what we were missing for the last

381
00:18:31.140 --> 00:18:32.460
couple of years in Doctor Who.

382
00:18:32.519 --> 00:18:35.759
However, decent the quality of the story or the writing.

383
00:18:35.819 --> 00:18:39.119
It was really about something, and this just gives us the layers

384
00:18:39.119 --> 00:18:39.960
which we can enjoy as well.

385
00:18:40.140 --> 00:18:44.220
So let's talk about like the new show.

386
00:18:44.279 --> 00:18:49.019
So we have a new doctor, we have new titles, we have Murray back.

387
00:18:49.079 --> 00:18:53.400
We've got new title music, just the kind of feel of the show.

388
00:18:53.579 --> 00:18:56.220
I thought it was great having Murray back.

389
00:18:56.279 --> 00:18:59.099
I really enjoyed the music within this.

390
00:18:59.160 --> 00:19:00.660
I love the theme tune.

391
00:19:00.720 --> 00:19:01.859
I love the new wrote me titles.

392
00:19:01.920 --> 00:19:03.779
I loved having the middle 8 back.

393
00:19:04.380 --> 00:19:07.380
No, I was going about that.

394
00:19:07.619 --> 00:19:11.640
So yeah, so from that point of view, I was very happy.

395
00:19:11.759 --> 00:19:13.859
Whose hair did you enjoy, Todd?

396
00:19:18.539 --> 00:19:20.160
Jonas was fabulous.

397
00:19:20.339 --> 00:19:22.380
Did David have a wig?

398
00:19:22.500 --> 00:19:25.980
No, no, just hair of an idiot.

399
00:19:26.039 --> 00:19:26.519
Yeah, yeah.

400
00:19:26.880 --> 00:19:29.339
Lots of jail.

401
00:19:29.339 --> 00:19:36.180
I will say that the line about his suit, like...

402
00:19:36.299 --> 00:19:41.880
By the way, that suit that type should never be worn past 35.

403
00:19:41.880 --> 00:19:43.319
Correct.

404
00:19:43.380 --> 00:19:44.819
So mean, awesome.

405
00:19:44.880 --> 00:19:51.119
But I don't know if I got a very big difference in David's

406
00:19:51.119 --> 00:19:51.599
performance.

407
00:19:51.660 --> 00:19:53.460
I think other people may have got more.

408
00:19:54.539 --> 00:19:59.339
When he had some big moments in there, I felt it was the David of

409
00:19:59.339 --> 00:19:59.700
old.

410
00:19:59.759 --> 00:20:03.779
I think he was trying to do other stuff, but I guess I can't

411
00:20:03.779 --> 00:20:06.059
really make a full judgement on him.

412
00:20:06.119 --> 00:20:08.579
But again, in the moment, I do enjoy him immensely.

413
00:20:08.700 --> 00:20:11.819
It was kind of a subtle shading, the difference, and I think

414
00:20:11.819 --> 00:20:12.539
that's what we wanted.

415
00:20:12.599 --> 00:20:14.160
We didn't want anything radically different.

416
00:20:14.220 --> 00:20:17.460
This is about the doctor and Donna being reunited.

417
00:20:17.519 --> 00:20:20.400
So to make those characters fundamentally different would have

418
00:20:20.400 --> 00:20:21.960
been a bit of a cheater of the audience, I think.

419
00:20:22.019 --> 00:20:26.880
I like the bit about him saying twice that he loves someone.

420
00:20:26.940 --> 00:20:31.019
Like I think he says he loves Donna and then he loves Will, and he

421
00:20:31.019 --> 00:20:33.660
kind of stops himself and says, oh, is that the sort of thing I

422
00:20:33.660 --> 00:20:34.259
say now?

423
00:20:34.319 --> 00:20:38.759
And Shirley says, oh, prompts to Shirley too.

424
00:20:38.819 --> 00:20:40.559
Is it Shirley?

425
00:20:40.619 --> 00:20:41.220
Shirley Ann?

426
00:20:41.279 --> 00:20:42.539
I don't know what we're calling her.

427
00:20:42.599 --> 00:20:44.279
But Ruth Mayley.

428
00:20:44.339 --> 00:20:48.299
Yeah, Shirley Ann, who is just tremendous.

429
00:20:48.359 --> 00:20:51.900
And I want to go on record.

430
00:20:51.960 --> 00:20:57.000
When the doctor says you've got weapons in that chair and she says

431
00:20:57.000 --> 00:21:03.059
we all have, does that mean that Wilf will have weapons in his

432
00:21:03.059 --> 00:21:04.380
wheelchair in episode three?

433
00:21:04.980 --> 00:21:07.259
I'm calling it.

434
00:21:07.319 --> 00:21:08.819
I think that that's what that line means.

435
00:21:09.000 --> 00:21:13.380
I think she was referencing Davro, so we did not open that point.

436
00:21:13.440 --> 00:21:13.980
Oh, here we go.

437
00:21:14.039 --> 00:21:15.599
Yeah, yeah, it's not.

438
00:21:15.599 --> 00:21:17.220
But I liked her.

439
00:21:17.279 --> 00:21:20.880
I thought it was a lovely performance and she got some really

440
00:21:20.880 --> 00:21:21.720
great moments there.

441
00:21:21.779 --> 00:21:22.440
Yeah.

442
00:21:22.440 --> 00:21:23.460
Yeah.

443
00:21:23.519 --> 00:21:25.140
And she's gonna be back, I think.

444
00:21:25.200 --> 00:21:27.599
And I love the fact that unit was sort of in the background

445
00:21:27.599 --> 00:21:30.779
whether you saw the shot of the building or having her as a

446
00:21:30.779 --> 00:21:34.859
scientific advisor and the soldiers, having them there set up for

447
00:21:34.859 --> 00:21:37.500
the next wherever they're going with it.

448
00:21:37.559 --> 00:21:38.519
Yeah, it was good.

449
00:21:38.579 --> 00:21:40.680
Special shout out to Colonel Chan.

450
00:21:40.740 --> 00:21:46.200
The incredibly hot soldier, the hero unit. the one who gets the

451
00:21:46.200 --> 00:21:47.400
one who gets possessed first.

452
00:21:47.519 --> 00:21:48.660
Yeah, yeah, yeah.

453
00:21:48.720 --> 00:21:49.140
Yes.

454
00:21:49.200 --> 00:21:49.859
Yeah, gorgeous.

455
00:21:49.920 --> 00:21:50.640
It's got lovely eyes.

456
00:21:50.700 --> 00:21:52.079
Very lovely.

457
00:21:52.079 --> 00:21:55.079
They were all very protection.

458
00:21:55.200 --> 00:21:55.559
They were.

459
00:21:55.619 --> 00:21:58.019
They were all very As they should be.

460
00:21:58.380 --> 00:22:03.539
As opportune A. Um, Simon.

461
00:22:03.599 --> 00:22:04.740
What did you think?

462
00:22:04.859 --> 00:22:09.779
Oh, well, look, it's, it's, it's what I was expecting in terms of

463
00:22:09.779 --> 00:22:12.119
its, it's that very, which is where the show's been going for a

464
00:22:12.119 --> 00:22:12.480
long time.

465
00:22:12.599 --> 00:22:14.700
It's Disney slash Marvel universe.

466
00:22:14.759 --> 00:22:17.279
It's all very polished.

467
00:22:17.339 --> 00:22:20.759
I don't mean that saying that we don't want to be polished, but it

468
00:22:20.759 --> 00:22:24.720
all has a kind of a movie like feel to it that makes it all kind

469
00:22:24.720 --> 00:22:27.599
of ooze together as one continuous thing, especially with the

470
00:22:27.599 --> 00:22:30.299
soundscape, is all practically continuous behind it.

471
00:22:30.359 --> 00:22:36.240
Uh, I do love, love though, the um, the new Tatis interior.

472
00:22:36.299 --> 00:22:40.619
I mean, finally, we have a TARDIS interior, which feels, you know

473
00:22:40.619 --> 00:22:43.259
faithful to the original at last.

474
00:22:43.319 --> 00:22:44.819
Where have you been all my new year is like?

475
00:22:44.880 --> 00:22:48.180
It's like all of the ones that were in Dwim as sort of concept art

476
00:22:48.180 --> 00:22:50.940
for the TARDIS if the show ever came back.

477
00:22:51.000 --> 00:22:51.720
Do you know what I mean?

478
00:22:51.779 --> 00:22:54.839
It was going to be a big Taurus, you know, with the thing in the

479
00:22:54.839 --> 00:22:55.140
middle.

480
00:22:55.200 --> 00:22:55.980
Dark dimension, yeah.

481
00:22:56.039 --> 00:22:57.539
Yeah, yeah, that's right.

482
00:22:57.599 --> 00:23:01.079
And the round things, we love the round things.

483
00:23:01.140 --> 00:23:02.819
I mean it looks incredible.

484
00:23:02.880 --> 00:23:03.299
Peter.

485
00:23:03.359 --> 00:23:05.880
Yeah, so, I mean, I think you're saying that because of the

486
00:23:05.880 --> 00:23:09.180
fulness of roundles that were available.

487
00:23:09.240 --> 00:23:11.819
It's not just the fulness of Randalls.

488
00:23:11.880 --> 00:23:13.019
There's also the point Donna makes.

489
00:23:13.079 --> 00:23:16.140
I hated the fact that, you know, the older TARDIS, particularly

490
00:23:16.140 --> 00:23:19.140
the RTD irritatuses felt dirty.

491
00:23:19.259 --> 00:23:21.779
Like, I thought, like, God, I don't want to touch anything because

492
00:23:21.779 --> 00:23:23.579
they're all oily and grotty and everything.

493
00:23:23.579 --> 00:23:26.519
And at least they kind of gradually became cleaner over time.

494
00:23:26.579 --> 00:23:29.640
But this one feels like, you know, it's all gleaming white.

495
00:23:29.700 --> 00:23:32.039
It's exactly what you want a TARDIS interior to be.

496
00:23:32.099 --> 00:23:35.460
It was shot inside one of those old Macs.

497
00:23:35.519 --> 00:23:38.640
You know, the little sort of round semicircle max with a monitor

498
00:23:38.640 --> 00:23:39.539
protecting problem?

499
00:23:39.539 --> 00:23:40.980
It was gone inside that.

500
00:23:41.039 --> 00:23:43.140
With the coloured background, with the coloured back.

501
00:23:43.200 --> 00:23:45.119
It's the Bondi blue, yeah.

502
00:23:45.180 --> 00:23:48.779
I just love all those, all the round ramps going everywhere.

503
00:23:48.839 --> 00:23:51.299
Yeah, just...

504
00:23:51.299 --> 00:23:56.460
David run around, you know, and go under the main level where the

505
00:23:56.460 --> 00:23:59.279
camera sort of follows around and he's distant.

506
00:23:59.339 --> 00:24:00.839
Like it really sells the place.

507
00:24:00.960 --> 00:24:03.660
One of the things, one of the things about, I don't know whether

508
00:24:03.660 --> 00:24:06.480
it's the lenses they're using or what they're doing with cameras

509
00:24:06.480 --> 00:24:10.500
but there just seemed to be a real depth of field and there were

510
00:24:10.500 --> 00:24:15.480
night shots and we were in big spaces and it just sold the movie

511
00:24:15.480 --> 00:24:16.319
feel to me.

512
00:24:16.380 --> 00:24:19.559
Like 50 minutes is at nighttime.

513
00:24:19.680 --> 00:24:20.759
It's amazing, Todd.

514
00:24:20.819 --> 00:24:22.319
Yeah, I agree.

515
00:24:22.380 --> 00:24:24.779
I think Rachel's direction was brilliant with a lot of those

516
00:24:24.779 --> 00:24:29.339
action sequences down the street, but I think one of the greatest

517
00:24:29.339 --> 00:24:34.140
shots ever was the meep creeping past that sleeping man.

518
00:24:34.200 --> 00:24:36.240
I just...

519
00:24:36.299 --> 00:24:37.500
It was so good.

520
00:24:37.559 --> 00:24:43.500
And the music drops out as all the music drops down as they do

521
00:24:43.500 --> 00:24:43.619
it.

522
00:24:43.740 --> 00:24:47.220
The thing that I was thinking of with the opening titles, Simon, is

523
00:24:47.220 --> 00:24:50.519
that things happen when the music changes, which is a thing that

524
00:24:50.519 --> 00:24:51.839
has never achieved before.

525
00:24:51.839 --> 00:24:59.339
Apart from the series 7B. I was really happy that the wonderful

526
00:24:59.339 --> 00:25:04.500
series 7B, except it's the credits that are still, to this day, the

527
00:25:04.500 --> 00:25:05.700
best credits of the new series.

528
00:25:05.759 --> 00:25:10.559
But the, the, uh, the, look, yes, I think the credits were great.

529
00:25:10.680 --> 00:25:11.279
They were rich.

530
00:25:11.339 --> 00:25:11.940
They were interesting.

531
00:25:12.000 --> 00:25:14.160
Things were happening, though, and more to the point, as you say

532
00:25:14.160 --> 00:25:16.140
things were happening in time to the music, so it looks like they

533
00:25:16.140 --> 00:25:16.859
were done together.

534
00:25:16.920 --> 00:25:21.420
One thing that disappointed me was the logo, just flies along, it

535
00:25:21.420 --> 00:25:24.720
appears as like it's a great big plaque in space, as opposed to

536
00:25:24.720 --> 00:25:27.119
somehow assembling, coming together.

537
00:25:27.180 --> 00:25:30.539
I just, I mean, I know the diamond logo in, in, back in the day

538
00:25:30.539 --> 00:25:33.900
kind of just, just down the, the time tunnel, but I expected, like

539
00:25:33.900 --> 00:25:36.900
you get, where, with all these number acclimations that we've been

540
00:25:36.900 --> 00:25:37.740
getting of the low, but.

541
00:25:37.920 --> 00:25:39.299
Well, exactly. but in reverse.

542
00:25:39.359 --> 00:25:40.920
Yeah, well at the end of episode five.

543
00:25:40.980 --> 00:25:43.859
But there's been all these great animations of like the logo with

544
00:25:43.859 --> 00:25:45.960
glowing bits of the who and so on.

545
00:25:46.019 --> 00:25:46.920
It looks fantastic.

546
00:25:46.980 --> 00:25:49.680
And yet we just get this kind of flat plaque appearing in the

547
00:25:49.680 --> 00:25:50.579
middle of the opening credits.

548
00:25:50.640 --> 00:25:54.240
So I went, oh, that's a bit disappointing, but you know, I'm

549
00:25:54.240 --> 00:25:54.660
fussy.

550
00:25:54.720 --> 00:25:56.519
You can't win them more, Simon.

551
00:25:56.579 --> 00:25:58.740
I really, I just loved it.

552
00:25:58.799 --> 00:25:59.880
I loved that.

553
00:25:59.940 --> 00:26:00.960
But we should be able to win them all.

554
00:26:01.019 --> 00:26:02.460
We should be able to win them all.

555
00:26:02.519 --> 00:26:03.960
Aspire to perfection, I say.

556
00:26:05.099 --> 00:26:09.059
I did think of you, Simon, when I was watching those opening

557
00:26:09.059 --> 00:26:12.359
titles because it reminded me of the point.

558
00:26:12.359 --> 00:26:17.460
I think you made way back in sort of series one or series 2 about

559
00:26:17.460 --> 00:26:22.140
how it looks like the the logo is designed from a completely

560
00:26:22.140 --> 00:26:24.960
different team from the title sequence itself.

561
00:26:25.019 --> 00:26:26.579
It felt...

562
00:26:26.579 --> 00:26:30.119
It felt like it was just kind of plonked in there.

563
00:26:30.180 --> 00:26:35.339
There's a different render, doesn't really gel, like if there's

564
00:26:35.339 --> 00:26:38.819
some washers on it to make it look like it's moving through.

565
00:26:38.880 --> 00:26:42.299
But I think, yeah, I think that was the one thing that

566
00:26:42.299 --> 00:26:46.500
disappointed me about those titles was that, It just didn't feel

567
00:26:46.500 --> 00:26:49.380
organic, that the 2 pieces of it.

568
00:26:49.440 --> 00:26:54.299
Um, and doesn't have to be a diamond tunnel.

569
00:26:54.480 --> 00:26:56.700
But maybe that would have worked.

570
00:26:56.880 --> 00:26:58.799
I think it might have.

571
00:26:58.859 --> 00:27:01.440
Or at least a part of a Darvin Tuttle.

572
00:27:01.500 --> 00:27:03.779
Look, yeah, it's just the fact that it was a solid.

573
00:27:03.839 --> 00:27:07.680
As I said, it's a single item of logo that just arrives rather

574
00:27:07.680 --> 00:27:10.319
than a logo made up of bits.

575
00:27:10.380 --> 00:27:12.660
And I think, I think doing something like that.

576
00:27:12.720 --> 00:27:15.539
I'm not saying it all needed to assemble or appear from the cloud

577
00:27:15.539 --> 00:27:18.599
background or whatever, but I just think that seemed to be a

578
00:27:18.599 --> 00:27:20.400
plonked on thing at the last minute.

579
00:27:20.460 --> 00:27:22.619
Like they weren't sure when they designed the music and the

580
00:27:22.619 --> 00:27:23.039
titles.

581
00:27:23.099 --> 00:27:24.660
They weren't sure what the logo was going to be yet.

582
00:27:24.720 --> 00:27:26.400
That's what it's sort of wrecked of for me.

583
00:27:26.460 --> 00:27:29.339
Simon, being a fan of Hinch Cliffera, I thought you would have

584
00:27:29.339 --> 00:27:30.599
enjoyed a bit of the plaque in space.

585
00:27:30.660 --> 00:27:32.279
Oh my god.

586
00:27:33.839 --> 00:27:35.759
I have no retort.

587
00:27:36.420 --> 00:27:40.859
Was anyone else watching it on Disney Plus itself because I hope I

588
00:27:40.859 --> 00:27:44.039
can make adjust a setting on Disney Plus, but basically like 2

589
00:27:44.039 --> 00:27:45.180
seconds into the end credits.

590
00:27:45.240 --> 00:27:47.819
It decides to, of course, make it a picture in picture thing and

591
00:27:47.819 --> 00:27:50.460
you have to go back to it, which is the most annoying thing about

592
00:27:50.460 --> 00:27:51.660
streaming services.

593
00:27:51.720 --> 00:27:54.720
I like the ones where you can turn that off and I shall

594
00:27:54.720 --> 00:27:55.920
investigate Disney+.

595
00:27:55.980 --> 00:27:57.480
Otherwise, there'll be emails written.

596
00:27:57.599 --> 00:28:00.000
Yes, write to your MP, for God's sake.

597
00:28:00.059 --> 00:28:02.700
Please do assignment because yes, that got to me too.

598
00:28:02.759 --> 00:28:04.740
I went, no, I don't want that in little box thing.

599
00:28:04.799 --> 00:28:05.940
I want to see the whole.

600
00:28:06.000 --> 00:28:07.619
Yeah, save us from that.

601
00:28:07.680 --> 00:28:10.740
Start an online petition or something. using change.org.

602
00:28:10.799 --> 00:28:11.160
How about that?

603
00:28:11.220 --> 00:28:13.680
That seems terribly passionate.

604
00:28:13.740 --> 00:28:15.119
All right.

605
00:28:15.180 --> 00:28:17.460
Well, unless anyone has anything more to say.

606
00:28:17.519 --> 00:28:19.980
I think we might wind this up.

607
00:28:19.980 --> 00:28:23.039
Does anyone have any final statements, Richard?

608
00:28:23.099 --> 00:28:26.160
I'm just back to the TARDIS set.

609
00:28:26.220 --> 00:28:28.380
Did anyone else feel a pang of disappointment?

610
00:28:28.440 --> 00:28:31.740
that Olivia Newton-John wasn't here to roller skate around that

611
00:28:31.740 --> 00:28:36.839
thing. since we seem to be stuck in 1979, 1980.

612
00:28:37.019 --> 00:28:40.500
I really did feel like it was Kubrick doing Xanadu.

613
00:28:40.559 --> 00:28:41.880
But that's no bad thing.

614
00:28:42.119 --> 00:28:43.680
Todd?

615
00:28:43.740 --> 00:28:49.619
I loved the map and I loved when the map turned and the teeth and

616
00:28:49.619 --> 00:28:52.859
the eyes and that I was just great and when you're going to eat

617
00:28:52.859 --> 00:28:55.079
you all, like, oh, one of them anyway.

618
00:28:55.140 --> 00:28:56.460
I just thought it was great.

619
00:28:56.519 --> 00:28:58.019
I was laughing my head off.

620
00:28:58.079 --> 00:29:02.519
The return of puppet aliens, I think, is very, very much to be

621
00:29:02.519 --> 00:29:03.420
encouraged.

622
00:29:03.480 --> 00:29:03.779
Peter.

623
00:29:03.839 --> 00:29:05.759
Todd, did you enjoy the meat here?

624
00:29:07.140 --> 00:29:09.000
Stop it, Peter.

625
00:29:09.059 --> 00:29:09.839
Yes, I did.

626
00:29:09.900 --> 00:29:11.339
It was luscious.

627
00:29:11.400 --> 00:29:12.900
Simon?

628
00:29:12.960 --> 00:29:18.059
Look, I just wonder whether starting the Disneyified version of

629
00:29:18.059 --> 00:29:23.339
the show with a stuffed animal as the, you know, villain or at

630
00:29:23.339 --> 00:29:26.099
least the cuddly thing in the villain was the right message that

631
00:29:26.099 --> 00:29:27.480
they were wanting to send.

632
00:29:27.539 --> 00:29:31.680
And maybe it is going to be that sort of thing as we as we

633
00:29:31.680 --> 00:29:34.980
progress, like, you know, the action figure of the week, maybe.

634
00:29:35.039 --> 00:29:38.339
That's the thing that sort of is a little alarm bell that's going

635
00:29:38.339 --> 00:29:38.819
off in my head.

636
00:29:38.880 --> 00:29:41.579
Uh, I think that's really deliberate.

637
00:29:41.640 --> 00:29:43.980
I think choosing a Marvel villain.

638
00:29:44.039 --> 00:29:45.359
Yeah, there we go.

639
00:29:45.480 --> 00:29:46.740
He's a Marvel villain.

640
00:29:46.859 --> 00:29:47.940
Right.

641
00:29:47.940 --> 00:29:49.200
DW always published.

642
00:29:49.259 --> 00:29:50.519
By Marvel.

643
00:29:50.579 --> 00:29:54.539
And Marvel was, yes. and it was written by people who worked for

644
00:29:54.539 --> 00:29:55.079
Marvel.

645
00:29:55.140 --> 00:29:55.380
Yeah.

646
00:29:55.380 --> 00:29:57.779
So it's a Marvel villain on Disney.

647
00:29:58.019 --> 00:30:01.259
I think that's a lot of triple branding.

648
00:30:01.319 --> 00:30:05.519
There's a lot of triple bluffing going on there, I think, as well

649
00:30:05.519 --> 00:30:07.740
to try and make us think that this is what we're about to get.

650
00:30:07.799 --> 00:30:08.700
That's what I'm hoping.

651
00:30:08.759 --> 00:30:09.660
I think so too.

652
00:30:09.720 --> 00:30:12.240
And I think next week is likely to be very different.

653
00:30:12.299 --> 00:30:13.559
All right.

654
00:30:13.619 --> 00:30:16.619
I have some things to plug before we go.

655
00:30:16.680 --> 00:30:23.579
Flight through entirety is nearing the end of series 9 and next

656
00:30:23.579 --> 00:30:27.900
Sunday we'll be doing our Hellbent episode.

657
00:30:27.960 --> 00:30:33.720
Startling Barbara Bain has just released its 2nd episode on Force

658
00:30:33.720 --> 00:30:34.259
of Life.

659
00:30:34.319 --> 00:30:40.500
So fans of Kubrick and Prentice Hancock should both check that

660
00:30:40.500 --> 00:30:40.799
out.

661
00:30:40.859 --> 00:30:45.660
And of course, as always, maximum power and untitled Star Trek

662
00:30:45.660 --> 00:30:47.700
project continue unabated.

663
00:30:47.759 --> 00:30:51.660
James, you're probably going to go and press publish on that

664
00:30:51.660 --> 00:30:53.759
episode when we hang up here.

665
00:30:53.819 --> 00:30:54.480
Is that right?

666
00:30:54.539 --> 00:30:56.700
Possibly, possibly.

667
00:30:56.759 --> 00:30:59.759
Well, I'm about 5 to midnight.

668
00:30:59.819 --> 00:31:00.960
Yeah, one of those.

669
00:31:01.619 --> 00:31:03.539
English people will still be awake by then.

670
00:31:03.900 --> 00:31:07.319
And if I can just sort of plug something else, which I wouldn't

671
00:31:07.319 --> 00:31:09.660
normally plug it in this program, but there has been a crossover

672
00:31:09.660 --> 00:31:14.279
from my radio show where I speak to a classical musician or an

673
00:31:14.279 --> 00:31:17.099
actor or a director or something, because this last week on the

674
00:31:17.099 --> 00:31:21.119
show, the week of the anniversary, I was very happy to be joined

675
00:31:21.119 --> 00:31:25.619
by everyone's favourite companion, Katie Manning, and she was

676
00:31:25.619 --> 00:31:27.299
absolutely gorgeous, absolutely delightful.

677
00:31:27.359 --> 00:31:30.299
The interview only does only cover a little bit of Doctor Who.

678
00:31:30.359 --> 00:31:33.240
It is designed for a broader audience, but it's fascinating to

679
00:31:33.240 --> 00:31:35.640
hear about basically all the rest of her life.

680
00:31:35.700 --> 00:31:38.940
So if you have any interest in that, you can find it by searching

681
00:31:38.940 --> 00:31:41.940
just in conversation, Katie Manning, and it should come up pretty

682
00:31:41.940 --> 00:31:43.259
high in your podcast.

683
00:31:43.380 --> 00:31:47.279
And can I just say that if we hadn't had Miriam voicing Beep the

684
00:31:47.279 --> 00:31:48.839
Meep, wouldn't Katie have been amazing?

685
00:31:48.900 --> 00:31:50.519
She'd have been amazing.

686
00:31:50.579 --> 00:31:52.140
And she could have done all those voices as well.

687
00:31:52.200 --> 00:31:54.180
And she does so many of the interview, I do.

688
00:31:54.240 --> 00:31:55.380
Bet she does.

689
00:31:55.440 --> 00:31:56.339
It does, Simon.

690
00:31:56.400 --> 00:31:56.759
She does.

691
00:31:56.819 --> 00:31:58.019
All right.

692
00:31:58.079 --> 00:32:00.299
In that case, all that remains is for me to say.

693
00:32:00.359 --> 00:32:04.799
Until next time, we'll be here on Mars with Chaucer and a robot

694
00:32:04.799 --> 00:32:05.519
shark.

695
00:32:05.579 --> 00:32:08.039
Thank you very much for listening and good night.

696
00:32:08.099 --> 00:32:09.720
See you later.

697
00:32:09.779 --> 00:32:10.559
Good night.

698
00:32:10.619 --> 00:32:11.579
Bye for now.

699
00:32:11.640 --> 00:32:12.900
See you soon.

700
00:32:12.960 --> 00:32:14.039
Vennings.